Why did a love drama in a few years ago broadcast a fire, but now it is the opposite, and it is abandoned when it is broadcast?
Because many current TV drama works do not rely on the plot of the play, but from the casting as the focus, even if the plot is full of loopholes, it will not affect the sales of the show, so the TV series with the same plot and high repetition have been abandoned by the audience.
The TV series "Huan Zhu Ge Ge", which was broadcast in 1998, mainly described the vigorous love story of Ziwei and Erkang, XiaoYanzi and Wu Age.
Although some of the actors in this TV series have been banned and some have withdrawn from the circle "semi-permanently", it is undeniable that the drama "Huan Zhu Ge ge" really knows how to talk about love and shape the characters.
From 2000 to 2009, the spy war genre in domestic TV dramas sprung up, but the "Legend of the Paladin Sword" that lyrically wrote love and hate was forced to cut a Douban score of 8.8 with its own emotional drama.
You said that what you care about most is that Jingtian has trained a skill, so why does the Dragon Kui Martyrdom Sword make people feel heartache, and Maomao makes people cry and weep when they donate meat?
It turns out that how to create a real and believable character in a TV series has been done for a long time, but why not now? The main reason is that some "assembly line" works are at work, resulting in the audience's lack of desire to watch after the current love drama is broadcast.
But I still held the mentality of "try it out" and clicked on a TV series about love.
After clicking on it, I couldn't stop brushing 10 episodes in one breath! This 30-episode domestic love drama, why is it not hot?
Let's take a look at this TV series "Dreaming of a Lion" that describes the love story of contemporary young people.
The play is based on the novel of the same name by Little Fox Tail. Yes, it is the author who wrote "There Are Trees in the South", and she also won the favor of the State Administration of Radio, Film and Television with "There Are Trees in the South", and won the "2016 Original Works of Online Literature" in one fell swoop.
Huang Yingxiang as a director, as a post-90s cutting-edge director, although there are not many works, but only by graduation works have won three awards with high gold content, including the "Golden Angel Award of the Sino-US Film Festival", "The Student Director Award of the American Directors Guild" and the "First Prize of the Student Emmy Award".
Since it is a young people's love drama, it is natural to find a few young people with high adaptability.
The male protagonist invited Yao Chi of "Don't Go After School", and the female protagonist found Chen Yucheng who participated in the drama version of "Tang Detective", the male number two is Xie Xingyang, and the female number two is Fu Jing.
This love drama bravely uses cutting-edge directors, screenwriters and young actors, so how is it different from the "assembly line" work?
First of all, it is finally no longer the elite of the workplace, and it also avoids the "silly white sweet". The male protagonist is Bai Feili (played by Yao Chi), a producer loyal to the two-dimensional stage drama, and the female protagonist is Yu Fei (played by Chen Yucheng), a female veteran actor in Peking Opera.
From the perspective of human design, the female protagonist Yu Fei is against the standard tradition, while the male protagonist Bai Feili is inclined to new ideas.
Judging from the two settings of the male and female protagonists alone, it is known that this drama will make some fierce sparks on these two ideas.
Secondly, in order to highlight the two concepts more, the play chose to take a two-pronged approach.
On the one hand, Yu Fei's life is used to highlight traditional culture, such as her mother Yan Peishan, wearing a cheongsam, wearing a hairpin, singing Peking Opera, etc., each of which can become a flashpoint of traditional culture.
On the other hand, the working environment of Bai Feili is used to set off the contrast, such as the two-dimensional dress, name, preferences, etc., which has fully attracted the attention of young people at present.
Finally, there are some plot designs that are also quite interesting. Yu Fei came to the exhibition hall of the second dimension to deliver food to his cousin Hao Shi (played by Wu Yuheng), and suddenly wanted to go to the bathroom.
Yu Fei went to the bathroom door but saw a person wearing a woman's clothes enter the men's bathroom, and the person wearing a man's clothes walked out of the women's bathroom, which suddenly made her feel that the world was completely upside down, and when she left, she did not forget to tell Hao Shi that she would not come to this kind of place.
In order to strengthen the contradictions and conflicts in the plot, Yu Fei was added to the subsequent plot in order to earn money to treat his mother's illness, and had to participate in the two-dimensional stage play.
Moreover, in order to help his friends complete the performance of the bar, Yu Fei completed a Peking Opera performance in the bar, although people who follow the tradition will feel that it is not different, but also integrate the traditional elements into the present.
In fact, the display of these plots is nothing more than the collision and combination of new and old elements, but the most important thing is to pave the way for love.
So how to use these elements to pave the way, and how to depict feelings here is not too much spoiler, or everyone has to watch it for themselves.
The content of the drama "Dreaming of a Lion" is very high, and it does not simply shoot love for love, but through one element after another to match love.
Through this drama, many young people can also have a certain understanding of the national essence, in fact, this is also a very good way to convey traditional culture, if the future domestic love dramas are expressed in this way, it really makes me see the new direction of domestic love dramas.
So, why isn't this show still on fire?
The dilemma | the text
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