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Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

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"Art" is divided into three units: "Ideal Artistic Conception", "Craftsman Spirit" and "Ingenious Craftsmanship". The production and connotation of ancient artworks contain profound and rich understanding, attitude and pursuit of life of the ancients, which truly reflects the ideals in the hearts of the ancients and their hopes and visions for a better life. The "Ideal Artistic Conception" unit is displayed from the ancient people's pursuit of "simplicity and the world can not compete with beauty"; the ancient people's pursuit of artistic conception reflected in the literati paintings that combine poetry, calligraphy, painting and printing; and various allegories expressed in the form of utensils, harmonic sounds on calligraphy and painting, pattern images, and inscriptions. These three aspects all reflect the concept of combining beauty and practicality of the ancients, and combining freehand and realism. From practical goods to works of art, it reflects the pursuit of the ancient people's source life, promotion and beautification of life. The "Craftsman Spirit" unit shows from the aspects of bronze casting technology, gold and silver production process, carving process, porcelain firing process, lacquer craftsmanship, etc., revealing that the craftsman spirit is the source of thought for creating the glorious technological civilization of ancient China, and the dedication and excellence spirit of pottery casting have become the lofty professional ethics standards of various industries. The "Ingenious Craftsmanship" unit displays the fine works of ancient art from categories such as gold, silver and bronze, jade, porcelain, painting, special handicrafts, etc., which are the crystallization of the wisdom of the ancients and the carrier and disseminator of China's excellent traditional culture.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Merchant cicada pattern ding

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Xing kiln white glaze holding pot

Tang Dynasty

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Merchant beast face pattern copper axe

business

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Gold Pisces trims

Chinese

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Hanlong phoenix-shaped copper ring

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Golden Sleeper

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Wuzhen Duofutu axis

Yuan

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Celadon high foot plate

Sui

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Tang Xing kiln white glazed bowl

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Style Ray family phase

clear

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Jingxing kiln white glaze ochre color print deer pattern cloud head pillow

surname

The Jingxing kiln is mainly fired white porcelain, and also burns sauce glaze, black brown glaze, green glaze, yellow glaze, Tianmu glaze porcelain and sancai. Decorative techniques are a bit of color, scratching, engraving, printing, stamping, etc., and the theme of ornamentation is mostly the flowers and animals and characters that are popular with the people.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Longquan Wu kiln three-color flower mouth plate

distant

Longquan Wu kiln is located in the west of Beijing, its style is more obviously influenced by the kiln, belongs to Liao white porcelain, but also burned some tea glaze, brown sauce glaze porcelain and Liao Sancai.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Longquan Wu kiln three color bowl

Ancient Chinese artworks often express auspicious and other meanings through the form of name harmonics, pattern images, inscriptions, etc., which can be said to be "jade must have work, work must be intentional", "painting must be intentional, intentional must be auspicious". The meaning contained in ancient Chinese artworks largely reflects the ideals and tastes of people at that time.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

RongQi period mirror

During the Sui and Tang dynasties, the development of bronze mirrors entered its heyday, with many types of bronze mirrors, complex ornamentation, and changeable shapes, mainly popular sea beast grape mirrors, flower and bird mirrors, and fairy character story mirrors. The fairy character story mirror has a wide range of themes, including myths and legends, folk tales, historical anecdotes and social life.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Ming Xuande blue and white pomegranate zun

bright

The Brigade of Shangzhuang Commune in Haidian District, Beijing was excavated as a folded edge, bundle diameter, shoulders, bulging abdomen, high circle foot, and the whole was 6 petals of melon prismatic shape. The folding edges, shoulders and feet are each painted with lotus patterns, and the abdomen is decorated with folded branches and ganoderma lucidum patterns. The glaze is lustrous and intense. It resembles a pomegranate, hence the name.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qing Guangxu pastel eight treasure pattern ice plate

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Liaoyu feitian

Fei Tian, from the Buddhist scriptures, is one of the "Eight Heavenly Dragons" gods of the heavens, which was introduced to China from India during the Han Dynasty. The image of jade flying sky began to appear in the Tang Dynasty. After Feitian was introduced to China, it gradually became Sinicized, from specializing in music and eliminating disasters for children, to picking a hundred flowers and rain and dew, spreading happiness to the world.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Song white jade mandarin duck handle round box

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Ming Topaz four happy people

The four joys are generally considered to symbolize the four joys of life, namely, the joy of long drought and sweet rain; the joy of knowing the past in other places; the joy of the night of the cave flower candle; and the joy of the golden list when it is named. It means auspicious and happy.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qing Kangxi Doucai fish algae jar

"Fish" is homophonous with "Yu", which has the meaning of "rich and noble, more than enough for consecutive years". Fish algae patterns are the traditional theme of porcelain decoration in various periods, especially in the Ming and Qing dynasties.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

There is a hengtang carved Qingtian stone through the carving cloud dragon into a set of seals

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qing Ren Bear character chart axis

Ren Xiong (1823-1857) was a worker, landscape, and flower, especially adept at characters. "Fu Lu Shou" three stars is a common subject with auspicious meanings in figure paintings.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qing Fanting town five Qing map axis

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Storage Knight

The stream is narrow and long, the tail is short and wide, the column is at the junction of the flow and the mouth, the abdomen is ovate, and the foot is higher. The abdomen is decorated with animal face patterns. A word in the inscription. The animal face shows a mysterious monster imagined. It reflects people's worship of the natural gods.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Warring States gray pottery with word jar

Warring states

Qingyundian Commune, Daxing County, Beijing was excavated

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Song Ding kiln white glazed string pattern three-legged bottle

Located in The Village of Jian ci in Quyang, Hebei Province, Dingyao is one of the five famous kilns of the Song Dynasty. The white porcelain tire quality of the kiln is delicate and white, the glaze color is white and yellow, glossy and clean, and the outer wall has a phenomenon of hanging glaze, shaped like "tear marks", as well as bamboo wire brush marks. This three-legged bottle is a representative work of the Ding kiln, which is precious for its beautiful shape and rare heirlooms.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Liaoding kiln white glazed appliqué melon prismatic beam pot

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Golden Cizhou kiln brown color baby play picture jar

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Song Cizhou kiln Zhang everyone pillow white ground black color inscription poem eight square pillow

In the Song Dynasty, there were many kilns and a wide area, and the glaze color and shape of the porcelain varieties reached the peak of history. Cizhou kiln system is the largest kiln system in northern China, with the Guantai kiln and Handan Pengcheng kiln in Cixian County, Hebei as the center of the kiln field, Cizhou kiln products are known for white black color and brown color.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Merchant banana leaf pattern copper

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Lu Mingde wrong gold and silver wire gilded beast ear copper furnace

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Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qing imitation Xuande model elephant ear sprinkled gold copper furnace

The watch is chestnut shell color, a large piece of gold is full of wine, and the shoulders are decorated with a pair of vivid elephant ears. The bottom of the vessel is cast with a double dragon play bead pattern and a "Daming Xuande Year" calligraphy. The overall momentum of this instrument is majestic, the color is soft, the copper is fine, and it is a fine product in the imitation Xuande copper furnace in the early Qing Dynasty.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Bright gilded dragon pattern guise furnace

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Golden pear blossom peach pattern gold tray

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Jeweled hollowed out eight treasures gold crown crown

The tomb of Zu Zepu in You'anmen, Beijing was excavated

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qingyu feast picture circle interstitial screen

Jade interstitial screen is a more popular display in the Qing Dynasty, and the preparation methods mainly include yin lines and reliefs, which are generally inserted on wooden seats. The ornamentation on both sides of the jade interstitial screen is carved using a multi-layer relief technique, and one side is carved out of the corridor. banana. Laurel. table. The stool. The figure, the other side is carved out of the landscape. weeping willow. boat. The characters adopt the near-view method of the distant mountains, with clear layers, refined techniques, and excellent polishing.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Mingqing white jade phoenix pattern just bottle

Lu Zigang is a representative figure of Ming Dynasty jade, he printed poetry on jade, perfectly combined the art of calligraphy and painting with jade craftsmanship, and added to the artistic charm of jade. This jade bottle is Xinjiang and Khotanese jade, and under the bottle there is the Word "Zi Gang" in the Yang script seal book, which is the only jade with the "Zi Gang" model excavated in the Beijing area so far.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

The carved bamboo bergamot is shaped as desired

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Sandalwood bergamot wooden plate

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Clear rhinoceros horn cockroach dragon cup

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qing ivory carving "Ling Yun" Yan

This stone is made of ivory as a material, made of bamboo knot shape, its workmanship is exquisite, and the shape is exquisite. A small spider is carved inside the Yan pond, which is even more interesting. The body is engraved with the word "Lingyun". The traditional Yantai attaches great importance to practicality, and although the texture of the four famous stones is different, they all have "more and more ink, no damage" of the bricks. Therefore, throughout the ages, those who dare to use ivory as a stone are extremely rare. Originally from the old collection of Mr. Xu Shizhang, a famous collector of cultural relics, this stone is a rare and excellent product.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Silver seal of Prince Gilded Qing

Prince with seal. Turtle body, dragon head, unicorn dragon button. Square printing surface, with wide edges, the right side of the seal is the Hanyang seal foot in the swallowtail style of the Zhiying seal book "and Tuqing Prince Wang Bao", the left is the Manchu seal book with the same content, and the seal foot is also swallowtail style. This seal was awarded to Empress Dowager Cixi in the twentieth year of Guangxu (1894) on the sixtieth birthday of Empress Dowager Cixi when she was the Prince of Heshuo. In December of the third year of Xuanun (1911), Puyi abdicated, and Yi Li and his family took refuge in Tianjin until his death, and this seal remained in Jincheng.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qingqianlong style sauce glaze depicts gold water chestnut type three series bottle

Lip, long neck, water chestnut abdomen, three milky feet at the bottom, three nose-shaped ties on the shoulders, glazed throughout, and decorated with gold paint. The mouth and the lower end of the neck are decorated with gold color back patterns, the neck is depicted with gold lotus patterns, the shoulders are decorated with a week of leaf patterns, the abdomen is convex string patterns are painted with a week of milk nail patterns, and the lower part is painted with a week of ruyi patterns. The bottom is full of glaze, and the central Yang text "Qianlong Year of the Great Qing Dynasty" three-line seal book.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Xuande blue and white tangled branches pattern rhombus mouth plate

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Akihiroji's yellow glaze plate

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Ming ji blue glaze pile white unicorn pattern like ear furnace

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Ming Jiajing multicolored fish algae pattern lid jar

The whole body of the jar is decorated with red, yellow, green and blue flowers, the lid is painted with a dazzling pattern, the flame pattern jewel button, and the lid is decorated with a fish algae pattern. Deformed lotus petals are worn on the shoulders. The belly of the eight-tailed carp has different postures, with lotus lotus, aquatic grass and duckweed as foils. The bottom is painted with banana leaf patterns, and the inner book "Daming Jiajing Year System" is circled, and the double-line calligraphy is written. It is a famous product in the blue and white multicolored porcelain of the Ming Jiajing official kiln.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qinglang kiln red glaze Guanyin Zun

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Clear carving lacquer brocade Tuan Shou character book-style box

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Black lacquer inlaid screw silver bowl

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Qing Taiping has an elephant pattern red satin table circumference

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Small blue flowers woven with gold satin

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Prince Gong's mansion is depicted on the map

Style Ray

Style Thunder Late Qing Dynasty Picture Book 1 Monochrome Original 1035x789 cm Replica Gong Wangfu is the most complete preserved palace complex in China, divided into two parts: mansion and garden, which was successively used as the residence of Hekun and Yongxuan, and prince Gong Yisu became the third generation owner of the mansion in the first year of Qing Xianfeng (1851), and the name of Gongwangfu came from this.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

The Forbidden City from the Great Qing Gate to the Kunning Palace is a pattern

Style Lei Qing Picture Book 1 Color Original 600X60 cm Replica The Forbidden City is the imperial palace of the Ming and Qing dynasties, the largest and most complete ancient building complex in China, the Ming Chengzu Zhu Di Yongle four years (1406) began to build, Yongle eighteen years (1420) basically completed the Ming and Qing dynasties many times reconstruction and expansion, style Lei participated in the reconstruction and expansion of the Qing Dynasty Imperial Palace.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Taimiao full picture

Late Qing Dynasty Picture Book 1 Monochrome 151X86 cm Replica This is a full map of the architectural location in the Taimiao Temple. Located on the east side of Tiananmen Square in Beijing, the Taimiao Temple was built in the eighteenth year of Ming Yongle (1420) as a place for the emperors of the Ming and Qing dynasties to worship their ancestors. The walls are covered with cypress, creating a solemn atmosphere with evergreen bushes, which is a successful example of ancient architectural greening.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Zhengyang Gate Urn City Guandi Temple repair practice map

Qing Guangxujian (1875-1908) picture book x59 cm replica of a color original This is the maintenance chart file of the Guandi Temple in Zhengyangmen, which records the destruction of various buildings in the Guandi Temple, and provides important information for understanding the daily maintenance and regular repair of ancient buildings.

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

Skeleton carved cloud phoenix pattern silver shop head

Jinyu Mantang The first part of the "Art Chapter" of the Beijing-Tianjin-Hebei Ancient Life Exhibition

White jade lingxiao flower

The jade is warm and white. Four lingxiao flowers, the calyxes are connected, two heads up, two hanging heads down, the petals are all in the shape of a cloud head, and there are three or two uneven shades of yin carved lines outside the petals, extending upwards from the calyx. Plain back. The shape of the vessel is thick, the carving is concise and extensive, the grinding is excellent, the petals have a glass luster inside and outside, and the hollows are smooth and without marks. The theme and workmanship have a more typical Yuan Dynasty style, but the best jade quality and the large size of the jade are rare in the Yuan Dynasty jade.

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