"Railway Guerrilla" tells the story of the anti-Japanese resistance in the Lunan area. There are a total of 10 volumes, which are as popular as three dozen white bone essences, and have been reprinted and reprinted countless times.
From 1954 to 1962, it was printed in the United States
The cover of the flying car gun is very eye-catching, it is a reference to the legendary battle story of the Flying Tigers in Lunan, Shandong, and the painters Han Heping and Ding Bin have gone deep into Zaozhuang, Lincheng and Weishan Lake to interview, draw nearly a thousand sketches, and obtain detailed historical information.
The guerrilla Liu Hong was well-armed, jumping on the train at the right time, throwing bundles of machine guns off the train, and then jumping out of the car at the time when it was impossible to send, this series of difficult actions were completed by the painters after repeated deductions and sketches, and such a meticulous spirit of truth-seeking is difficult to see again in the contemporary market economic environment.
Because Han Heping is responsible for drawing lines, it is clear that this work is based on his personal style.
The legendary nature of the railway guerrillas themselves, as well as the strong sense of realism between the brushstrokes, coupled with the unique regional style of southern Shandong, have created the charm of the railway comic strip. Unfortunately, the plot of this work is too long, and there are not many pictures of fierce battles, which is not very attractive to classical fans.
I think that Han Heping's lines are a little crooked, and the tables and chairs in the picture above are like this, and the costumes of the characters are similar, at least not as smooth as Master Zhao Hongben.
Why do character silhouettes have so many unnatural folds? Obviously, the wires can be drawn very smoothly.