Friends who like "Green Snake" watched it, and I want to open this love movie.
"White Snake" is born from the folklore of the White Snake, and the storyline is suitable for young and old, but the scale of "Green Snake" is not suitable for children.
Children can't understand, but the old driver understands that "Green Snake" is definitely an adult love movie.
1. Fahai, after all, did not control the lower body
Fahai is an important character throughout the film, and he has many unsolved mysteries.
For example, when Fahai meditates, why are there long-tailed monsters? Why did his futon spontaneously combust? Fahai and Qingsnake bet, why do you say that she is his first man?
For young children, these questions are less important. But they are very important for understanding Green Snake.
Let's look at the first question.
Why are long-tailed monsters disturbing Fahai meditation?
And we look at their conversations.
Fahai: You demons don't know the height of the sky and the thickness of the earth, and your appearance is so ugly, and you dare to twist around in front of the Buddha. Why aren't you afraid of me?
Long-tailed monster: We came from you, I'm afraid we're coming too.
Fahai: I was born with wisdom and roots, and my Taoism is profound, do you all dare to provoke me?
There is a particularly interesting scene here, where the long-tailed monster appears between Fahai's legs and tells Fahai, "I'm from you."
Monsters have long tails and milky white skin, is it like the JZ that adult men secrete?
The JZ comes from between the legs of the two men. Long-tailed monsters also appear between their legs.
Some people may think that this is over-interpretation.
So we can contact the above and see what Fahai experienced before this?
Fahai meets a village woman with a middleborn child.
The village woman's carcass brought powerful physiological stimulation to Fahai, so much so that he hurriedly said, "Amitabha, the Buddha's gate should keep the color ring."
Despite the words of Amitabha Buddha, the seductive carcass of the village woman already existed in his deep mind.
Such shots appear twice.
The second appearance, most likely Fahai's personal perspective, represents that he has not been able to withstand lust.
This incident brought a great psychological impact to Fahai, so meditation was no longer fragrant. The little tadpole in his body began to stir up trouble, becoming a dilemma that he could not overcome.
This answers the second question, the reason why fahai's futon spontaneously combusted–this is a symbol of Fahai's desire to burn.
Let's talk about the third question, why did the green snake say that the sea was her first man.
Fahai believes that in order to break through the bottleneck of cultivation, it is necessary to overcome desires and strengthen personal concentration.
For this purpose, he found the green snake that stole the reishi grass.
This setting is very interesting, Fahai claims that his mission is to exorcise demons. In order to let the green snake assist him in his cultivation, he could turn a blind eye and let the green snake go.
In a sense, Fa Hai, like Daoists who enhance their cultivation, has a refined and self-serving side.
Then again, Fahai and Qing snake bet that it is a famous scene worth analyzing in detail.
Fahai took the initiative to propose the game to Xiao Qing, "As long as you can mess with my concentration." I'll let you go."
The green snake said charmingly, "But I don't have much concentration, I'm afraid that if you don't mess up, I'll be in chaos."
Facts have proved that the green snake is chaotic, and the Fahai is in chaos.
The film uses two more understandable shots of adults to prove that the Fa hai is in chaos.
First, Xiao Qing held a black python tail.
As long as it is not weak, it will find that this tail is not the tail of the green snake itself at all.
Because the tail of the green snake is cyan.
The tail wrapped around the green snake can only be a figurative expression of a certain part of Fahai.
This may explain why the green snake's face is full of enjoyment.
Second, Fahai was bubbling around him.
This shows that Fahai didn't hold back, so what.
Perhaps Xu Ke felt that this expression was too obscure, and he gave a more intuitive picture.
The green snake touched Fahai's heart and said, "Your heart beats very fast," and then she touched between Fahai's legs and said happily, "You lost to me."
These episodes confirm what Qingsnake said, and Fahai is her first man.
It is worth mentioning that when Fahai and Qing Snake came into close contact, White Snake and Xu Xian were also clapping for love.
"Green Snake" uses cross-cutting to prove that Green Snake and White Snake do the same thing.
2. Not all romance films are pure
It's no secret that "Green Snake" is a movie I saw in my childhood.
Now re-brushing, only to find that I misunderstood this movie.
Re-brushing old films, I often have a feeling of blaming me for being young and ignorant and not understanding love movies.
In "Green Snake", the green snake color seduces Fahai, and Fahai says that it is cultivation, which is also well documented.
In Buddhism, there is a way of rejoicing in the Buddha, and there is a way of practicing with men and women who have sex, but they cannot be physically fit.
Fahai tried to reach this realm, however, he failed.
As my experience grew, the pure heart of my childhood left me, and I gradually became an old driver who understood all kinds of code words.
I found that many Chinese romance films also use very subtle means of expression in order to show the individual.
For example, when I watched "White Snake: Origins", I saw that zhu bao became an important narrative tool in the film.
I would think of Zhu Chao as a prop connecting the relationship between White Snake and Xu Xuan.
The end of the film proves this point.
The reason why I think so is because zhuchao has a strong sexual meaning in ancient poetry.
Han Wei wrote that "jade noodles knock on the pillow letter", Bai Juyi's "Pipa Line" has "the silver grate of the head is broken, the blood-colored Luo skirt turns over the wine stain", and Zhou Zizhi also wrote "powder sweat wet Wu Aya, jade pounding pillow edge".
In the Tang and Song dynasties, people used to use porcelain pillows, and women often used beads to tie their hair when they slept. If they perform the conjugal ceremony, the beads will collide with the porcelain pillow and make a sound.
Han Wei drove with Tang Shi, "Luo Tent hanging on the back of a red candle, and Yu Chao knocking on the pillow."
Because I often write film reviews and have seen many reviews, I have found that the same movie can have multiple understandings, as long as it is self-justified.
Xu Haofeng pointed out that the purpose of his descent from the mountain was to "find a female disciple and cultivate together in order to attain the Dao Ascension Immortal".
This view was also shared by Ang Lee.
In class, my art appreciation class teacher told me, "Literary works are public instruments, and appreciating them is not to guess the director's ideas, but to encourage the audience to have new cognition."
This view once became the principle of my appreciation of film and television works.
I am now writing the review of Green Snake, which is also the embodiment of this principle of commentary.
Of course, I also want to use these movies to prove that some aspects of domestic romance films have gone beyond the scope of children's understanding.
Interestingly, even if some viewers already have adult bodies, the connoisseurship remains childish.
When I was in college, I brushed "Waiting Alone" with my roommates, and during the movie, everyone had a fierce discussion about whether Chen Wen and Liu Rong had hey that night.
The end result is that they should not have done it.
Later, I asked a teacher, and he only told me that the flower is a symbol of a certain part of the woman, and the flower on the wall is moving.
It dawned on me.
Sharing this experience here, in fact, I also want to say that our domestic romance films have grown up, but many viewers have not grown up, and still watch movies with childlike pure eyes.
I'm ashamed that when I was in college, I was still one of the audiences who used to watch romance movies through the eyes of children.
It's just that now I don't want to comment on the movie like that.