Someone in the background wants this one.
I have talked about it before: "Kangxi Dynasty" and "Yongzheng Dynasty", Chen Daoming's Kangxi, Jiao Huang's Kangxi.
The former says the name of the deed, the latter says the aftermath.
Because of the name of the merit, Chen Daoming's version of Kangxi intensively describes how heroic and decisive he was. Capture Ao BaiPing San Francisco decided to deal with Somming Erxiang pingerdan.
"Kangxi Dynasty" has a total of 46 episodes, and it is not until episode 43 that Kangxi kills Geldan, and "Baori Longmei is you who raped Yuan!" ”
According to the history, Kangxi was only 36 years old and had been in power for less than thirty years.
And the last thirty years of his reign were erased with three episodes.
We see only that he is mighty, that he has raised up his talents, that he has only seen his foresight and foresight.
We usually like a character for his merits because of his pain generates empathy and falls in love with him. Unfortunately, most of the time, Chen Daoming's version of Kangxi is above everyone else.
Why does everyone like Chen's generous statement at the Feast of the Thousand Sorrows? Like him?
Because then he was annoyed, excited.
Instead of the previous one, he leaned on the bed with a low brow and a low eyebrow, a posture of "everything in my control, as long as I use one person can turn things around".
Teacher Jiao Huang's performance of Kangxi has a little wonderful point:
He was already at his peak when he appeared, and there was no need to deliberately describe how wise he was, Wunu, and then, he only needed to portray the vicissitudes of a peak power.
Emperor Peak is the loneliest and most like an ordinary person.
Therefore, although Teacher Jiao Huang has acted in a variety of ways, he has indeed taken advantage of the character design and the script. Probably the love for Teacher Jiao Huang is just like the passage in Duras's "Lover":
I know you and will always remember you. At that time, you were still very young, and everyone said you were beautiful, and now, I am here to tell you, for me, I think you are more beautiful now than when you were younger, when you were a young woman, and I love your battered face more than you did then.
Man likes a character for his merits and treats him as a god; empathy arises from his pain, falls in love with him, and treats him as a man.
Why does Chen Baoguo's Jiajing act more flavorfully than Emperor Wu of Han?
Why did Bao Guoan's Cao Cao also have moments of embarrassment, but was recognized as heroic?
Why is Ma Yue's Li Shimin also heroic, but more brilliant than Tang Guoqiang's Li Shimin?
That's the way it is.
Or it has to do with the script.
The script of the play "Kangxi Dynasty" is full of a kind of... Say good to hear the point is called legendary, say ugly point is called the atmosphere of folk imagination:
Er and others are mediocre, I am a heroic emperor, with all kinds of unconventional operations that you can't think of, you can get it done! You can't even guess me!
Xiao Kangxi fell ill and died, and after eating the magic herb, he lived.
By relying on Zhu Guozhi, he could fool Wu Sangui.
Prince Zhu San made trouble, Kangxi was very panicked, and Teacher Sichen gaowa's "I Filial Piety" yelled for a while, and the situation was stable.
Wu Sangui came over, and Kangxi was invincible as long as he promoted Zhou Peigong among the grass. A few words can bring down a northwestern warlord.
Zheng Jing committed suicide in Taiwan. Kangxi was invincible as long as Yao Qisheng was promoted among the grass mangs, and he could still soothe Shi Lang with a few words.
When paying homage to Zhu Yuanzhang, he took Taiwan by the way, and Kangxi turned back to Zhu Yuanzhang's mausoleum and smiled.
Both Soetu and Pearl are bad people. Kangxi only needed to arrange for Li Guangdi to make a small report.
Li Guangdi also had to have a little affection for Lan Qi'er. Envoys and relatives must make the father and daughter very sad.
Of course, Gordan wanted to take it. Baori Longmei of course wants to fall in love with Yuan, but also to guard the homeland, leaving Baori Longmei in the air for you to rape and degenerate.
Pearl and Soetu are both evil, so let them expose each other.
The courtiers fainted, and Kangxi roared angrily in the court, pointing at the old crooked neck tree to make them reflect, and they reflected.
In short, the logic of the Kangxi Dynasty is:
The whole world is mediocre, and the courtiers are brainless; they will only look at each other.
Most of the problems in the world, as long as I am wise and divine, I use talents in an eclectic manner, entrust them all, and then give up some children's feelings, I can solve them.
There are only a few powerful people in the world; only I can see the heroes with my eyes, find them, and appoint them, and I can solve them.
Only I Kangxi discovered the talent of Zhou Peigong Yao Qisheng Li Guangdi. I Kangxi can look like a bamboo in the chest - just like in "The New Three Kingdoms", Chen Jianbin's version of Cao Cao suddenly peed on the spot: that is all informal, everyone else is too pedantic, not domineering!
This is the logic of the screenwriter teacher.
My personal guess is that the screenwriting teacher of "Kangxi" is a military writer, so he always feels that as long as he is informal, out of line, and if necessary, he will stop at nothing to issue orders with an iron fist, and with a firm will, he can solve most problems.
The "Yongzheng Dynasty" is the consistent style of Teacher Liu Heping, which reflects each other with "Daming Dynasty 1566".
I don't want to repeat the plot anymore – it's too complicated and too delicate.
The characteristic of teacher Liu Heping is to bring out a series of characters through a line, as well as structural contradictions between characters and characters.
At first glance, black and white are distinct, but if you look closely, you can pull the whole body, and each person has his own motivation.
Compared with Teacher Zhu's spicy style of where he will not order where and where there is a problem, Teacher Liu Heping's pen, whether it is Kangxi, Yongzheng or Jiajing, is full of helplessness:
Solved one dial, another dial. Never once and for all.
Problems come and go in a loop.
Of course, what Teacher Liu Heping wrote may not be a completely true history, and there is also a dramatic side, but at least it is more reliable than "I use a Zhou Peigong / Yao Qisheng / Li Guangdi to make everything go well".
Let's put it this way: young people will probably like "Kangxi Dynasty": looking at Shun, looking at Shuang, I think that all the problems in the world, as long as there is no point where, quick knife cutting mess, natural and clean.
When you are a little older, you can feel the taste of the "Yongzheng Dynasty", and find that the more the water flows when the knife is cut off, the bigger the thing in the world, the more it involves the whole body, and the cycle repeats.
The former is a heroic fairy tale, the latter is brutally real.
More precisely, the former exaggerates the individual infinitely, while the latter is full of helpless historical processes.
So personal struggle... But...... The course of history...
We all get it.