"Northeast Old Cannon 2" was quietly released, on the online platform.
So far, it is the third day of release, but its data on the Internet is really weird and unpredictable.
On the one hand, it is the high popularity and high playback volume displayed on the platform.
Comparable to the "Eighteen Palms of the Dragon Descending dragon" released on the same day, it took turns to be the first after the launch, and the popularity of the two networks was as high as 1360+.
On the other hand, it is the audience's extremely low participation and desire to express.
On the online solo platform, as of yesterday, nearly ten million views were displayed, but not a single viewer left a trace – that is, without any comments and discussions.
On a certain petal of a professional film review website, there is only a lone short review:
There is actually a sequel to the Northeast Old Cannon (Panic).
But if you look closely at the time of the review, it is still the beginning of the year.
In other words, after the launch of "Northeast Old Cannon 2" on the online platform, it looks hot, and in fact, no audience wants to say two words after watching it.
This data is really weird.
Although this net is a real bad film, although there are sometimes cases where turnips and greens have their own love, although there is often a phenomenon that the works are not popular.
But it is really not that in the case of such a high degree of popularity and such good playback data, there is not a single comment.
Ten thousand steps back, even if it is the high data bought by the film side, it is good to be in place in one step, and the comments are also brushed up, ah, there is no such situation without any comments, too unprofessional.
Even the king of bad films, "Dream Showbiz", has more than 90,000 people participating in the rating on a certain petal.
Out of curiosity, I went to see the first "Northeast Old Cannon" and its data, and I understood why the netizen would be surprised that "Northeast Old Cannon" actually had a second part.
Frankly speaking, "Northeast Old Cannon" will shoot the second part, and everyone who has seen it has a responsibility.
According to the encyclopedia's explanation, Lao Cannon Er, originally Lao Bao'er, is a Beijing slang language.
It refers to a type of social class that constantly goes in and out of prison and is regarded as a daily life, and the old bubble in the mouth of the common people in the past often refers to the asshole with a violent personality and a bastard behavior, which is slightly pejorative!
However, with guan hu's alternative analysis and Feng Xiaogang's amazing deduction, it has re-given the meaning of "old cannon".
Under the interpretation of Feng Xiaogang, the authentic Beijing old cannon has a spirit of holding back but not accepting defeat, no longer imposing, but still not losing the aura, paying attention to rules and morality.
In guan Hu's carefully arranged story, the Beijing old cannon represented by Feng Xiaogang not only impressed Xiaofei who was embarrassed by him in the movie, but also touched most of the audiences who only understood the "old cannon" through this movie.
In particular, Feng Xiaogang's bloody and embarrassing performance in order to save his son, full of blood and flesh, but the heart-wrenching process of being defeated by reality again and again, let the audience recognize this somewhat old cannon step by step.
To some extent, the attitude of the "villain" Xiaofei to Feng Xiaogang represents the strange audience's cognition of the old cannon: from the disdain at first sight, to wavering, to respect, and even to the final compassion.
"Old Cannon" has become a tribute and elegy to the old order.
What moves us is the vision of chivalry in our hearts.
It's as if we once aspired to be the Ancient Puzzle Boy.
What we yearn for and look forward to is never the identity of "old cannon" or "ancient puzzle boy", but the chivalry represented behind this identity and the brotherhood that responds with a thousand responses, as well as the pride of drawing a sword to help each other when the road is uneven.
But Liu Xiaoguang seems to have misunderstood the meaning of "old cannon".
In "Northeast Old Cannon", not only can you see intentional or unintentional touch porcelain on "Old Cannon" everywhere, but also very superficially express your understanding of the word "old cannon".
Like Feng Xiaogang, Liu Xiaoguang also has a sister who has feelings and righteousness and does not abandon him in the movie, and a group of buddies who are willing to appear until the last group fight.
In order to save his son, Feng Xiaogang was forced to go out of the mountain, and Liu Xiaoguang resolutely went south to Shenzhen to take over the "Ocean Star" bathing center in order to save the career crisis of his son Bin Bin, who was unconscious in a car accident.
Saying that I didn't touch the porcelain "Old Cannon", I don't believe it.
"Northeast Old Cannon" is like Liu Xiaoguang's beer belly that can't be hidden, there is no face.
If the first "Northeast Old Cannon" can still see a little shadow of the "Old Cannon", then the second "Northeast Old Cannon" is only "Northeast".
The plot is even more ridiculous.
Let's first take a look at the synopsis of the movie:
The film tells the story of The Northeast bath master Lao Wu who led a group of friends to Sanya to save his son-in-law Jerry's on the verge of closure, and on the way to revitalization, a series of ridiculous stories occurred with the Japanese community.
Logically, a short sentence contains a lot of stories to tell.
Tohoku and Sanya, bathers and resorts, bathers and Japanese gangster societies... They are all very contrasting story settings, and if they are told well, they can bring full comedic effects.
But alas, the film doesn't tell any of these stories well.
Related to the northeast is just a group of bathers from the northeast, and Sanya is related to Sanya.
In addition, the northeast and Sanya do not have any intersection, and the northeast people in Sanya are completely wasteful in this setting.
Scrubbing baths and resorts, the director has thought of a way - using the bathing technique of the protagonist Lao Wu, played by Liu Xiaoguang, to bring the resort on the verge of closure back to life.
But the plot logic is full of loopholes.
First of all, son-in-law Jerry's resort is on the verge of closure because no one on the beach has come.
What is Lao Wu's approach?
He did not go out for marketing, did not try to pull tourists to this beautiful beach, but promoted it on the spot, and set up a pirate imitation show in the face of the beach without a single figure.
Four people stood there, shouting slogans without any nutrition:
Boao scenery is good, men and women should scrub baths; men do not scrub baths, daughters-in-law is not easy to find; women do not scrub baths, men run outside - horizontal batch: come in.
To be honest, if there is a bathhouse in real life, a bunch of employees stand at the door and shout this slogan, no normal customer will go in.
Besides, these people stood on the beach where no one was, shouting slogans into the air, shouting to whom?
But the director said that would be enough to solve the resort's crisis.
So, out of nowhere, a man with a dragon tattoo came in to patronize, Lao Wu, the whole bathing process, did not show how superb bathing skills, just rubbed the dragon, it was recognized by the other party, the next day with 50 brothers came.
In this regard, I can only say that the protagonist aura is really useful.
At this point, the combination of scrubbing and resort has not been played.
As for the contrast between the third combination I was looking forward to, the Tohoku bather and the Japanese gangster, it became the most crossed bridge section of the whole movie.
A group of Japanese gangsters who were in the middle of nowhere could do a few bathers who came out of the northeast bathhouse.
On the beautiful beach of Sanya, a few bathers chased a group of Japanese gangsters around, quite a smell of anti-Japanese drama.
This plot is almost like a farce.
As a disciple of Zhao Benshan, Liu Xiaoguang left his name in the hearts of the audience.
In particular, the "Zhao Si" he played in the "Country Love" series of TV series has left a deep impression on many viewers, so that in real life, many fans have directly called Liu Xiaoguang "Zhao Si" or "Four Brothers".
It can be seen how important and successful the role of Zhao Si is for Liu Xiaoguang.
Liu Xiaoguang has suffered.
He was born into a rural family in Huadian City, Jilin Province, and his living conditions were quite difficult.
Like many rural children, Liu Xiaoguang did not study well when he was a child, and his biggest hobby was to sing and twist the song with the village's song team.
After growing up, Liu Xiaoguang went to the city to work and learned to repair cars with his master in a car repair shop. With his love of drama, in his spare time, he always goes to the theater to watch plays and performs in the small class theater.
Later, he joined the Liaoning Folk Art Troupe and, together with Xiao Shenyang, worshiped Zhao Benshan as a teacher.
I have to say that Liu Xiaoguang is also lucky.
After studying with Zhao Benshan, he succeeded Guan Xiaoping and starred in the role of "Zhao Si" in the "Country Love" series of TV series that made him famous.
Not only that, Zhao Benshan also arranged for Liu Xiaoguang to enter the film and television industry and set a big fire on "Happy Comedians".
If nothing else, if Liu Xiaoguang can keep to himself and control himself, his achievements will definitely be at the forefront of the Zhao family class.
Just after Liu Xiaoguang's career was smooth sailing and Zhao Benshan paved the way for him, he was exposed as a cheating female fan in marriage, and his language was filthy.
At that time, it can be said that it was a sensational news, and there is still a "Liu Xiaoguang cheating door" entry explanation on the encyclopedia, and interested friends can search for it themselves, or it is more detailed.
This incident dragged Liu Xiaoguang, who was rushing forward on horseback, down fiercely and fell to the ground.
As a member of northeast f4, in the years that followed, Liu Xiaoguang received almost no support from Zhao Benshan.
During this period, Xiao Shenyang starred in the drama "I Love Peach Blossom", participated in the variety show "Crossover Singer King", "The Masked Singer", "I Am an Actor", etc., and this year was also revealed to direct the second film "Not Bad Money".
Song Xiaobao needless to say, turn on the TV, open the mobile phone, you can see his figure, this year also directed his debut "Fortune Diary", the reputation is not bad.
The low-key Wang Xiaoli also silently made three movies during this period.
What about Liu Xiaoguang? In addition to Zhao Si, what is left for the audience is the negative controversy.
Zhao Si, you can grow snacks.