In the poetry circle of the Tang Dynasty, among the poets who are known for their five-word poetry, Liu Changqing can definitely be called a generation of masters, calling himself the "Great Wall of Five Words". Generally speaking, Liu Changqing's poetic feelings are known for their deep elegance, the so-called "deep" represents not shallow, and the so-called "wan" represents implicit comfort. Today, we will enjoy the ten poems of Liu Changqing, a famous poet of the Tang Dynasty, and experience the emotions behind the words.
Liu Changqing was born in a declining bureaucratic family, he lived in poverty, traveled far and wide for his livelihood, and in order to be able to make a name for himself, he was constantly active. In Liu Changqing's poetry creation career, it can be roughly divided into three periods, one is the period of seeking shi wucheng; the other is that he was relocated twice, which was the most successful in this period; the third is that he was dismissed from office and was in the twilight of his life, and the poetry of this period had less influence.
In the first period, Liu Changqing's poems have been rewarded with experiences and poems, and the poems can reflect profound social problems and social contradictions, and also reflect the sadness and indignation of people with great talents. The poems of Biansai are highly accomplished, describing the tragic scenes of the frontier wars, and expressing the tragic experiences of long-term difficulties and unsuccessful achievements from the perspective of the soldiers, and at the same time indignant at the arrogant life of the frontier generals and the inability to sympathize with the soldiers. Overall, the poetry of this period is generous and sad in color, full of momentum, and has a strong realist color.
In the second period, Liu Changqing finally entered the army, but the career was bumpy, and after experiencing the chaos of Anshi, seeing social turmoil, please conform to Rong, the poems of this period reflect Liu Changqing's feelings of worrying about the country and the people, and the spirit of realism is more intense. As a result of successive changes, circumstances and thoughts changed, generosity weakened, and grief grew stronger. The poems reflect less of social problems, and there are more poems lamenting personal tragic experiences, which is to shout for the literati who have also suffered the same experience. It is worth mentioning that during this period, Liu Changqing's poetry was relatively mature, and it was also a key period for him to lay a position in the poetry circle of the Tang Dynasty.
The third period was the decline of Liu Changqing's poetry creation, with fewer poems written about social reality, more poems expressing personal feelings, and entertaining poems. The poems of this period reflect Liu Changqing's political progress, but they have not improved ideologically, and they do not reflect their lofty ambitions. Therefore, Liu Changqing's poems in his twilight years did not reflect the atmosphere of the heroes who had not been paid, the artistic value was low, and the ideological nature was poor, which was the period of the lowest poetic achievement in his life.
In general, Liu Changqing's poetic artistic achievements are still relatively prominent, and the language work is showy and euphemistic, especially the influence of wuyan poetry is relatively large. From the perspective of vocal rhythm, the flat tone is skillfully and rigorously used. From the perspective of rhyme, Liu Changqing's five-character poems are full of sound and text, and have a super high aesthetic effect. From the perspective of phonology, Liu Changqing's poems will produce different vocal feelings with different rhymes. In terms of the use of imagery, Liu Changqing's poems also have unique features, unique feelings, containing rich groups of imagery, and also pinning on the poet's emotions.
In short, Liu Changqing has a certain historical position and contribution in the poetry world, and is a transitional poet from prosperity to the end of the Poetry Circle of the Tang Dynasty, from the optimistic and upward mental state of the Tang Dynasty, full of vigor and vigor, to a lonely realm of snubs. His five-word poem is a mountain that embodies the aesthetic pursuit of the times. Today, we will enjoy Liu Changqing's ten poems together, especially the five-character poem, which can definitely be called the pinnacle of works.
Warm Soup Guest House
[Tang Dynasty] Liu Changqing
Winter hunting hot springs are eager to be seen, and Miyagi is good to see at night.
The soup smoke is warm in a thousand flags, and the snow shines on the side of the mountain.
The king's door is dedicated to whoever reaches it, and the guest house has no money to settle down.
And the joy of The Qin Mirror is there, and the Yan ugly will be paid to chunguan.
Pass by the former residence of the Pei Sheren
The miserable weather was cold and the court was full of yellow leaves.
Where the lonely grave is by the mountain wood, a hundred mouths have no family to learn water ping.
The hedge flowers are like heavy yang hair, and the neighbor flute can listen to the sunset.
No one in the book is long and unrolled, and the autumn herbs are their own fireflies.
Send Lu Shiyu to Hebei
Who dwells for others to be hurt, what to do from Rong alone.
Thousands of miles according to the map to harvest the homeland, the three armies strike and spring ploughing.
Jiang Tian's sky was in the first place, and the water was longing for grass.
Mo Xuezhong fled to the sea, and Tian Dan was ashamed to take Liaocheng.
Under the moon, Zhang Xiucai
Since ancient times, sorrow has been shaken, and no one cares about it.
Nightshades lean on pillows, and cold birds move to ke.
To the old three years who, when the autumn hundred feelings more.
The family is poor but has a good month, and the empty child has been ashamed.
Kitagoji Akiura Boundary KiyoshiKan
The apes cried out, and the lonely villagers temporarily relied.
The geese pass through Peng Li Twilight, and the people are rare in Wanling.
The old road is green and green, and the rest of my life is white.
Gradually, I knew that I was close to the north, and I did not see the partridge flying.
Yueyang Pavilion looks at Dongting Lake
Wanguba Hill, Ping Lake this long look.
Ask people How Miaomiao, the twilight is even more pale.
The waves are floating, and there is no sun in the middle.
There are returnees in the lonely boat, and it will reach Xiaoxiang in the morning and evening.
Early spring and light rainy nights to rest
The night of light rain comes to rest, and the spring color of Jiangnan returns.
Ben can't stop when he is shocked, and he is afraid of the old man.
People are drunk for a thousand times, and flowers bloom for hundreds of days.
It has been a guest for ten years.
Dengyugangu County
The lonely city is in line with the white clouds, and the ancient desolation is desolate and the water is west.
The official building is empty and the grass is green, and the female wall is still crying in the night.
The Pingjiang River is far away, and the sunset pavilion is low to the guests.
The sand bird did not know the change of the valley and went to Yiyang Creek towards the twilight.
Don't be strict Shiyuan
The spring breeze leans on lu city, and the water country is cold and cloudy.
The drizzle wet suit could not be seen, and the idle flowers fell to the ground to listen to the silence.
The lone sail shadow on the Sun-slanted River, the grass and green lake south of the Wanli love.
If the host meets and asks, the green robe is mistaken for Confucianism today.
Farewell King Eleven Travels South
[Tang]
Looking at the smoke and water, he waved his hand and wept.
Birds are nowhere to be found, and green mountains are empty to people.
The Yangtze River is far away, and the sunset is five lakes and spring.
Whoever sees Tingzhou, Acacia sorrows white apple.