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Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant

author:Calligraphy code

Yang Weizhen (1296-137o), also known as Lianfu, Tieya, Tiedi Daoren, Dongweizi, etc., huiji (Zhuji, Zhejiang) people.

People at the time once said that Yang Weizhen was a "leader in the poetry world", "a giant duke of articles", and "a grass maniac". Yang Weizhen first created the "West Lake Bamboo Branch Song", the name of the poem is good at a time, known as "iron cliff body"; for the text is "like the beautiful sky of the sun and the moon, the place of the rivers". When Yang Weizhen was traveling in Pudong, in addition to leaving the ink treasure with the inscription, he also left a narrative article.

Zhuxi Zhi, also known as Zhuxi Tingzhi, Zhuxi Caotang Ji, three debates, paper, ink, 27.5 cm in length and 169.1 cm in width. It was painted around the ninth year of Zhizheng (1349 AD) and is now in the Liaoning Provincial Museum. The main content is to argue with the second and third sons to lead to the origin of the number of "Zhuxi" and express his admiration for the reclusive people. The calligraphy is clean and flexible, elegant and elegant, which is very different from the heroic and uninhibited style of its later years.

Yang Weizhen's "Zhuxi Caotang Zhi" on paper, ink, 27.5×169.1cm Collection of Liaoning Provincial Museum

Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant
Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant

Yang Weizhen's "Zhuxi Caotang Zhi", the calligraphy is pure and flexible, elegant and elegant

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