Every time I hear someone say that it is within the cotton, I always think of this classic comedy "Smart Run", the brainwashing song of the cotton in the play is really a laugh once, it has also become a classic fragment in this play, and it seems that the lyrics can be sung immediately
"Smart Escape" is starring Huang Hong and Wei Zongwan. Speaking of Wei Zongwan, I really like this old actor, and he was featured in several movies I liked at that time. Back to the main theme, the film mainly tells that during the War of Resistance, an injured Eight Road traffic officer asked his brother Erzhu to send the Japanese strategic offensive map to the comrades at the railway station, while the Japanese army also sent Sasaki Shosa to seize the offensive map. So around the strategic offensive map, the peasants laozi, Shunzi, storytellers, and the undercover Qin Gui and the Japanese army led by Sasaki Shaosa, who were bent on finding the Eighth Route Army's anti-Japanese resistance, launched a wonderful contest.
The play has created several classic characters that are memorable. One of them is Sasaki Shosa, who is not only the captain of the Japanese army, but also a music instructor in the mountains. When I watched this drama as a child, I just thought this character was funny, a music instructor would actually be the captain of the Japanese army, and made a bunch of jokes. Later, when I revisited it again, I found that this character was the most successful one portrayed in the play, and this character always showed his love for music in the play. He could think of the Eighth Route Army's bows and arrows as an instrument; his respect for the music itself when they played cotton with so-called Chinese instruments was his respect for the music itself; and even when he was about to be sent to a court-martial at the end of the play, he couldn't help but sneak away the recordbook. Compared with war, music should be his faith, but unfortunately he was in the war years, obviously had his own faith but had to abandon it, the ideal and reality really ran counter to each other. In short, Sasaki's different performance methods of the Japanese army role actually make people have a new understanding of the Japanese army, who does not want to live in the era of peace, but the difference in the era is doomed to some innocent people can only be involved in it. (It is also until now that I have discovered that Sasaki's actor is actually the director himself, which is really too talented)
In the play, Lao Mi and Junko are also classic characters. The two of them were honest peasants, but they were bent on finding the Eighth Route Army and wanted to join the War of Resistance, and they obviously felt afraid when they faced the devils, but they did not want to retreat, and the two of them should also be the epitome of everyone in that era who wanted to resist Japan and defend the motherland. I can't help but think of the boss of the shop in the play: "Resistance, I am Wang Ba's eating scales, and the resistance of the iron heart"
People living in different generations will have their own difficulties, but who does not want to be happy anymore. Learn to be happy in the bitterness, the most important thing in life is the courage to start again, the most feared is that they have given up on themselves, optimistic to face and think of ways to solve the problem, there will always be a way out, just like the code in the play: "Mountains and rivers are doubtful and there is no way, willows and dark flowers are bright and another village" (if there are many cultured people at that time, there will be a large piece of this code)
The last song to play cotton to the end, bitter music has a taste.
Play cotton ah bomb cotton half a pound of cotton bounced into eight two eight yo old cotton bounced into new cotton yo play a good quilt that girl wants to get married Oh yo yo yo