Laughing at the four poems that Wang Huan left in the Wafang Shop ---- the master

In the literary history of the Jin Dynasty, Wang Huan was one of the most famous poets.

Wang Huan (1127-1193), courtesy name Yuan, was a native of Yutian, Jinji Prefecture (present-day Yutian, Hebei). In the third year of Tiande (1151), he ascended to the throne of Shidi, and was the commander of Qi County, Taiyuan, the envoy of Tongzhou and the military of Zhi, the deputy retainer of Zhongxian Dafu Zhongdu, the deputy governor of Honlu Andma, and the hubu shilang. During his tenure as Tobe Shilang, due to poor disaster relief, he was demoted from Kyoto in the twenty-sixth year of Dading (1186) to serve as the history of the defense of Caizhou; in the twenty-ninth year of Dading (1189), he was ordered to be sentenced to Liaodong Road Prison; and Mingchang (1190-1196) was recalled to Beijing in the early years of his reign, ending up as the acting Rebbe Shangshu.

Wang Ning's existing works mainly include poems, words, texts, and fu. His poems were highly respected by the contemporaries and posterity, and Yuan Haoqing praised Wang Huan for "specializing in poetry" (Zhongzhou Collection, vol. 2), and the "Outline of the General Catalogue of the Four Libraries" said: "The poetry of Silence is clear and carved, and there is a unique style of Jiajia. "Since Wang Huan lived in the heyday of the Jin Dynasty, his works reflect the prosperity of the Jin Dynasty from time to time. He is the author of "Humble Collection" and "Yalu River Xingbu Zhi" and so on.

In 1189, Wang Huan, who was in his sixties, was appointed to the post of Liaodong Road Prison. As the chief procurator of the Liaodong Regional Procuratorate, Wang Ning can go to various prefectures and counties at any time to inspect the prisons and impeach officials who have neglected their duties in prisons. As a high-ranking official and a poet, every landscape and monument in Liaodong deeply infected him, and most of his works in this period were mainly poetry. In the second year of his reign (1190), Wang Huan went to Fuzhou (now Fuzhou Town, Wafangdian City) for official duties, during which he heard that there was a stone chamber in Xishan, a pine town under the jurisdiction of Fuzhou, so he gladly went there and wrote his first poem in the Wafangdian area, "Remembering the Stone Room of Xishan Mountain".

The stone is three square and horizontal, straight and pure like a catalpa.

The side rock wall is used as a large room, and the manpower is not suspicious.

This trip to Dongming is within easy reach, and I want to see Qiang Ying's dilemma.

The fairy game is also accidental, and the moon axe cloud jin has no trace.

When the phoenix came, the wind and rain swept away without fiber.

It is necessary to guard the mountain ghosts, and the valley of lingqian will become indestructible.

Standing on the long road, he once read the Han and Tang Dynasties.

In front of the mountain, I was afraid that there were shepherds, and I asked where was jintang?

Xishan Stone Room, located on the West Hill of Taizitun in Songshu Town, Wafangdian, is a funeral method of the Bronze Age, also known as stone shed. It is a four-stone slab erected on the ground, which is covered with a huge stone slab to make a tomb chamber, which is a cultural relics protection unit in Liaoning Province. The poem describes the shape of the stone shed and the vicissitudes of thousands of years, praises the wisdom of the ancient working people, and also leaves a wonderful account of this special funeral method, which has a certain historical value.

In the spring of the second year of Jin Mingchang (1191), Wang Huan traveled to the Fuzhou area because of his "ministry", the wind was angry, the road was difficult, looking at Fuzhou, it had long been obscured by yellow sand, and the usually quiet Fuzhou River also became turbid and empty, and there was not a ferry to be seen. Helplessly, Wang Huan could only look at the wind and sigh and write this poem "Fuzhou Daozhong":

Last night the moon was dizzy like a hand covering, and today the yellow cloud turned over the cannon car.

At first smell of the tall trees, I gradually felt the flying sand rolling the road.

The vicissitudes of the waves roll three mountains and shake, I am afraid that the sea is like a whale.

The dusk turned more evil, and the skinny horse was blowing sideways.

The Jin officials told Nong that there was no river crossing, and the dry river and the sea set off a shock wave.

In southern Liaoning, every spring, such a strong wind blows, blowing the first flowers all over the mountains. Perhaps when Wang Huan came in early spring, there were no traces of flowers in the poem, and the objects described were only sand, trees, and the Fuzhou River. If it is the season of flowers, Wang Huan will never let go of the depiction of flowers and plants, and perhaps this poem will become mournful and desolate. What appears in front of us is the desolation of early spring in southern Liaoning and the helplessness that manpower cannot reach.

Similar to this psalm, there is also "From Yongkang Ci Hue Camp". Yongkang was the seat of government in Fuzhou, and the Hue battalion was located south of Fuzhou, in the territory of present-day Pulandian City. Poetry:

The earth controls the heavenly rocks, and the sky is even looking low.

The smoke of the wilderness connects the sea, and the sun falls on the west of Liaoning.

The fortress is idle, and the pavilion is lying on the drum.

The Ugly Gang repairs the tribute, and an uses a pill of mud.

In the north of Wafangdian, the Qianshan Mountains stretch here, and although the mountains are not high, they are steep and steep, and the mountains are stacked on top of each other. Looking at the mountains in the distance, it is like a tall city wall, which has been said to be a mountain city since ancient times. The poet stood down the hill, not impressed by the steepness of the mountain, but saw the scenery of early spring. The plum calyx was first released, the willows were spitting out new ones, and the local old officials were called to tidy up the flower beds together, and they regarded themselves as the "pedestrians" as the masters of the mountain. The style of the poem has changed from the usual desolate and tragic, appearing approachable, without a bit of official frame, like a secluded gentleman.

Modao Mountain City is late in the spring, and the willow-tipped plum calyx has been competing for new ones.

Call out to the old official to rule the flower garden, and laugh at himself as the master.

"Mountain City Xuanqian Inscription Wall"

Wang Ning's tenure in Liaodong was only about two years, but his footprints traveled to every land in Liaodong. Most of the poems written here were made on the way to the tour, which shows that he was a good official who was down-to-earth and serious. Although there are only four poems left for Wafangdian, it has left a valuable page in the cultural history of Wafangdian.