Ru hua in "Rouge Buckle", when she was first asked to meet twelve teenagers, pulled a large shelf and put up a score.
After she went to see The Twelve Youngsters, she excused herself that the sisters told her to play cards, and it was almost over immediately, and when she was finished, she came to accompany him, and the Twelve Teenagers smiled and agreed. Not long after, Ruhua went to see Twelve Young again, and once again excused that she could not accompany him, and Twelve Young smiled and agreed to wait for Ruhua.
After three times like this, Ruhua finally let go of the teasing mind and took the twelve youngsters seriously. The impression that twelve less give Ruhua is not those rude and inferior, and the prostitutes who are angry at the slightest dissatisfaction are not satisfied. And the twelve young people are also like flowers, and feel that like flowers are not as casual, indifferent, and only recognize money as the women, she has a good that others do not have.
The two go from a special way of appearing to falling in love with each other completely, but in a short time. The twelve young people's family is well-off, and they are also particularly generous to Ruhua, he gave Ruhua a lot of things, the most touching thing is to send Ruhua a large copper bed. This opened the eyes of the sisters, and the whole one was envious and jealous! Because of this, Ruhua's vanity was satisfied as never before, and she fell deeply in love with Twelve.
A Qinglou head card, a rich brother, even if he is obsessed, he can't escape the judgment of the family. The mother of the twelve young people resolutely disagreed with ruhua marrying into the Chen mansion, and also asked twelve young people to make a choice, and if they chose like flowers, they would no longer provide the economy of twelve youngsters. Twelve young is an obsessive species, he chose to be like a flower.
They rented the house outside. Life is realistic, and the former twelve young masters are the young masters who "do not stick to the spring water of the sun with ten fingers", and they never know that money is not easy to come by. But to live can not be separated from this, the so-called "a penny to force a hero to die"! The twelve young people did not have the skills to make money, and if they were flowers, they could only show their faces and return to their old business.
Soon, Ruhua used her own connections to make Twelve Shao become the apprentice of a drama boss and become a supporting role in the running hall. One day, the Chen family and his wife came to see the play and recognized the twelve teenagers. They persuaded the twelve young men to go home and leave like flowers.
The hardships and the lack of success made The Twelve Youngsters a little shaken. Like a mirror, she suggested that they should not be martyred together, stay together in the Yang world, and go to another world to stay together. They swallowed opium,
If the flower died of hatred, she waited underground for twelve or fifty years, and before she could wait, she went to the Yang World to look for it.
The vicissitudes of the sea and the mulberry fields, the great changes in the human world, this world has long been human. Ruhua found an old man dressed scruffily, rummaging through food in the garbage, spitting on the ground, and there was no longer the shadow of the twelve young men who were young. Flowers return disappointed.
This is another version of the story of a rich young master who fell in love with the woman of the Qinglou, the highlight of this story lies in the character of Ruhua, she is not the traditional kind of wind and dust woman, weak and concedes her fate, when she encounters difficulties, she is at the mercy of men, and unlike Du Shiniang, who is disappointed to throw herself into the river, understands the remnants, she has a strong sense of survival, and also dares to fight for happiness, but she was born in a bad era. Even if she falls into the Blue House, she is also the best number one.
At the end of the story, the reason why the twelve young people did not die, but lived in the world so badly, which is the most important point of the story.
From the above, it can be seen that the twelve young men became apprentices in the theater and began to serve people. The young master of the hall, for a woman, is willing to submit to himself and live the life of an inferior person, or rely on the relationship of women, rely on women to raise him. For a seven-foot boy, it is disgraceful, and the torment and torture he endures in his heart can be imagined.
That is, Ruhua does not know, she is not unaware, is not to know. The selfish desire in her heart had swelled to the maximum, she wanted to possess twelve, even if she betrayed herself to raise him, and she still had to control him, not to let him return to the Chen family, she arranged everything for him, as an apprentice, and went to die together...
Afraid that he would not die, she first made him drink a lot of wine mixed with sleeping pills, and then swallowed a lot of opium. She had never calculated the instinct of a person to survive--after Ruhua died, Twelve Shao climbed outside to ask for help, and then was rescued.
Marriage is the graveyard of love! This also suits such as flowers and twelve less.
Chai rice oil and salt, chicken pieces and dog pieces, polished the love of the two people, career dissatisfaction, economic difficulties, all kinds of unbearable, let people have nowhere to hide! After the pleasure of opium passed, only emptiness and helplessness remained. The apprentice's low three or four made the former guests become hard runners, and the distance between heaven and earth, how could the twelve youngsters not waver in their original abandonment?
If Hua hua originally fell in love with the rich twelve youngsters, it was the money that opened the way, the money was bold, and the twelve youngsters were worth loving. The twelve youngsters in the final fall are just a show off of the trophy, she has no love for the twelve teenagers, only possession and revenge - I can't get it, no one can think of it, she retaliates against those who are rich. Let them taste the pain of losing their son and losing their fiancé, and she just won't let the twelve less go home!
In the Korean drama "Stairway to Heaven", there is also such a paragraph: in order to be with the female protagonist, the male protagonist gave up his identity as the chairman, broke with his mother, and went outside every day to do rough work. Not long after the two passed, the female protagonist found an excuse to quarrel with the male protagonist and forced him to go home.
This heroine absolutely loves the male protagonist, is an unforgettable love, love to the bone marrow of love. She knew that with her, the male protagonist was the eagle with broken wings, and he would never be able to soar in the blue sky again, and he would not be happy. Only by making him happy to live is he who loves him.
Ruhua would rather let Twelve Youngster live by his side depressed than let him go home, she cut off his wings with her own hands, but did not ask him if he was in pain, willing or unwilling, and single-handedly handled everything. She became his shackles, for his own selfish desires.
Ruhua is too strong, so she can't get happiness, even if she finally finds Twelve, she can't get her wish! I think that while the twelve young people are guilty, they must also have a hateful mind, it is like a flower that ruined his life, if it were not for that selfishness, their love might have always been pure.