"False serious" or true gentleman? The biggest joke in internal entertainment is that Chen Daoming's art is not good
Chen Daoming: An actor's "Tao" and the dilemma of the times
The hustle and bustle of the entertainment industry always seems to run counter to the word "true". In the era when traffic is supreme and data is king, acting seems to have become an accessory, and hype and topics are the way to survive. In this environment, Chen Dao is obviously out of place, and even a little "out of place". He bluntly criticized traffic stars, angrily denounced the chaos in the industry, and insisted on his artistic pursuit, which also attracted a lot of criticism. Some people say that he is "hypocritical", some people say that he "relies on the old and sells the old", and some people question his artistic virtues. However, is Chen Daoming really as unbearable as rumored? Perhaps, we should look at the essence through the phenomenon to understand the "Tao" of an actor and the dilemma of the times.
Chen Daoming was not born out of place in the entertainment industry. In his early years, he was also unknown, studying hard for a supporting role, and finally won recognition for his superb acting skills. From Pu Yi in "The Last Emperor" to Kangxi in "Kangxi Dynasty", and then to Liu Bang in "The Legend of Chu and Han", every character he created has been deeply rooted in the hearts of the people and has become a classic. It's not that he doesn't understand the rules of the entertainment industry, but he just doesn't want to compromise. He firmly believes that the actor's job is to shape the character, not to create traffic.
In today's entertainment industry, the power of capital is unprecedentedly strong, and the commercial value of traffic stars far exceeds that of powerful actors. In this case, Chen Daoming's persistence is particularly precious. He is like a mirror, reflecting the hypocrisy and impetuousness of the entertainment industry, and also reminding us that real art should not be kidnapped by traffic.
In "First Grade", Chen Daoming's teaching to young actors is not a simple acting instruction, but also a spiritual inheritance. He told them that they must first be a good audience before they can become a good actor. This is not only the teaching of acting skills, but also the cultivation of a sense of reverence for art. He hopes that young actors can understand that the value of an actor lies in shaping the character, not chasing fame and fortune.
Chen Daoming's strict requirements for young actors also reflect his persistent pursuit of art. He knows that the success of an actor is not achieved overnight, and it requires long-term accumulation and training. He hopes that young actors can be down-to-earth and polish their acting skills with their hearts, rather than rushing for quick success and pursuing quick success.
In the Miao Miao incident, Chen Daoming stood up to defend the dignity of women and showed his gentlemanly demeanor. In the Huabiao Award lounge, his ridicule lifted the fig leaf of the Hong Kong circle, and also reflected his concern and support for the development of film and television in the mainland. These actions have shown us a real artist, an actor with a sense of responsibility and responsibility.
Chen Daoming is not perfect, he also has his own shortcomings and shortcomings. But his persistent pursuit of art, his criticism of the chaos in the industry, and his teaching of young actors are all worthy of our respect and learning. He is like a lonely watchman, guarding the pure land of art, and also reminds us not to be blinded by the flow of traffic, but to feel the charm of art with our hearts.
In the era of information explosion, all kinds of information that is difficult to distinguish between truth and falsehood are flooding the Internet. Negative rumors about Chen Daoming are also endless. However, in the face of these doubts, Chen Daoming chose to remain silent. He proved with his actions that those who are pure are self-purifying, and those who are turbid are self-turbid. Time will tell, and true artists will eventually be remembered by history.
Chen Daoming's "Tao" is the "Tao" of art and the "Tao" of life. He uses his actions to interpret what a real actor is and what a real artist is. In this impetuous era, his persistence is particularly precious. He is like a shining star, lighting up the night sky of art and guiding us in the direction of progress.
What should we think of Chen Daoming? Perhaps, we should let go of prejudices, feel his works with our hearts, and understand his "Tao". His existence is not only an actor, but also a spiritual symbol, a persistent pursuit of art, and a deep reflection on life.
Chen Daoming's story continues. He will continue to explore on the road of art, continue to move the audience with his works, and continue to contribute to the development of Chinese film and television. His "Word" will continue to influence generations of actors and artists. His story is worth pondering and remembering.