How was it written after "Returning the Emperor Mingzhu's Tears"? In the last sentence of Zhang's "Festival Women's Yin", most of the pages are "Hate when they don't meet and don't marry", but in fact it should be "Why don't you meet when you are not married". A "hate" word satisfies the empty expectations of the majority of men, but in terms of poetry, it is a big fuss, tampering with a good woman into a slut, causing the poetry before and after to be abruptly cut off, and the tamperer has a heart! A "He" word, the tone is more gentle and lovely, properly handled the third party's show of love, never dragged mud and water, never hurt people's hearts and lungs, never hurt the family, in short, never play ambiguous tricks that are not clear, and are affectionate and stop at courtesy, is a good wife, a good friend, and also an excellent self-condition in which the author Zhang Jiwan refused to be politically wooed by Li Shidao in Dongping. Also, why did men in ancient China like to treat themselves as women? Is there a psychological history reason for the prevalence of hypocrites today?
Southern Dynasty Liang Yuan Emperor Xiao Xuan's "Compilation": "The plan of a year lies in the spring, and the plan of a day lies in the morning." "In the noise of firecrackers, in the glare of fireworks, flip through Gadamer's "The Reality of Beauty: Art as Games, Symbols, festivals", and use German hermeneutics to feel, experience and understand the Spring Festival in China; to shape their spiritual life with sunshine, vitality and vitality.
In the process of copying Li Bai's "Will Enter the Wine", there are many different texts: rushing to (pouring) the sea and not returning; toward the green silk twilight into (such as) snow; born I am born to be useful (born I will be rich, born with my disciples have handsome materials); thousand (yellow) gold scattered and returned; will enter the wine, the cup will not stop (into the wine Jun Mo stop); please pour (side) for me to listen; the bell drum and the jade are not expensive enough (Zhong Ding Yu Shu is expensive); I hope that I will not be drunk (Fu, wish) to wake up; the ancient sages are lonely (dead); Chen Wang's former (day) feast pingle; JingSu Gu take the right Junju ( and must be sold for drinking); and so on. The most cruel thing is that the ancient sages are dead; the most grounded thing is that I am born with wealth, and the most desperate thing is that I hope that I will not wake up after a long time of drunkenness.........
To paraphrase a folk catchphrase: Is this the old man getting bad, or is the bad guy getting old? Flipping through Tang's notes "Yunxi Friendship Discussion" "Jiang Du Shi", it is interesting, this image of Li Shen is quite different from the image of the poet who "plants a millet in the spring" and "hoes the day when the sun is noon". What does this mean? Is it the historical figure that I remembered so much since I was a child that has gone bad? Is a deep memory of a historical figure a deep prejudice from an early age? Li Shen in "Jiang Du Incident" is a talented man, a cool official, a real villain, and a staunch speculator. I also checked the "Old Book of Tang", "New Book of Tang", "Biography of Tang Caizi", "Tang Yulin" and other Biographies of Li Shen, and the overall description was similar, such as talents, hooligans, politicians, cool officials, and struggling men, and their success and failure models were commonplace in ancient and modern times. But in the history of education, Li Shen is a model of excellent cadres, and his "Poetry of Compassion for Farmers" has touched Chinese history and touched me.
Gansu Wuwei was the seat of liangzhou in the Tang Dynasty, and many people wrote "Liangzhou Words", of which Wang Zhizhuo and Wang Han's "Liangzhou Words" are the most famous, that is, as Wang Shimao's "Art Garden" of the Ming Dynasty said: "If you want to press the volume, you should also ask for it from Wang Han's grape wine and Wang Zhizhuo's Yellow River Yuanshang Two Poems." "Among them, Wang Han is a proud and uninhibited person, and reading his poems has a sense of happiness and revenge, and regards death as a homecoming." Grape wine luminous cup, want to drink pipa immediately urge; drunken lying on the battlefield Jun Mo smiled, Gu Lai conquest several people back. "The wine is very beautiful, because of the urgency of the war, it is too late to drink, so the luminous cup shows sadness, but the sadness is diluted by the words of joy, and the pattern is also magnificent." The Qing Dynasty Shi Shuhua's "Poetry of the Servants" reminds the reading method: "It is shallow to read as a sad language, and it is wonderful to read it as a humorous language." "It is true that the tragic feelings of the conquest are completely dissolved in the jokes of drunken lying on the battlefield. If it is too late to drink, it is not possible to talk about drunken lying, which is just an imaginary toast to drink, a fictional pre-war send-off, a transparent concept of life and death. Han Yu said that since ancient times, "the words of joy are difficult to work, and the words of sorrow are easy to be clever", but is Wang Han's "Liangzhou Words" a word of joy or a word of sorrow? There are both, and that is a different side of the "Grand Tang Dynasty weather": cruel joy. Shen Deqian's "Tang Poetry Don't Cut" says that it is "a pretentious and extravagant word, but the sense of sadness has been extreme", in fact, it is not very accurate, and the cruel joy may be closer to the embrace and feelings of the Poets of the Sheng Tang Dynasty.
Walking in the rain, I suddenly felt a chill rise on the soles of my feet, my eyebrows were bowed, and I knew that I was not wearing socks, and it seemed that winter was really coming. When Rummaging through the boxes and cabinets to find socks, his mind jumped to Meng Haoran's "Spring Dawn". For some reason, every time I read this poem, there is a sense of historical sympathy that envelops my body. Spring has always been a joyful color. But the words of joy have been accompanied by shallow righteousness since ancient times. Therefore, the Ming Dynasty Lu Shiyong's "Tang Poetry Mirror" said that this poem was "chattering and intimidating, absolutely in the boudoir", which seemed annoying, "like the rest of the Six Dynasties, the first bone is not steep". Fang Gonghui's "Commentary on Wang Meng's Poetry" of the Qing Dynasty said that "poetry is close to words, too delicate and beautiful", reading this poem is leisurely and beautiful, in contrast, the meaning of praise is mostly. However, using delicacy and boudoir to describe its poetic realm and pattern is quite ambiguous about Meng Haoran's state of mind. Huang Shucan's "Notes on the First Notes of Tang Poems" says that the sentence "flowers fall" contains a little regret for spring; liu Yongji's "Essence of Tang People's Absolute Sentences" is similarly understood, "smelling the wind and rain and regretting the falling flowers", and has a deep depth, pointing out that behind the poet Qing Zhi, there is a hidden sense of Qu Zi's "zero fall of mourning the fangs". However, this alone was still not enough to comfort Meng Haoran's mood and feelings. It can be said that the retrospective conception of the last two sentences to the first two sentences makes the simple language of the whole poem become a prop for profound thoughts, revealing the sadness of the world's pursuit of symbolic value and bowing to the end. Spring dawn sad? My heart is also desolate. Confucius said that the benevolent are not worried, the wise are not confused, and the brave are not afraid. But how many people are in this situation?
I haven't read poetry for a long time, at first I read "There is a female car", "will soar", there is a feeling of flying, but I don't know the direction, Pi Mei Meng Jiang, who is it? The understanding of all parties is really a great contrast. Mountain trees grow silently, their own emotions are flourishing, "do not see the children, but see the madness and", in the contrast between ideals and reality, still see the deep affection contained in the voice, and "right and wrong are mixed up, yan yan is indistinguishable" The argument is really a big charm. The wind blows the woman, the leaves fall and the emotions sway, feel the things, form and speak, sing and sing without knowing the foot of the hand dance. Pity is the most natural and authentic reaction of the "sense of humanity" when it is blown by the wind...
What is it like to read the stories of ancient men and women about spring in the winter morning with your hands rubbing? Zheng Feng is really emotional, as long as he gives a chance, he will express it without scruples. "So when the time comes, the runner can't help it", "Dress" is about the peach blossoms rising and the young people are amused. The female protagonist appears to be active, dominating and guiding the rhythm of communication; the male character naturally appears passive, and the emotional intelligence index is not generally low, creating an elm-knotted but beautiful male character image in the history of later literature. "Crazy child's madness", in fact, it is neither crazy nor cunning at all, it is just the female character's repeated inducement (as for the specific means and details, leaving room for imagination) and does not see the results: If you are stupid and no longer think of me, are no others thinking of me, you stupid boy is so stupid! "Don't you have another man", you are so stupid to test my patience, I have to empathize, men smarter than you are lined up! Male characters are silly and honest and do not understand the style, female characters are as provocative and poor as possible, this kind of flirting mode of female and male flirtation, that is, "amorous anti-ruthless language", is a common phenomenon in Chinese literary history, and even in China's current film and television dramas are more permanent scenes, does this hide a face of male-led literary and artistic creation psychology? If so, then the Book of Verses is indiscriminate. This kind of love song theme of the interpretation of poetry, has its own lively breath of life, so that readers really can't bear to believe in the "Preface to Mao's Poems" said: "Crazy children act arbitrarily, and the Chinese people think of the righteousness of the big country." Life is already heavy, why not take off the wrapping and read lightly, and find some silly fun in it.