Author: Yushan
Wu Song I was a hero, but, like most good men in Liangshan, he never treated women well.
For him, there are three kinds of women: those who can be flirted with, those who cannot be flirted with, and those who should be killed.
When I was a child, I watched the series "Wu Song" filmed by Shandong Tv, and the Wu Song played by Zhu Yanping had thick eyebrows, big eyes, and a righteous body, which made people feel respected. To this day, it is still my favorite film and television Wusong image.
However, this image is too tall, far from Wu Song in the original novel.
Wu Song in the original work was beaten all the way out of the street fight since childhood, and later he was sloppy for a long time, the social experience was old, the atmosphere of the jianghu was strong, where it would be so serious, so righteous. If you really don't smile like that, you can't mix it up for a day.
In particular, the attitude towards women is the most reflective of a person's life experience and personality background. Wu Erlang pays the most attention to the rules of the jianghu: anyone who comes out of the mix can be flirted with.
(Wu Song and Sun Erniang)
Scenario 1: Cross Slope
Wu Song avenged his brother, killed Pan Jinlian and Ximen Qing, and assassinated Meng Zhou. When I arrived at Cross Slope, I saw a hotel, which was actually a black shop opened by Zhang Qingsun's second wife.
The dress of the second lady of the sun:
"Revealing the green gauze shirt, with a yellow-baked ring on the head and some wildflowers on the sideburns", so it is enough, look closely and look at, "Tie a bright red raw silk skirt underneath, rub a face of rouge lead powder, open the chest, expose the main waist of the pink yarn, and the gold button on it" - the dress is really a bit vulgar.
Among them, Takeji immediately got it. Flirt mode is on.
First, "Restaurant, this bun is human flesh, is it dog meat?" Seeing that the woman was willing to talk, she was even more energetic, and said, "I saw that there were several hairs in this bun filling—like the hairs in the urination of a person, and I was suspicious of it." The exit went straight to three inches below the navel. An old-fashioned tone. then
(Sun Erniang)
Wu Song asked again, "Mother, why did your husband disappear?" The woman said, "My husband went out as a guest and did not return. Wu Song said, "When you were on the ground, you had to be left out in the cold?" You listen, you wonder, what is the tone of your face when you say this?
This is not surprising at all. It is not Wu Er frivolity, but this set of words is the most in line with this context, walking the rivers and lakes, which is a mutual authentication of identity: all out of the mix, no one is ambiguous! That's all it takes. If you're polite and polite, unless you're not going to be bothered.
Although later Wu Song explained: "I am a person who beheads and drains blood, and He Ken teases a good person." I saw that my sister-in-law saw that I was wrapped tightly, and I was suspicious at first, so I said some wind words and leaked your hands. But we look at how natural and fluent these "wind words" are, and there is no point of rigidity, we know that he is very good at it. Otherwise, those years were white.
(Old version of "Water Margin", Sun Erniang)
Scenario Two: Happy Forest
Wu Song received the benefit of charity and wanted to stand up for him and regain his territory. Along the way, I drank a lot of wine, came to the Happy Forest, and saw, "Inside sat a young woman, who was the concubine newly married by Jiang Menshen when he first came to Mengzhou, and was originally the top old man who sang and spoke about all kinds of palace tunes in Siwazi."
Wu Song "pressed his hands on the table and did not look at the woman without blinking his eyes", and directly posed a posture of aggression, but the woman was a convenient person, "turning around and looking elsewhere."
But Wu Song did not allow you to save trouble, first of all, the wine was not good, noisy for a while, people gave good wine again and again. Wu Song saw that he could not find a ballast, so he changed his routine.
"Asked, 'What is your master's name?' The bartender replied, 'Surname Jiang. Wu Song said, "But why not surname Li?" The woman heard, 'This house is drunk, come here to beg for wildfires!' ’”
What is "but how not to surname Li"? The Qing Dynasty Cheng Muheng's "Notes on the Transmission of the Water Margin" explains: "When I saw it, the prostitute's family name was Li Zhiduo. "The woman was also a jerk, so she got it at once, and I couldn't help but be annoyed. Wu Song's words are equivalent to asking her: You came out to sell, right? Or to put it mildly: is there any special service?
Then, Wu Song directly demanded, "Tell the woman on your cupboard to come down and accompany me to eat wine"; moreover, Wu Song's mind was liberated: "It is the master's wife, how to stay?" Eating and drinking with me is not tight! ”
The woman couldn't stand it anymore, and while scolding, she pushed open the cabinet and wanted to come out to theorize.
A good Wu Erlang grabbed it, "grabbed the waist crotch with one hand, crushed the crown with the other hand, and grabbed the cloud bun", and with a thud, threw the woman in the large wine vat.
Happy Forest's fight is right, it doesn't matter here; just look at Wu Erlang's means of flirting with women, but is it not handy, the routine is skilled?
Women who are begging for a living in the rivers and lakes can be flirted with, they are actually the same kind of people as themselves, they are all reckless, there is nothing to respect. This is a kind of attitude of Wu Song.
In our minds, the impression of Takejiro's dignity and integrity mainly comes from his categorical refusal
Pan Jinlian's seduction.
For Pan Jinlian, Wu Song was indeed always upright, without a little hippie smile. That's because Pan is his sister-in-law. In fact, not only for Pan, but also for women within the radius of their normal activities, Wu Song is not a little offensive, not a little contemptuous. This one circle, Wu Song painted clearly, not sloppy at all. In his moral sense, if this line is not clearly drawn, it is a beast.
This is not Wu Song's originality, but in fact, it is the traditional method of our mainstream society: to distinguish between normal contexts and special contexts. In the normal circle of life, there are acquaintances, one set of rules; outside, there is another set of rules. For example, a restaurant owner in the same community, after becoming a friend due to some chance, resolutely prevented me from eating kebabs, not only was it not allowed to eat from other people's families, but also his family was not allowed to eat, saying, I have made kebabs for more than ten years, and I will not eat a bite. For him, kebabs are always like that, but whether they can be sold to others to eat, he distinguishes between two types of situations, one can be, one can not. Most of the subjects of life, we are accustomed to this kind of operation. Being able to make a precise distinction, we generally think of it as a good person.
This distinction is dynamic, such as Sun Erniang originally belonged to a category that can be flirted with, but after Wu Song and his mother-in-law worshipped each other, they were classified into the circle of acquaintance life, and Sun Erniang naturally turned into the second category: non-flirtable.
Pan Jinlian is Wu Song's sister-in-law, of course, belongs to the second category, and Wu Song has his own scale. Seeing his sister-in-law, "push the golden mountain, pour the jade pillar, and worship the head." Be well-behaved and respectful.
However, Pan did not meet this scale, and even more, repeatedly challenged Wu Song's scale.
In fact, she is also a poor person, but she should not hold on to that non-divided thought.
The woman ate a few glasses of wine, and a pair of eyes only looked at Wu Song's body. Wu Song couldn't see him eating, but only lowered his head and ignored it. Wu Song's attitude at first was to ignore it. Until that snowy day.
(Old version of "Water Margin", Pan Jinlian)
Scene Three: Angrily rebuke Pan Jinlian
After eating three glasses of wine in a row, Pan Jinlian's words were insufficient, and she simply got started, "One hand went to Wu Song's shoulder blade and only squeezed it, and said: 'Uncle, only wear these clothes, not cold?'" This is already very arrogant, but it can also be understood as caring for love; although Wu Song "has six or seven points of unhappiness", he is still just ignoring it.
"When the woman saw that he should not, she came and took the fire, and said, 'Uncle will not make a fire, I will draw fire with my uncle; as long as it is as hot as a brazier.'" The "cluster fire" here is obviously a pun, Pan Jinlian said, you will not "cluster", I will help you "dial". It's stupid. Wu Song will not "cluster fire"? Unfortunately, Pan Jinlian could not see Wu Song's performance in cross slope and in the Happy Forest later. Where is Wu Song not? Just two contexts, two sets of words, Wu Songtang's upright hero, clearly distinguished, meticulous, not to mention, to his sister-in-law.
Pan Jinlian wanted to make Zhi faint, "Sift a lamp of wine, take a sip of it, and there is half of it left, looking at Wu Song and saying, 'If you have the heart, eat my half of the wine.' ’”
At this point, Wu Song finally blew up Mao.
"Wu Song snatched it up, threw it on the ground, and said, 'Sister-in-law! Hugh is not ashamed! 'Push your hand only, and push the woman over. Wu Song narrowed his eyes and said, "Wu Er is a man with piercing teeth and wearing hair, not such a pig and dog who has corrupted customs and inhumanity!" Sister-in-law Hugh wants to be so ignorant of shame! If there is some wind and grass, Wu Er recognizes her sister-in-law in her eyes, but her fist does not recognize her sister-in-law! Come again, Hugh! ’”
For the second type of women, Wu Song's scale is to be disciplined, respectful, and cannot be vague at any time. Others are vague, he is not ambiguous; who wants to transfer to the first category, Wu Song is not allowed; if you want to mess up again, take your fist to educate you!
However, Wu Song's handling method is not a problem at all. For women in the normal life circle, Wu Song's rules are certainly rules, respectful and respectful, but there is no real respect and love. Otherwise, you can't be so indifferent and always unresponsive, and watch Pan Jinlian ugly.
Pan's boldness grew, and his words and deeds became more and more arrogant, not because he did not get a clear message here in Wu Song. Pan Jinlian mistook Wu Song's silence for ambiguity, and even acquiesced. And Wu Song was well-informed, and with his jianghu experience, he couldn't fail to see Pan's mind. If Ken had raised his face earlier and given her an ugly look, he might have been able to wake up Pan Jinlian, and he wouldn't have ripped his face later.
In the end, Wu Song was just intoxicated by his own moral integrity, and there was no love in his heart. Not even sympathy or pity.
Later, pan Jinlian poisoned and killed Wu Dalang, became Wu Song's enemy, and naturally turned into the third type of women: those who should be killed.
Wu Song is not a person who shouts and kills all day, but he is not soft on his enemies, including women.
Even innocent women, who call you the enemy side. And killing women, just as ferocious, without any concern.
Scene 4: Kill Brother Pan
The woman saw that the situation was not good, but she was about to scream, and was knocked down by Wu Song's brain, and her two feet stepped on both of his arms, and she ripped open her breasts and clothes. It was too late, but it was too soon, and he took the sharp knife to his chest and ripped it in his mouth, and with his hands he dug open his chest, cut out his heart, liver, and five internal organs, and offered it to the spirit; with a knife, he cut off the woman's head, and the blood flowed all over the ground. ”
A "pinch", a "step", a "pull"; another "cut", a "digging", a "cut", this series of action descriptions, smooth and vivid, such as in front of the eyes, the bloody heart and liver are placed there, the visual image is prominent, the picture is extremely stimulating. Finally, it is necessary to "check a knife", which is sound and colorful, creepy and creepy.
Wu Song's bitter hatred was vented in the process of killing. The elder brother is his closest relative in the world, killing Wu Da, for Wu Song, is more unforgivable than directly murdering himself, how to retaliate and do not let go of hatred, care about your man and woman.
Scene 5: Blood-spattered Mandarin Duck Tower
Zhang Dujian designed to frame Wu Song and bribed the public to end his life on the way to distribution. As a result, Wu Song was angry and vengeful, and the blood splashed in the Mandarin Duck Building, and everyone applauded, zhang dujian, Zhang Tuanlian, and Jiang Menshen undoubtedly deserved to be killed.
But it was more innocents who died, including several women.
One is Zhang Dujian's wife, Wu Song chopped the face, and then cut the head, but could not cut it, not Mrs. Zhang's neck was hard, but the previous slash, the blade has collapsed; one is Yulan, even two "small", all "squeezed to death", of which killing Magnolia is a knife in the heart. This was not enough, Wu Song was still unhappy with the killing, and went to tie the front door, came back to find out if there was a living mouth, and found "two or three women" and "also squeezed to death". In this way, Wu Song said, "I am satisfied!" ”
Lady Zhang and others, who were originally the family members of Wu Song's "Enxiang", naturally belonged to the second category, wu song was not half disrespectful, and among them, Yulan originally said that he wanted to be equipped with Wu Song. But once Zhang Dujian changed from "grace" to enemy, these innocent women who had no hatred would be as damned as the enemy. Even for magnolia, who was still expected to marry, it was also a "knife in the heart". Look, there was only one action, a deadly knife, no dragging mud and water, Wu Song did not even have a moment's hesitation when killing Yulan.
Takejiro is really hard-hearted. In the final analysis, Wu Songyuan did not regard these women as human beings, and their meaning and value depended entirely on the men to whom they belonged. As for their own existence, there is no point in it.
Wu Song has killed boundlessly and is a hero in his life, but he has never learned to treat women equally, let alone love and respect. Of course, this is not a matter of Wu Song's personal cognition, but the so-called limitations of history.
Tips: If you like this article, please forward and comment.
recommend:
Is Lin Daiyu a good boy in "Dream of the Red Chamber"?
In-depth analysis of the human flesh chef Sun Erniang in "Water Margin"
What is the deepest and most incurable "wound" in Wu Song's heart? Who hurt Wu Song?