The third issue of "Time Concert" is actually a song that many music circle singers will cover the phoenix legend.
Before the broadcast, it was really curious, after all, it was not easy to see singers like Ren Xianqi, Xu Ruyun, and Lin Zhixuan singing phoenix legend songs. I wonder how many people will have the same curiosity?
Needless to say, the song "Free Flight" is too familiar to everyone. For Ren Xianqi, for the post-80s and post-90s, it is also too familiar. However, the combination of the two has turned such a very local free yearning into a unique Ren Xianqi style of martial arts jianghu flavor.
Under the double blessing of producers Arai Eleven and Ren Xianqi, "Free Flight" has become "smiling proud of the jianghu". The picture of Ling Hu Chong and Ren Yingying's piano ensemble kept flashing in his mind, and he envisioned the happy scene of Xiao Feng and Ajusai shepherding sheep. Such a primitive and powerful new national wave music has suddenly become a "fairy tale" that belongs exclusively to adults!
This version of "I Come from the Grassland" sung by Yu Kewei undoubtedly has highlights. The first highlight, that is, the opening Humai, sets the tone of the whole song; the second highlight is the electronic elements of the song, which makes the whole song more trendy; the third highlight, her Mongolian singing, really gives people a bright feeling...
There are also many netizens who like Yu Kewei's rap section, of course, for the breakthrough, there are surprises, but in my opinion, it is really not so good. The broad mood and explosive power of Yu Kewei's voice itself are not enough to support the second half of the song, so rock and roll are added to increase the layering of the song. However, this also led to the song's arrangement, the sense of separation between the front and back is too strong. It's just that Yu Kewei's voice is very good, and her singing ability is also very strong, which adds a lot of points to this song.
The "core" of this song is still a little worse, and the overall adaptation is indeed very careful, but you can also feel the difficulty of adaptation. The comparison base is too "rustic", and it can be adapted into this, which is already very powerful!
I feel that the combination of Lin Zhixuan and "Lady Of Luxury" can really become a "lifetime" series. Because I really can't imagine, in addition to such a show, under this atmosphere of heavy feelings, how could Lin Zhixuan sing the song of the Phoenix Legend? However, it is such a scene, such an atmosphere, such a song selection, such an adaptation, everything seems to be very harmonious.
It seems that Lin Zhixuan developed his second singing personality after participating in "Brother Who Cut Through Thorns". In Linghua's words, she had never heard Lin Zhixuan sing with a throat scraping sound. And in the part of his rap action, it is too hot dog's sense of sight!
However, from a personal sense, Lin Zhixuan's cover song, I have listened to it several times, especially the high-pitched part, always makes people unfinished. His whole singing, his whole skill, and his control of the high pitch add a lot of courage to this song. It should be noted that under the continuous high note, at the end, the sound still shows a state of fatigue, but the flaws are not hidden, and even can create a mood that breaks through the obstacles.
However, this song has a "failure", and the rap part makes the song have a great sense of separation. Lin Zhixuan's most criticized biting problem has been vividly displayed in this rap. Although I can feel that he is trying to do a good job, the kind of biting words that are suppressed still makes the whole rap look stiff.
The Phoenix Legend is right, the song "Above the Moon" was indeed sung by Ji Minjia (now called Ji Dandi). The first time I listened to this song was when I heard Ji Minjia singing. However, such a song, I would never have joined my song list before, but after Zhang Jie's version of the cover, I feel that the diversity of music is really unlimited.
The adaptation of this song, after the official introduction, everyone already knows that it belongs to the mix-pop style. As for what is mix-pop style? Simply put, it's a hodgepodge. Elements such as electronic, rock, pop, and rhythm, as well as various techniques such as front-shot, back-shot, and mix-up, are all mixed together. Such a musical style, the general direction can be said to be pioneered by Zhang Jie, but such a style, whether it is good or not depends on the person, but I personally believe that the exploration of musical forms is actually worth affirming.
Speaking of this song, with the excellent blessing of Arai Eleven, this song is really full of freedom and free ride. The addition of the horse head piano can make the original song and the adaptation of the artistic conception, and the melody and the rap part are seamlessly connected, so that everyone can be overly overheard without violating the sense of sound. And this song has to mention a rap section, especially the section "to see, invisible, instantaneous, and eternal, to hear, inaudible, realistic, and dreamy", very memorable and brainwashing function, and this rap has also become the finishing touch of the entire song adaptation!
Although Zhang Jie's music has always been quite criticized, but this song, I think it is worth brushing more!
Xu Ruyun's "Xu's Singing Voice" is really the "scenery here alone" in the Chinese music scene! The texture of her own voice, the voice personality she shows, and the sonic singing, how can it not be liked?
Xu Ruyun's version of "Lotus Pond Moonlight" changed to the style of Bossa nova, which is indeed unexpected. The final effect is also quite a "princess-like" petty bourgeois mood. Xu Ruyun's singing matches the style of Barcelona, which is gentle like water, like the warm breeze of a summer night, releasing all troubles and immersing herself in the leisure time by the pond.
The bossa nova style, which arose in Brazil in the 1950s, is known for its romantic, gentle, and laid-back character, blending samba and jazz and evolving into a new style of jazz. However, the audience of this musical style in China has always been extremely limited, and in many music programs, in the adaptation of songs, sometimes whether it is suitable or not, it is necessary to adapt the songs into the style of Barcelona, which is indeed difficult to hear, and also makes it impossible for the audience of such music to expand popularity.
If you have any friends who like this style, you can listen to Lisa Ono.
Tan Yonglin sang "The Most Dazzling National Style", in fact, I am not surprised at all. After all, he had sung "Wolf in Sheep's Clothing." It's just that he is 71 years old and can still sing like this, which is really admirable!
With the rhythm of "The Most Dazzling National Style" itself, with the origin of Tan Yonglin's Wen Na Wuhu, it should be a matter of course that this song is adapted into a rock version. I would like to say that such inclusiveness, as well as such skills and abilities, is worth learning from all future singers. As for this song, I personally think it is also suitable for square dancing!
Wang Sutaki's version of "The Temptation of Lang" is really a song that bothers me! You call it "soil", the overall arrangement and construction, as well as the rhythm adaptation, the addition of elements such as backshoot, make this song much more advanced. However, such a songwriting trend still can't get rid of the "earthy flavor" originally in the song.
It's a song that makes me "love and hate". The style of this song has become the "Taki style" of the soulful model, and it contains a lot of careful thoughts and tricks in the arrangement, but the style of the lyrics of this song and the style of music have a sense of disconnection.
At that time, the songs of the Phoenix legend dominated the color bell and square dance market, and Wang Sutaki also became one of the three giants of QQ music, and their music brought them a lot of aura, but also brought them a lot of controversy and discussion.
After so many years, Wang Sutaki has gone to the mainstream market, and the Phoenix Legend has become a national combination. And when Wang Sutaki sang the song of the Phoenix Legend, this scene really made people feel mixed.
This episode of the show, watching it, in fact, there are still a lot of emotions. To tell the truth, the songs of the Phoenix Legend are usually not included in the song list, but throughout the show, all the songs, I will almost always.
I can't help but wonder, what exactly is good music?
My father once told me that good music is easy to remember and catchy when you listen to it. But after all these years and listening to so many songs, I found that the standard of good music is not like this.
Phoenix Legends themselves admitted in the show that the "soil" of their songs was once called "agricultural heavy metal", and more seriously, Zhang Chao, the creator of their most classic "The Most Dazzling National Style", was also criticized for "setting back the Chinese music scene by 20 years".
Looking at these evaluations now, it is indeed a bit of a lament. Listen carefully to their music, promote the nation, sing about life, sunshine inspiration, sing about love... Positive positive content, they are not lacking, but in the performance, took a different form.
Li Jian once said that good music needs to hit the heart, and good music also needs time to prove.
I think that art should not be restricted, but the aesthetics of art have a certain threshold. Time has proven that the Phoenix Legend is worthy of recognition. However, for the aesthetic cultivation of popular music, it also needs to be paid attention to. As for good music, let's start from the heart!
I don't know whose performances do you prefer in this cover?
Wen | Wen Dao Wood
Figure | network
Posted | The South of the Bunkagi
The above is the author's personal opinion, if you want to watch more wonderful articles, please pay attention to [Wen Dao Mu Nan]