Lonely Island Chronicle 6 days ago
When did the first poem titled Jiangxin Temple appear?
Some people say that it is the poem "Jiangxin Temple" written by Zhao Jiao, and this poem is included in the "Jiangxinzhi" compiled by Wang Guangyun in the Ming Dynasty, the "JiangXinzhi" compiled by Shi Yuanqi xiu in the Qing Dynasty, and the "Lonely Island Zhi" compiled by Chen Shunzhi.
"Lonely Island Chronicle"
Zhao Xiao was a famous minister of the Northern Song Dynasty, on a par with Bao Zheng, known as the "iron face" by the world, and came to Wenzhou to retire after retirement. If this poem is really written by Zhao Zhuo in Wenzhou, then it should be the earliest surviving Jiangxin Temple poem.
However, this is not the case.
This issue of "Lonely Island Chronicle" unveils the confusing historical relationship between the "Iron Mask Royal History" of the Northern Song Dynasty and JiangxinYu.
Sun Tinghong in the 1970s
Did Zhao Shuzhen write "Jiangxin Temple"?
Zhao Yi (1008–1084), courtesy name Zhifeizi (知非子), courtesy name "Qing Xian", was a native of Xi'an, Quzhou (present-day Kecheng District, Quzhou, Zhejiang).
Zhao
Zhao Was a talented literary scholar known for his poetry, and his contemporaries Su Rui once praised him: "Poetry is fresh and rhythmic, the handwriting is vigorous, and Xiao Ran is like a person." The Siku Quanshu, which was cultivated during the Qianlong period of the Qing Dynasty, was included in the ten volumes of his Qing Xian Collection.
Zhao Xiao's "Yam Thesis" on paper 27.3×24.8cm to the first year of Hehe (1054) The collection of the National Palace Museum in Taipei
When the editor read the "Qing Xian Collection", he did not find this "Jiangxin Temple". Moreover, Zhao Yu was already retired when he came to Wenzhou, which did not conform to the description of "Ao tou" and "Too Conservative in the Wind" in the poem.
《Jiangxin Temple》
Peak face snow makeup silver world, Jiangxin spring moving brocade waves.
The old man knows whether he knows it or not, and Mo Fengliu is too guarded.
In the comparison, it was found that the whole poem of "Jiangxin Temple" and the "Two Poems to Chengdu" in the "Qing Xian Collection" were almost exactly the same, and only a few words were different.
"To Chengdu has two songs"
(Partial)
Peaks towering clouds makeup silver world, deep spring of the river moving jin waves.
The old people know whether they know it or not, and Mo Fengliu is too guarded.
According to records, Zhao Zhuo knew Chengdu Fulu twice in the second year of Zhiping (1065) and the fifth year of Xi Ning (1072), and "To Chengdu" was composed when he learned about Chengdu for the second time. From the beginning of the month to April in Chengdu, there is a custom of "huanhua", taishou travel, scholars and women looking through, taishou is called "aoe". As Zhao Zhizhi chengdu, the use of the dictionary in the poem can be described as appropriate.
"To Chengdu has two songs" in the "Qing Dedication Collection"
Therefore, the poem "Jiangxin Temple" may have been misrepresented by later generations, and this mistake occurred 500 years ago. During the Ming Dynasty, Wang Guangyun's "Jiang Xinzhi" compiled by Wang Guangyun had already misclassified Zhao's "To Chengdu" as Jiangxin poetry, and the "Jiang Shen" in the original poem was changed to "Jiangxin", "Peak Towering Cloud Makeup" became "Peak Face Snow Makeup", and "People Know It" became "Junzhi No". However, in Wang Guangyun's "Jiang Xinzhi", Zhao's poem is untitled.
During the Kangxi Dynasty, Shi Yuanqi revised the Jiangxin Zhi, a poem titled Jiangxin Temple. During the Jiaqing period, Chen Shunzhi compiled the "Lonely Island Chronicle" with reference to the content of his predecessors, and then compiled this poem into the book.
The picture on the left is Ming Wang Guangyun's "Jiang Xinzhi", and the right picture is Qing Shi Yuanqi's "Jiang Xinzhi"
According to research, the Southern Song Dynasty poet Zhang Kuo's "Poems of Jiangxin Temple in Suzhou" may be the earliest poem titled Jiangxin Temple that can be found so far.
"Poems of Jiangxin Temple in Wenzhou"
Out of the city what you know, lonely island in the sea clouds.
The temple shadow is a fist stone, and the tide is windy on all sides.
Broken smoke has fascinated birds, and dense leaves have fallen into dan maple.
Aggressive dreams, really a wash of emptiness.
Zhang Kuo was a fifth-year (1106) jinshi of Emperor Chongning of the Song Dynasty, and served as a gongcao in Chuzhou in the last years of the Northern Song Dynasty. The poem was written in the later years of Zhang Kuo's reign when he raised the two Zhejiang cities, probably around the tenth year of Shaoxing (1140), when the "two courts" on JiangxinYu had been merged into "one temple".
I have come to Wenzhou to write about Jiangxin
Although "Jiangxin Temple" is the work of Zhang Guan and Li Dai, it is certain that Zhao Bian has come to Wenzhou. In the second year of the Northern Song Dynasty (1079), Zhao Wei was awarded the title of "Prince Shaobao". Zhao Qi, the son of Wenzhou Tongju at that time, took his father to Wenzhou for retirement.
The "History of song" "Liechuan 70" records, "屼字景仁. From Yin Dengdi, through jiangzhou, changed to Wenzhou, generation return, see. Shi Shu had already given thanks, and Emperor Shenzong ordered him to be a servant and promoted to oversee the imperial history. With the father and the elder please, lift the two Zhejiang Changping. In the Yuan Yu Zhong, fu is reverted to the imperial history. ”
In 1949, contemporary archaeologist Xia Nai (1910-1985) discovered and stitched together the broken stone stele of the Sea Temple under the stage of the HaitanShan Haitan Temple. According to research, this stele was erected in the third year of the Northern Song Dynasty (1080), when a wind disaster occurred in Wenzhou, and Taishou Shi Muzhi and Zhao Yu went to the Sea Temple to pray for the gods. From the content of the remnants of the Sea Temple, it can be seen that the "History of Song" mistakenly records "㞦" as "屼".
The remnants of the Sea God Temple are now in the Wenzhou Museum
After Zhao Yu retired, Zhao Yu took his father from his hometown in Quzhou to Wenzhou to serve him. He and Shi Muzhi of Wenzhou Zhizhou at that time went to Yandang to meet his old father and accompanied him on the tour of Yandang. Zhao Yu has a poetry cloud:
"Eighteen Men Zi Wen Yu Yu Yan Dang,
Wen Shou Shi Muzhi sent rhymes with poetry"
Knowing that it was difficult to worship, Ke Ling returned to Emperor Huan.
Holding an urn can not be taught in the old garden, driving to visit the famous mountain.
After the fish book entered the book, the bird characters were emptyed between the mists.
The master of Duohe expected me to do so, and Xie Gong relics were willing to climb.
When Zhao Was playing in Wenzhou, he wrote poems related to Jiangxinyu. He mentioned in the poem "Ziwen Will Return Qu County Title Xie Gonglou" that a thousand furniture boats at the foot of the city, the twin towers of Jiangxin suppress the waves.
Xie Gong Lou is located on the north gate of Yongjia County (now Wangjiang East Road, Lucheng District), originally belonged to the north gate of the city tower, because Xie Lingyun often visited and rested here, named "Xie Gong Lou." "Xie GongLou is only separated from Jiangxin Island by one river, and it is the best viewing place for the Twin Towers of Jiangxin.
A good story of filial piety
In order to let his father spend his old age in peace, Zhao Li once imitated the Spring and Autumn Period when the old Laizi of the Chu Kingdom was seventy years old and wore five-colored clothes to the church to make a baby play, and deliberately built a "Drama Hall" near the mansion in Wenzhou to enjoy his happiness with the story of Bo's parents laughing.
Old Laizi colorful clothes entertain pro-ancient bricks
After Zhao Yu checked in, he wrote a poem praising Yun: "I can know in the hall that you have forgotten to return for more than a month." Old Lai is not as young as wu'er, and he is wearing a vermilion dress. ”
Hongzhi's "Wenzhou Fu Zhi" has a record: "When the Drama CaiTang was ruled in the old county, song Zhao Fei County, his father Qing Xian Gong Zhi Shi family, Asy Ying, was raised, because of the name of the righteousness of the old Laizi Drama Cai. ”
Su Rui, a Northern Song dynasty literary scholar and one of the "Eight Great Masters of the Tang and Song Dynasties", specially wrote a poem for Zhao's father and son, "Sending the Title Zhao Yu Chengshi Drama Caitang".
Spring Festival Gala public opinion throughout eastern Zhejiang, Yongjia don't take advantage of the endless joy.
Qiu Fei had already laughed and divided the sons, and the official He Lao asked Xue Gong.
The Hall ShouJutsu Collection, the Room Zen Discussion Monk Tong.
However, Xingyuan returned to LinQuan, and the shogunate stayed in filial piety.
The story of Zhao Xiao and Zhao Li's father and son has been passed down as a good story by posterity, and the filial piety manifested by the "Drama Caitang" has been passed down from generation to generation in Wenzhou.
In the twenty-seventh year of Daoguang (1847), Liang Gongchen, who was then the Taishou of Wenzhou, imitated Zhao Yu's practice and took his father, Liang Zhangju, the "Senior Political Prince" of the Zhishi family, to Wenzhou to be raised, and also built a "Drama Pavilion" for entertaining relatives in acting. He personally inscribed the word "Drama Cai" on the pavilion plaque, and wrote a trek: "Song Wenzhou sentenced Zhao Tun, welcomed his father Qing Xiangong to the Li Hall, and built the Drama Cai Hall, which was rumored to be a grand event at that time, and there were poems in Dongpo and Yingbin. The present-day Senior Prince also raises the gunzai, and Zi Ting is suitable for success, because of the name. ”
Today," The Theater Pavilion in Mochi Park in Wenzhou City. Photo by China Southern Airlines
In the second year of the Republic of China (1913), Mao Guangsheng, a wenzhou customs supervisor and diplomatic negotiator, built a "Hou xi caitang" on the west side of the customs office and brought his old mother from Rugao to filial piety. Afterwards, it was also recorded in the article "Joke Words": "The Drama CaiTang ... Yu Feng's mother came to Yongjia and once built a theater stage in the west side of the Guan Bureau, and Yan Qitang was known as the 'Hou Drama CaiTang'. The world has the poems of the Meishan brothers, and they are doing things for me. "Meishan Brothers" refers to the two brothers Su Rui and Su Shi.
A piano and a crane have been passed down through the ages
In the "History of Song", Zhao Zheng and Bao Zheng were transmitted together, and the two served in the imperial history platform together.
Zhao Shu was the imperial history of the palace, the forbidden prison of the palace of the ministry; Bao Zheng was appointed as the imperial history, and the function was divided into prisons in the four directions of the dynasty. According to today's scope of work, Zhao Zhao is responsible for cases of cadres violating the law and discipline of various ministries and commissions in the capital, and Bao Zheng is responsible for cases of local officials violating the law and discipline. Zhao Zheng and Bao Zheng complement each other inside and outside, because both of them do not avoid the magnates in their work, so Zhao Zheng can be called "Zhao Tiemian" and Bao Zheng can be called "Bao Qingtian".
The History of Song records that the chancellor Chen Zhizhong connived with his family to beat yakuza to death, and Song Renzong intended to cover up, but Zhao Zhizhong wrote more than twenty times to demand strict law enforcement and the removal of Chen Zhizhong. At the same time, he also impeached Zhang Xuanxing, a counselor who did not pay attention to the matter, and opposed the removal of Chen Zhizhong's advisor Fan Zhen, which led to a debate with Fan Zhen for more than a year. The end result was that Chen Zhizhong was degraded, and Zhao Himself was exiled to other places.
Zhao Was born into poverty, twenty-seven years old, experienced the three dynasties of Emperor Renzong, Emperor Yingzong and Emperor Shenzong of the Northern Song Dynasty, and served as an official in the imperial history of the palace, participating in the government affairs, prince Shaobao and other Beijing positions, and also served as a local official in Henan, Sichuan and other places.
Throughout his life, he scrupulously adhered to the motto of "ten thousand acres of good land, two liters a day; a thousand buildings, sleeping eight feet at night", and many of the official positions he held were eye-catching fat differences, but he always achieved no greed in his heart, was honest as an official, and never sought selfish interests for himself.
"Iron Mask Imperial History" Zhao Yiqin Yihe Sculpture. Photographed by Chen Jing
In the third year of the Northern Song Dynasty (1058), the imperial court appointed Zhao Yu as an envoy to Chengdu, and Zhao Yu only brought an entourage, led a horse, and had a piano and a white crane in his bag. Before Zhao Xuan went to Sichuan to take up his post, some officials in Sichuan often ate each other with wine and food to ask for gifts, and even opened many restaurants next to the county court.
Emperor Shenzong greatly praised Zhao Zhao for "entering Shu on horseback, following himself with one piano and one crane, and making the government simple", and since then", "one qin and one crane" has become synonymous with Zhao Zhao as an official.
Edit | Lian Jiajia Liu Xi
Proofreading | Zheng Ling
bibliography:
"Poetry Painting Jiangxin" Chen Ruizan
"Lonely Island Chronicle" revised by Chen Shunzhi (Qing Jiaqing).
"The Inspector of History, Zhao Wei: The Iron Mask Selflessly Distinguishes Between Loyalty and Adultery" He Zhongle
"Iron Mask Imperial History Zhao Shu" Quzhou City Archives
"How to record typhoons in ancient times, the Sea Temple stele said to you" Chen Peipei
"Millennium "Drama Hall", Wenzhou Ancient Respect for the Elderly" Xu Hongtu
"Iron-faced Father and Filial Piety Son, Wenzhou Version of Father's Day Touching Story, It Happened Here!" Thirty-six squares