The world is as short as a spring dream, and human feelings are as thin as autumn clouds. Don't worry about hard work, everything has a destiny. Fortunately, three glasses of wine are good, and a new flower is new. The film is laughing and dating, and tomorrow is uncertain.
Watching the movie "Rouge Buckle" many years ago, I remembered Mei Yanfang and Zhang Guorong. Like the resentment and poignancy revealed in the twilight eyes of the flower, giving people endless thoughts, the posture is like the wind blowing willow; the twelve less temperament, meticulous and gentle style, the first word that emerges when it appears is "face like a peach blossom", a man can also smoke and flattery, full of lazy eyes.
This is the most moving ghost story, how many people in ancient times have not fallen in love, not as profound as "Rouge Buckle". Du Liniang or Nie Xiaoqian, the beginning is nothing more than a sexual encounter, and then make a reason for the deep love of male and female love, after several twists and turns, the end is not everyone is happy. Caters to people's presets of good looks, but empty.
Li Bihua is good at writing love, and when he was eighteen years old, he was able to create such a masterpiece as "Farewell to the Overlord", which is difficult to look back on, and I think that some people were born to be geniuses in adjusting words. The novel of "Rouge Buckle" is slightly inferior, but Guan Jinpeng's film adaptation is a clichéd story that is made into an insurmountable classic. Mei Gu and her brother interpret the love between Ru Hua and Twelve Shao with a long afterglow. Now that the Si people have gone, when they warm up the old movie, they feel more and more sad, and it is true that "the world is as short as a spring dream, and everything has a destiny"...
<h1 class="pgc-h-arrow-right" > "Who would dare to say that love at first sight has nothing to do with hue"? </h1>
The image of the twelve young men is the sick and weak of the Li Bihua-style male protagonist, the eyebrows contain their own wind, and the eyes of the beauties who pass by the wrong body flow, a good face like a crown jade. The pipa drum beats like a wave, pushing a petite guest, a flower queen, four eyes staggered, "cool wind has faith, autumn moon boundless", from the lyrics to send out the pulse of sentimentality, such as flowers singing the sentence "you look at the oblique sun to illuminate a pair of double flying swallows", twelve less sentences "I am sorry for people worried about the moon Huayuan", such as flowers angry: "Where so many sorrows", Shi Shi went away, leaving twelve less unsatisfied backs. But I don't know that between her and the twelve youngsters, just like the title of this song "Ketu Autumn Hate", when this hatred is really endless.
Li Bihua has a saying: "Who dares to say that love at first sight has nothing to do with hue?" The biting gaze was entangled, but just as the spring was in full swing, the wind and moon were boundless. One handsome, one beautiful. One comes to have fun, one will make a play. Li Jia scattered his wealth for Du Shiniang, and had no intention of making a name. Wang Jinglong built a small building for Yutang Chun, threw 30,000 taels of silver, ancient and modern, singing lyrics and scripts, favored by BoJia people, always have to pay.
Twelve young people patiently waited for Ruhua to "finish" one after another four circles, and willingly "dried fried turtle" by Ruhua. He sent a couplet of flowers made of raw flowers, Lianyun:. Ruhua, who has been floating in the wind and moon for a long time, knows how to grasp a man's heart, and refuses to stop and respond appropriately. Some of the twelve people who travel north and south are money, some are time, and the most important thing is patience in the love field.
Twelve young people sent a large copper bed of hundreds of pieces, and carried it into the boudoir like a flower, and the invasive, accompanied by his "ambition" went in together. Ru Hua was moved in the end, and the two of them snuggled on the golden copper bed, like their bluffing love, crossing the gold, but the inside was copper.
Twelve said that he likes to be as changeable as a flower, there are male makeup, heavy makeup, light makeup, no makeup, all kinds of styles, I don't know which one is the real her. If the flowers are ushered in, watching the wind and moon are ruthless, she said that "the real thing is the least beautiful", the most honest. Zhang Ailing once said: "After a man thoroughly understands a woman, he will not love her", such as the various styles presented in front of the twelve teenagers, a little old-fashioned, and the twelve teenagers are obsessed with, is not the woman he can't understand?
<h1 class="pgc-h-arrow-right" > love, it is not easy to last long without dressing, eating, and counting money</h1>
Is there affection for flowers and twelve less? Naturally, there are, otherwise Ruhua would not have refused all the benefactors for the sake of the twelve youngsters, and the twelve youngsters would not have given up their identity as a north-south traveler for the sake of ruhua, and went to the theater to learn drama and miscellaneous.
However, just like the story of Li Jia and Du Shiniang, when Li Jia is not worried, the two people can be you and me, and the love is as deep as fire. Once the economic foundation that underpins this love collapses, it will fall into an embarrassing predicament. When the next meal does not know where, love is a vain castle in the air, how can those exquisite sea oath mountain alliances withstand the test of poverty?
Ru Hua and Twelve Young are sober people, and no one is simpler than anyone else. Sooner or later, the things that will be faced, the heart knows but no one breaks, and each struggles hard for the closest appearance of love. If you spend to readmit new customers, use the money earned to support twelve young people. How could the twelve youngsters not know? He was empty, except for collapsing and crying after Ruhua left, what could he do?
There is a plot, is that Ru Hua in the theater to watch the twelve young people run the dragon set, the parents of the twelve young people with his fiancée Shu Xian came to see him backstage, in the face of the parents' questioning, the twelve young people's eyes wandered, and they went to the stage in a hurry, such as amnesty, leaving the mess to Ru Hua. Ru hua's boldness and resoluteness and the cowardice and timidity of the twelve young people jumped out, but such a twelve young people who had never suffered from human suffering, willing to break with the family for Ru Hua was already his bravest contribution for love.
The drama was over, and Twelve Shao used the few dollars to buy a rouge buckle at the stall to give to Ru Hua, which was more touching to her than the expensive gift that Twelve Shao had given her. At that moment, the two people who chased love were aware of the ruthlessness of reality, and Twelve Shao hugged Ru Hua, somewhat helplessly buried his head behind Ru Hua's shoulders, and cried in front of her for the first time, and it was also The cry of Twelve Shao that made Ru Hua shake. She was really not sure that in the case of destitution, the troubled life would erode their fragile love and eventually be torn apart.
Sanmao said: The love between ruhua and twelve young people is more like a step-by-step camp to take what they need, she has fallen into the wind and dust, and she is like a rain and duckweed, and she just wants to have a place to live and find a suitable entrustment for life. As a prodigal son of a love field, he chases the novelty of boring life and tastes the uniqueness of love. The ability of the twelve less is difficult to shoulder the love of flowers, there is no rich family as the backing, and the departure of the twelve less is only a matter of time.
Therefore, Ruhua chose to die together, and the life that ended abruptly will freeze the most beautiful feelings, and the future reality and unbearable will be blocked out of love. Ruhua has no way out, and she has long offended the benefactor, and she has long been deserted. But there is a twelve-young, he can turn back, there is a rich family and a gentle fiancée, the lack of a flower is just a slightly sad sigh in the life of the twelve-young, and finally dissipated in a long time without leaving a trace.
Compared to novels, the film is more warm. Twelve Young was overwhelmed by the overly enthusiastic love of the flower to a difficult room for turning, and he could not live up to it. Zhang Guorong will face death, the instinctive timid and struggling eyes of the twelve young people are particularly well expressed, and the fear of death of the twelve youngsters is the common sentiment of people, isn't it? The twelve young men were finally rescued and lived alone in the world, leaving them like flowers in the underworld for more than fifty years. In the novel, Ruhua deliberately put sleeping pills into the wine, and the twelve teenagers did not know it, and they were drunk with wine, and he saw that Ruhua swallowed the opium and fell down, and he turned around and fled in fright.
Twelve less to pick up a life, who cares about recuperation. Quietly thinking about a broken dream, the whole person lost his soul and fell. He didn't even dare to guess, why did he order this?
Why? Originally a very simple encounter with Meng Lang on the wind and moon field, it was finally translated to be so affectionate, as Li Bihua said in the book, qu gao and widow love, is there no way out or self-touched sadness?
<h1 class = "pgc-h-arrow-right" > don't test human nature, it's not vulnerable at all</h1>
The film uses the lens language of the past and reality to intersect time and space, showing the feelings between Ruhua and Twelve Shao, Yuan Yongding and Ling Chujuan. After listening to the martyrdom of Ruhua's self-glorification, Ling Chujuan asked Yuan Yongding if he would do this for their love, Yuan Yongding hesitated for a moment, saying no, Ling Chujuan was extremely angry, but when Yuan Yongding asked back, she also said that she would not. In the ordinary world, why should the love of the general public rise to life and death in order to witness love itself?
After waiting for more than fifty years, Ruhua exchanged the Yang shou of the next life for seven days to come to the human world to find twelve less. With the help of Yuan Yongding and Ling Chujuan, he finally found twelve teenagers who were already in his seventies at the scene of Shao's filming. After Ruhua died, he lived alone, and after he became a family, he squandered the family property and abandoned his wife and children to live a life.
In order to survive, a handful of young people are still running dragon sets in the crew, time has taken away the youth style, and seeing this sloppy and depressed old man is far from the twelve young people in the memory. Ru Hua understood at this moment that her death was really lucky, not to face the knife and axe of the ruthless years, and such a person who was devastated by life, she loved twelve, and only lived in that short love.
When watching "Du Shiniang's Angry Sinking Treasure Chest", I have always felt that Du Shiniang may not have deep affection for Li Jia, and after several three-fold temptations, I saw that Li Jia was anxious to ask for people in order to raise money, and finally he used lies to each other, with gold and silver jewelry but pretended to be poor, so that Li Jia thought of asking his parents to accept her. Before she also scattered money for her, Li Jia also withstood the test, but he did not really pay, why should he want the other party to be a perfect person? Under a lot of tests, he finally confirmed his distrust, and the final outcome was more or less his own responsibility.
Just like a flower, like a flower, it does not believe in the affection of the twelve young. The novel more realistically describes the psychology of Ruhua, "I have worked hard to manage, and I have become a smoke cloud, which is really indignant." If you can't get it yourself, no one can get it! On the night that twelve teenagers proposed to break up, she had been planning for a long time, and she had ended up together, and she was determined to be intimidating. The instinct of life should not be criticized, and the twelve young people living in the world are already punishments for his promiscuous life.
Couples such as Yuan Yongding and Ling Chujuan, sometimes quarrel and sometimes have troubles, each has its own small selfishness in love, even if they complain to each other again, but still when midnight comes, hug each other and sleep, and have lovers to do happy things, this is the normal state of love in the world. The love of flowers, after all, is too well packaged, and the death that touched them is not sublimation, but escape.
I'm sure they're old, but I don't guarantee that they'll be married forever—everybody is like that. From brilliant to plain, or from plain to more plain, it is all like this, not necessarily anything bad.
There is no end to time, no end to the impermanence, and there is no reason.
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