The wise create things, and the able describe them. Gentlemen are in learning, and hundreds of workers are art, from three generations of Han to Tang, the vast number of preparations. Therefore, poetry to Li Du, Wen to Han Yan, books to King Zhong, painting to Wu Cao, and the meaning of ancient and modern, the world's power is exhausted. Wu's characters are like a lamp taking pictures, going backwards and forwards, opinions are stacked, horizontal and straight, and each is multiplied and divided. Get the natural number, not the end. New ideas are in the Dhamma, and the mysteries are placed in addition to the extravagance. The so-called ease of play, transport into the wind, cover the ancient and modern one person. It is called Wu Cao's two bodies, and scholars take the sect. According to Tang Zhang Yanyuan's "Records of Famous Paintings of Past Dynasties", Yun: Called Northern Qi Cao Zhongda, a native of the Cao kingdom, the most skilled painter of The Brahman statue is for Cao. Tang Wu Daozi is known as Wu. Wu's pen, whose momentum turns round and the clothes folds flutter; Cao's pen, its body is stacked and the clothes are tight and narrow. Therefore, the descendants called it: Wu belt when the wind, Cao Yi out of the water.
It is also known that painting characters' clothing patterns, using pens is all similar to books, expensive pen power, caring about softness and rigidity, painting near and far, thinking about being far away. If you are measured in every centimeter, you must see the strength of the pen. Such as the Han family ancient seal law, the size of the climb, the most taboo rat tail. The appearance should have flesh and bones, and the hair should not be arranged neatly, but it is difficult to live without losing the system, and it must be seen that there is a meaning of roots and seedlings. It is also in the secret place, the sparse place is sparse, and the density has its own kind of magic. The painter, the bone also; the colorer, the flesh also. There are flesh and bones. Those who study painting should know their depiction methods, such as learning to write first and then grass. There are heavy and well-adjusted, and there are meticulous and energetic. Hook and squint, rationally, and tilt the fold with a high and deep tilt.
It is also known that the characters must be distinguished from the noble and the lowly, and the dynasties will be crowned. Shimen has the kind of good deeds and conveniences, the Daoliu must have the model of cultivating the truth and living in the world, the emperor should worship the table of the holy heavens, the foreign Yi should be mu Hua Qinshun's affection, the Confucian sage is to see the wind of loyalty and righteousness, the warrior Gu Duo is brave and majestic, the hidden must be aware of the festival of the high world, the noble relatives must be rich and luxurious, the prince Must Ming Wei Fu is serious, the ghost god is ugly □ [person + ghost] Chi Zhao, the lady is beautiful and beautiful, and the Tian family has its own pure and simple and simple truth. Congratulations and misery, and in the meantime.
Youyun: The characters are standing and lying down, strange and elegant. Ancient like the old cypress of the pine, do not eat the image of fireworks; strange as the strange rock steep, not the posture of the world; beautiful like gold jade, elegant like Zhilan. Strange can be applied to the mountains and forests, and xiuya can be applied to the secretary of the pavilion. Or sit alone on the plains, or support the family. Or strolling by the water's edge, or looking at the rocks, or leaning on the building to make a deep groan, or relying on the sills for pleasure; or carrying the child's staff to HanXi, or pulling friends to walk in the hills; or vibrating clothes in Takaoka, or resting in the forest foothills. Let each of them be at ease, and have no reckless swing. Or for Yishan Hall, it is a state of bitter contemplation and victory; or drinking from the terrace is a cheering and upside-down appearance. Sitting alone has the degree of forgetting the world, and the long whistle has the feeling of being outside the object. Writing about the village woman and the old man, and promoting the child, there is a feeling of Long Yan's expectations. Painting a cultivator and shepherding a vertical, there is a meaning of ignorance. If it is a yushi high person, then there is a wind to absorb dew, phi Xia wears the moon, and does not stain the air of fiber. You must first decide, then write. The clothes are expensive, smooth and simple, the most taboo is complicated and sweet, and it is enough to be a teacher. Coloring and depiction, its pattern is fat, and it must be seen. The solution should be thick and the solution should be lightened. The solution is also fine, but Wu is depicted with a nail head and a rat's tail. Its fine drawing backs the color, and the surface is traced according to the method, with a certain coarse fat. Ink painting requires a strong and strong brushwork, or a thick ink thickness. White drawing should be clean and fine without stagnation. But among the characters, only the brothers and sisters are the most difficult to draw, why not? The hands and feet are in the human body, and once there is a blessing in the Dhamma, it is lost to the crippled and crippled. Whoever clings to the hand and the foot of the foot, takes the Dharma from the human body, moves without error, bends and stretches, and can be praised for goodness.
There are eighteen kinds of cloth folding methods: one is a high-ancient gossamer stroke, using a very sharp pen, such as Cao Yi pattern; two is like Zhou Juqin string pattern drawing; three is like Zhang Shu's thick iron line drawing; four is like a flowing water sketch of xingyun; five is a horse locust sketch of Ma Hezhi and Gu Xingzhi; six is a wudong clear nail head rattail sketch; seven is a multi-mixed stroke; eight is like Ma Yuan, Xia Gui is drawn with a bald pen; nine is a cao yi drawing, that is, Wei Cao Bu Xingye; ten is like a Liang Kai tip pen slender skimming folding reed sketch; eleven is Wu Daozi willow leaf drawing; twelve
The pen is slightly shorter, such as bamboo leaf drawing; thirteen battle pen water pattern drawing; fourteen Yue Ma Yuan, Liang Kai and other subtractive strokes; fifteen thick minus pen dry wood stroke; sixteen earthworm sketch; seventeen Jiangxi Yanhui olive sketch; eighteen Wu Daozi Guanyin jujube core drawing.
Its paintings and images have more points - nine, eight, seven, six, five, four, three, two, one. The back image is seven points six minutes and four points, which is used by the frequent user. Its back image is also used very little, but the painting of the gods and Buddhas, wanting its majesty to solemnly respect the principle of reverence, so it uses more of the image, covering its solemn meaning. Painting landscape figures, if you use their image, it is carved and close to the vulgar state, I am afraid that it is not perfect. Gu Kaizhi said: "The four-body Yan Yan ben has nothing to do with the wonderful, the god writes the image, and is in the midst of a blockage." "This is not only true, although the painting of the figure, its essence is mysterious, the spirit is emitted in both eyes, so that or out of place is not godless, just into the shape of a puppet." Don't be careful! The nose of the painting figure must also be high, and the long is ancient. If the painting is necessary, it is elegant and patient, and the eye-catching must first be circled, and then the light ink dot is divine. The painting mouth must be slightly raised, and the smile is self-generated. The ears should be well-defined, strong and thick. When the beard is written, it is better to put the root into the meat, and it must also be sparse to be flowing and elegant. The hands should be slender, but also rough and old, according to the person, such as the emperor Qingxiang, the high man Yushi, the beautiful girl, then the noble slim show; its brave warrior, the farmer's father, must be Canggu as yes. Its palms can cover half of the face, and the length of the foot is more than half a minute of the hand. The length of the body is based on the face, and seven sittings and three are the rules. Later scholars, if they can play well, then the mysteries of the painting method will be obtained by Si Cheng.