People always have a kind of fanaticism across time and space for roles such as "detectives", in addition to the excitement and mystery brought by the plot itself, in fact, it also pins on the world's pursuit of "justice". Detectives often, in addition to solving mysteries, also undertake the task of exposing evil, punishing evil and promoting good, so that criminals can surface and be brought to justice.
Becoming a classic and even today still creating a series of suspense novelists, Agatha Christie should not be forgotten, even beginner fans of detective fiction can say at least one of her works.
Before entering the scene, I was secretly glad that I had not seen the original beforehand, so that I could completely share joy and sorrow with the characters on the stage as a "zero spoiler" identity.
A quiet village, a boring daily life, a room full of guests with different temperaments, a newspaper that kills time, an inexplicable notice, a weekend of ups and downs, a mysterious murder. The plot continues Agatha's reversal, reversal and reversal as always. From the first glance, everyone looked like a murderer, everyone was suspected, and in the last ten minutes, I vaguely had a perception of the "real murderer".
This is the most attractive part of the reasoning genre, in countless times when you think that you are close to the truth, there will be a certain doubt that makes you overturn the previous inference, but when all the seemingly superfluous clues are reintegrated and connected, the truth is about to surface.
The actor's lines and interpretation have a sense of translation, I quite like this translation of the cavity, so the actor's emotional rendering is also relatively satisfied, but some of the deliberate darkness and scream inserted in the middle although it achieves the effect of "frightening" but it seems slightly abrupt, of course, I think this is also limited to a certain extent by the space limitation of the drama stage, in terms of suspense and weird atmosphere creation, I hope to boldly break through the shackles of the stage.
For the sake of everyone's experience of watching the drama, I am not good enough to spoil too much, the story finally expounds the clichéd but never outdated question - "hateful people must have pity", every "evil" person in the play seems to have suffered from the so-called "injustice" of life, but can this injustice (or frustration) be the reason for them to do evil, or even be forgiven?
In the spirit of modern law, nature cannot, evil is evil, even if it is negligence, it also needs to bear legal responsibility, but today there are still too many people who have suffered the hardships of life or unjustly embarked on the road of crime, such a problem should actually let us reflect on what kind of society we should build, what kind of interpersonal relations we should build.
The evil of the world is like a snowball, and the snowball is getting bigger and bigger, and the reaction force to stop this snowball is getting bigger and bigger, from religion, to moral law, to statutory law, to today's more perfect legal system - and the great detectives in the work of art are one of the strongest reactions we expect.
Everyone in the play is crying out to God, who is so far away from us, and the suffering so clear.
But God does not speak, God clockworks the clock on the world, fate is in our own hands, and salvation is in our own hands.
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