For all women, this is a cautionary tale. It articulates the fact that having children is a disaster for a woman, and having three children is basically a disaster.
For all men, this is an educational film. It warns of the consequence that in the family, if the husband intends to be an "invisible person" for a long time, your wife will be forced to suffer from mental illness, which will be a high probability event.
Therefore, in my opinion, "Tully" is a cry for the awakening of women, especially housewives, and a war book dissatisfied with the resentment of "widowed" marriages.
The main theme of this movie clearly tells women to love themselves well; it warns men not to think of their wives as "house nannies" and to squeeze the women who love you indefinitely.
The film is short and concise, but it has a profound meaning. Comparing the current rising divorce rate, it is more illustrative of the practical significance of interpretation.
Nowadays, the "three-child" policy has been fully liberalized. But the focus of the discussion is not "born or not", but "who wants to be born and who wants to be born?" A more essential question is: At a time when more and more people are considering whether to get married or not, is it more important to "have children" than to have children?
<h1 class="pgc-h-arrow-right" data-track="7" > even if the whole process is opened, it will not be able to clear the difficult copy</h1>
Marlowe, played by Charlize Theron, is strictly a "humble woman".
It is rumored that in order to match the needs of the "maternity" image, Theron gained at least 30 pounds. At this end alone, it can be seen that in order to accurately interpret the true state of the "pregnant mother", Theron's sacrificial spirit can be called "tough".
In the film, Marlowe, as a pregnant woman who is pulling two children and is about to go to the pot, has to force herself to become "tough" in the face of the family life of chickens flying and dogs jumping.
His son has agitation, and Marlowe has taken a variety of methods to treat him, but the effect is not obvious. The consequence of this is that the school side considers the teaching atmosphere and "euphemistically" suggests that Marlowe transfer for his son.
For the sake of money, the school did not immediately expel his son, but Marlowe's situation did not improve. After the birth of her youngest daughter, in order to mediate with the school authorities, she had to take her child to negotiate with the principal.
Nothing changed, perhaps because his son's agitation affected the normal classroom order, the school was resolute, and Marlowe fled.
Before the birth of her youngest daughter, her husband Drew only went through the hospitalization procedures for her and left her alone in the hospital. A woman is left alone with her upcoming third child, even if she has had fertility experience. At that time, the lonely Marlowe was so desolate in his heart.
After the birth of the youngest daughter, Marlowe had to take care of the two older ones and the younger ones. Lifting the oil bottle and touching the vinegar, I was busy. No one gave her a handle, and she had to handle all the housework on her own.
As a woman, Marlowe has normal physiological needs, but by then her husband's lover has become a video game. Even if his wife is right in front of him, he will not make love to her. But when it was replaced by Tully, this brother immediately had an appetite!
So when son Jonah exclaimed, "Mom, what's wrong with your body?" "This big sister is afraid that ten thousand grass and mud horses have already roared past in her heart!"
"What happened to the old woman's body?" You said it! It's not because of you bunny cubs! ”
Marlowe sacrificed her career, and family life alone consumed all her energy. Heavy and trivial family life is like a battlefield, and Marlowe is a lone warrior facing this war. There were no comrades-in-arms, no logistical support, no ammunition supplies. She is left and right, and she is more invisible.
When Marlowe put her crying little daughter in the car, she only had a few seconds to vent her incomparably suppressed emotions. Even the scolding mother has to make taking care of her daughter a priority. The child's cries reflect Marlowe's helplessness and helplessness.
“F***！”
<h1 class="pgc-h-arrow-right" data-track="22" > you're in, or not there, is there a gross difference? </h1>
In general, feature films will always set up important villains to promote the narrative of the film. The villain in "Tully" is Marlowe's husband, Drew.
In my opinion, drew's character is more malleable than Marlowe's. Perhaps for the sake of the same man, when I repeatedly pull the film, as long as I see this man, I will have a strong sense of substitution, and unconsciously reflect on myself.
According to the film information, Drew should be the general middle level of the enterprise. I don't earn much, and the work is actually not heavy. Life was meticulous, relatives and friends helped, and he had to take care of his poor self-esteem.
He didn't like Marlowe's brother because it was simple, and people were better than him. The most common criterion for judging whether a man is good or not is income, and in this regard, Drew is not very capable of speaking.
In the case of his son, if he wants to go to a key primary school, he has to pay a large sponsorship fee. If I'm not mistaken, the money should have been taken by the child's uncle. There is also the cost of hiring a night nanny when the son was born, which is also taken by his brother-in-law through that family gathering.
Therefore, he did not like this relative who provided support to his family, and he felt that he appeared in front of this person, and compared with the two times, he could no longer be regarded as a qualified man.
Or maybe because of this, sometimes Drew needs to put it in front of his wife and children to make the family think that he is working hard and important. It's really tiring to be alive, and the strength is not enough to act. Otherwise, there is no way to find a reasonable excuse for doing nothing at home.
Drew seems to care about his wife, but only to the point. Physically, Drew did not assist his wife in sharing even a little housework; psychologically, he lacked the love and pity for his postpartum wife.
As a husband, he doesn't get into the role and doesn't really understand the deeper psychological needs of his wife. He did not understand the pressure of his wife's heavy responsibilities, and all his concern was permeated with a kind of hypocrisy and indifference.
At home, the only thing Drew could do was to add more work to Marlowe like a few children. This big boy has a game console and can happily spend the rest of his life at home.
Yes, playing games, this may be a point that women complain about their husbands or boyfriends that absolutely cannot be bypassed. They might even ask, "I really don't understand, what's so fun about the game?" More fun than me? ”
It seems that anti-addiction is by no means limited to the youth group!
<h1 class="pgc-h-arrow-right" data-track="35" > Tully, re-examining the original self in family life</h1>
Who is Tully? As Diao De sang in a play, "This woman is unusual! ”
In the film, Tully and Marlowe have too many similar details. They all loved bourbon, loved the same music, had lived in the same neighborhood, and were young with poetry and distance.
Also, they are all beautiful women. One is now, one was.
Tully is the key to understanding the film. Only by understanding the existence of this role can we suddenly penetrate the main theme of the whole movie.
At the end of the film, it is finally revealed that Marlowe's father's surname is "Tully". That is to say, Tully, the night nanny, is actually just Marlowe's imagination and does not really exist.
Shadow twins? Yes, psychology calls it the "subconscious." Since the birth of his youngest daughter, Marlowe has been supported by his subconscious through difficult times.
Yes, Tully is the intentional embodiment of Marlowe's inner strength, goodness, and kindness. She helps and encourages Marlowe, while giving Marlowe a chance to reflect seriously on her life.
Tully came and went, just as most women can't break free from the trivialities of family life. They originally had the ability, the dream, and the life they wanted. But the complexity of family life makes all this so untouchable.
In that chapter of the bar, Tower inspires Marlowe with the metaphor of the transformed ship, while also hinting at the moviegoer. The mystery is about to be revealed, and it turns out that Tully is the original heart, the freedom that Marlowe hides in his heart, and the true sense of the self.
Think about why Tully would say to Marlowe, "You wanted to kill me!" "Was it Marlowe who killed Tully?" Who killed Marlowe? Is Marlowe now the same Marlowe as before?
At the end of the film, Marlowe is admitted to the hospital, and the husband sees his seriously injured wife, still habitually throwing pots. I suddenly worried for Marlowe whether her life would remain unchanged after she was discharged from the hospital.
Think of the words of praise for women and mothers, what "gentleness, virtuousness, selflessness and greatness"... You are so bad that you have deceived them for so long and suffered so much!
Women are thus firmly kidnapped on the altar of the family, and the time is so long that even they themselves have forgotten to struggle.
Marlowe eventually returned to his family, leaving a long picture for all moviegoers to experience.
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