On November 7, the sixth episode of "Actors Please Take Seat 2" was broadcast as scheduled, and director Er Dongsheng brought shi Baiyu, Zhang Mingen and Ma Su to bring the work "My First-Class Brother", and the excellent performances of the three actors earned enough tears from the audience. Without further ado, the following miners will take you to analyze this work together.
Shi Baiyu played a character with an IQ of only a few years in this work, and his performance is still very amazing, and the character of Xiao Bei in the previous work cannot be seen to be the same person. It should be said that this kind of role is more difficult to play, not only to show the behavior of low IQ, but also not to make people feel too contrived. This degree is very difficult to grasp, and at this time, an external person is needed to check it, which reflects the role of the director. When an actor pays too much attention to the creation of his own role, his energy is likely not to allow him to pay attention to other things, so at this time, the director who looks at the overall situation plays a role in guiding the direction and setting the framework for the role. Specific to this work, how to let Dongjiu reflect the characteristics of the characters when completing his own action tasks is the most important task. It can even be said that as long as the image and actions of the role of Dongjiu are well controlled, other aspects of things can basically be completed smoothly.
The problems Zhang Mingen faced were somewhat similar to Shi Baiyu's, but he was much easier. He plays a high paraplegic patient, the body below the neck is unable to move autonomously, and even many subconscious movements are to be controlled. Therefore, when Zhang Mingen performed this role, his paralyzed body was actually not relaxed, but nervous, and this tension also made people see it as relaxed, which was very difficult to grasp. Especially when Dongjiu throws his face on him, he also has to control himself and can't have subconscious movements, which is the embodiment of an actor who always focuses on the performance.
From the role modeling, Zhang Mingen also showed that deep love for Dongjiu to the fullest, from the beginning to persuade Dongjiu to have a good game, to the fierce opposition of Dongjiu's mother when she came, until finally agreed to let Dongjiu go back with his mother. Zhang Mingen's performance has aroused the empathy of many people, and I believe that in this clip, among the three actors, he has been fully integrated with the role for the longest time. This is also why his performance will move a lot of people.
Especially when Dongjiu was about to leave at the end, he had to touch his face for the last time, and although his body could not move, he used up the last bit of strength of his body to approach Dongjiu's hand, which was almost the most touching moment of this work. What is action language, this is the best action language!
Ma Su is worthy of being an old drama bone with many years of experience, and the eyes of watching Dongjiu and watching Shihe are full of content, so that people will know that there is drama in their eyes when they see it, and in an instant, this character will stand up. But old actors are also prone to the problems of old actors, that is, it is easy to use their own skills to act with more experience. From the time Dongjiu's mother saw Dongjiu crying bitterly, these techniques were more obvious. It's not that Ma Su's performance is not sincere, but sometimes I take shortcuts too much, and I get used to walking. (If you don't believe it, you can observe the crying scene performed by Ma Su when Se-ho questioned Dongjiu's mother, and he has been desperately blinking before crying, allowing himself to quickly enter the sad mood, which is a kind of acting technique.) ）
In this work, Ma Su's mood swings are relatively large, and if you are a person with strong empathy ability, it is easy to be impressed. However, some viewers (such as miners), after watching the crying scene, felt a little mental fatigue, but Zhang Mingen's performance has been supporting his emotions, holding his emotions to the highest point before shedding a little tears, but pushing the emotions of the whole audience to the highest. Hidden tears are the most precious, and tears of indiscriminate affection are the cheapest.
Overall, on this stage, "My First-Class Brother" is a very successful clip, from the minimum standard of the work, it is a good completion of the task of the storyline, the work is very complete, from the highest standard, Zhang Mingen's performance is really credible, touching, but also able to make the audience have a strong empathy. If you are a person with a soft heart, full of love and compassion. Watch this work several times, I believe that every time will not disappoint you.
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