As the literary and artistic light cavalry of new China, Xiangsheng has witnessed the change of the times, especially the changes in the media. Radio crosstalk in the 50s and 80s and TELEVISION crosstalk in the 90s and 00s were all popular, enriching the amateur life of ordinary people.
The television era also gave birth to an "alternative" form - cross-talk TV.
Cross-talk TV, that is, TV cross-talk, uses the form of TV to perform small segments of cross-talk.
Xiangsheng TV is a supplement to TV cross-talk, some old artists are obsessed with small theaters to and from the unit performance, do not love TV to show their faces, resulting in many classics have not been more widely disseminated. It was filmed in the form of TV and put on TV, made into a CD-ROM newspaper and sold at roadside stalls, and a new form came into being.
This form is good to be good is that the threshold is too high. The production cost is high, the actor has to get props to find the camera, the work of two people is dozens of people, not enough to pick the fee; the work is high, it must be recognized as a famous section, and no one puts it on the next three indiscriminate things. Therefore, Xiangsheng TV is destined not to exist for too long, and it is almost extinct after two or three years of fire.
The post-80s generation should not be unfamiliar with this form. There was a time when tv always put cross-talk TV, a few paragraphs back and forth, watching this station to watch that station is quite painful. Among them, the most played and most popular among the people are such three cross-talk, which I call the three peaks of cross-talk TV.
Since it is the "three peaks", there is no need to do any ranking, according to the order of one introduction. The first is Gao Yingpei and Fan Zhenyu's "Fishing".
The influence of "Fishing" is too great, there are few people who can match it in the creation and compilation of cross-talk, Guo Rongqi's "Theory of Playing Cards" is so hot, and it is worse than "Fishing".
"Fishing" let the national audience know for the first time that Tianjin people call the child's mother "two his mother", and also knew for the first time that regardless of age, men and women are collectively called "big brother" and "sister". The famous "catch this wave" has become a national buzzword.
There is a guy in Tianjin called Li Liangjie who plays national rock and wrote a song called "Talking and Singing", which has two lyrics that are sung like this: Second, his father let his mother burn two sugar cakes, and Zhang Erbo said Ma Daha, why don't you do it. Juxtaposing with master Ma Sanli's works shows how influential "Fishing" is.
The actor of "Fishing" TV is not a big name, and "Two His Mother" later played Xia Li's old aunt in "Yang Guang's Happy Life", which is one of the few emotional points in the work.
The actors are not big names, but the performance is really good, especially the funny and lively between the neighbors of Tianjin Courtyard is vividly reflected.
Then, there is Shao Ma Ye's "Night Mahjong Sound". This TV is arguably one of the most popular, not one. The story is strong, the characters are cartoonish, and it is naturally suitable for shooting TV.
In this cross-talk, the "monkey qi" on Shao Ma Ye's body is vividly displayed and full of comedy. The mahjong fan "Xiao Mi" actress is really beautiful and represents the fashion of the time. The most prominent figure is Mr. Li Wenhua. At that time, old Li had just finished the operation and could not speak, but the kung fu on his body did not fall at all, and the image was vividly conveyed to the grandfather of the room, too Coke.
The cross-talk of "The Sound of Mahjong at Night", Shao Ma Ye and Yu Shiyou also performed. When filming this TV, Yu Shiyou probably had a mental breakdown, and his later life was very bleak.
Yu Shiyou went to prison, and it is said that he was reported by the woman's parents because of his love affair, according to the nature of "rape". After that, Hou Baolin expelled Yu Shiyou from the door, which made the beloved disciple lose face and exert great mental pressure.
Yu Shiyou spent the last few years of his life in a nursing home, drinking and suffering every day. Some time ago, Wang Yang took a video saying that he gave Yu Shiyou a pension to the end, and the credibility was not high, because having a son should not be able to enter a nursing home.
The last estimate to be said is that everyone knows that it is still the work of Shao Ma Ye - "Dispute". The "Dispute" section was extinct, like a totem of Tianjin cross-talk, and it was popular all over the country in the 90s when the media was not developed.
The two actors of "Dispute" TV highlighted that "Ding Wenyuan" is Su Wenmao's son Su Mingjie, and "Wang Decheng" is the son of "Double Gun Li Xiangyang" Guo Zhenqing.
Guo Zhenqing's grandson Guo Xiaoxiao is also a cross-talk actor, and he wanted to pay homage to Hou Yaowen and couldn't open his mouth to let his grandfather help. Hou Yaowen respected the teacher, and when he saw that such a big artist personally said it, he quickly agreed, and even let Guo Xiaoxiao live in the rose garden, and the living expenses for school were all paid by him.
On June 13, 2007, Hou Yaowen was furious because Guo Xiaoxiao said that he could not speak well, and let Guo Xiaoxiao go home for the night, and then died of a sudden illness a few hours later. If there had been no fire that day, Guo Xiaoxiao was still living in the Rose Garden, mr. Hou might have been saved.
It's all fate, half a point is not up to people!
Some people say that Su Mingjie's original name is Su Wenjie, this joke is big, Su Wenmao's son is called Su Wenjie, is this not chaotic for the two grandfathers? Su Mingjie is his real name, and it is explained that the character is because of his name.
Some people think that it is Su Mingjie, and some people think it is Zhao Weizhou. According to the time of Koumeng's worship, it should be Zhao Weizhou, and when he was two years old (1952), he let Su Wenmao accept him as an apprentice.
Although Su Mingjie did not say crosstalk for a long time, his status in the industry was still very high. In October this year, Su Mingjie also brought a small disciple to take a group photo with Gao Yingpei's son Gao Yuqing at the ceremony.
Su Mingjie's cross-talk level is unknown, but the acting skills in "Dispute" are really amazing, it is simply angry that Liang Chaowei will not let Zhou Runfa, and few professional actors can do that.
The paragraph of "Dispute" has a single mouth, and the counterpart is to cooperate with Xie Tianshun. After watching the performances of the two, you will understand how important it is for cross-talk actors to have a good partner when they are young. If Yang Shaohua was still standing next to the young horse at that time, it is estimated that the word "grandpa" would have been ambiguous.
Of the three peaks of Xiangsheng TV, Shao Ma Ye is the only one, and the master's skill can be seen from this. How the level of cross-talk artists is not how many paragraphs will be, the key is performance skills and character shaping. Shaoma's handling of "Dispute", no matter whether it is a stand-up counterpart at any time, can be convincing, which is called level.
In such a classic passage, Ma Sanli's evaluation is only three words of "OK", which is the highest evaluation that Shao Ma Ye received from his father. The rigor of Ma's cross-talk is rare in the line of high standards and requirements.
The passage of "Dispute" handed over to Third Master Ma to deal with must have a different flavor, but unfortunately it cannot be seen. The art of cross-talk to Ma Sanli here is even if the ceiling, the young horse is the chandelier under the ceiling, and now the so-called fans can open the "horn" of the concert, at best, the level of the sewer.