In recent years, a series of anti-Japanese TV dramas with quite magical storylines have quietly swept the screen. The Lei ren bridge section is emerging in an endless stream, and the anti-Japanese theme TV series are constantly "typed". This has also led to the increasingly bored psychology of the movie-watching masses, and gradually classified as "anti-Japanese drama". But there are also some anti-Japanese movies that are deeply loved by people, and after the baptism of years, they are still regarded as classics, so what is the difference between that and the current anti-Japanese dramas?
"Smart Escape" is a film directed by Sun Min and starring Wei Zongwan and Huang Hong. The film is a patriotic film that praises the military and the people's anti-Japanese resistance, but this film is a film with anti-Japanese themes, but it chooses a very different way of expression, using the wonderful interpretation of several big comedians, so that the audience can't help but be amused.
Although "Run and Escape" was filmed more than a decade ago, even today's audience will still laugh from the beginning to the end, which is enough to show that this movie is much smarter than the shoddy so-called comedies of the moment.
In this film, the four who play Lao Mi (Wei Zongwan), the storyteller (Xu Yukun), Qin Gui (Huang Hong), and Sasaki Ichiro (Sun Min), all of whom are "national first-class actors", have impeccable acting skills, and can really bring the roles on the script to life. If you change some young idol actors, you will never have such an effect.
The song "Playing Cotton" in the climax of the whole film is a classic in the classic, and several "playing cotton" shouts can be adapted into a rather folk song style minor tune by the storyteller in a hurry, and people will never forget, it is really not necessary to admire the creativity of the screenwriter.
Some netizens have asked how this film compares with today's anti-Japanese drama, Xiaobian feels that it should be incomparable, Xiaobian believes that this film is alive, and the message it conveys: the kind of enthusiasm for their hobbies, the dislike of war (anti-war themes), still valuable and vital today 20 years later.
In today's anti-Japanese drama, I don't see that kind of valuable idea.