In the 1980s and 1990s, there were two kinds of films that were the highest-grossing in Hong Kong, one was an action film headed by Jackie Chan, Chow Yun Fat and Jet Li, and the other was a Fengyue film starring Xu Jinjiang and Ren Dahua.
When it comes to wind and moon films, many older viewers will smile. As a product of "food color also", the wind moon film meets the needs of many viewers who are not allowed to watch movies on the table.
Almost half of the Hong Kong film actresses have more or less entered the muddy waters of the Wind moon film, which has become the black history of their acting careers.
"Purple Xia Fairy" Zhu Yin, in addition to taking over classics such as "Journey to the West" and "Truant Weilong", cooperated with Ma Dezhong and Wu Zhenyu in a restrictive film under the flicker of Wang Jing, which became his most shameful work.
Although guan Xiumei, a professional gangster sister-in-law, is not a first-line, her appearance is extremely recognizable, and she has been paired with Ren Dahua's couple in the crime movie "Thief King", which is still enjoyable.
Wen Bixia has spooked the film circle several times, in addition to "Can't Stop Love", the most famous should be "Shock", and several rival scenes with Ren Dahua have become the biggest selling points of this movie. (How is Ren Dahua again)
In addition to the above mentioned several, not to mention Ye Yuqing, Ye Zilin, Qiu Shuzhen, Shu Qi and other actresses with outstanding achievements, The Wind Moon Film is not only a type of Hong Kong film, but also a microcosm of the rise and fall of Hong Kong films, which is not exaggerated.
Unlike some actresses in Hong Kong who started with wind and moon films, many foreign actresses choose to develop in Hong Kong films when they are not satisfied with their own development (anyway, they can't see it in their own country)
There is definitely no way to avoid the name Aoyama Zhikezi. As a Japanese actor who came to Hong Kong to develop, Chikiko Aoyama used only one "Female Robot" to suppress the leaf frieze known for her figure, leaving a deep impression on the audience.
Pure looks, proud figure, has become her most prominent label, although only a few films have been filmed in Hong Kong, but still let her and Oshima Yugali, Saigyo Michiko, Nakayama Shinobi and other actresses side by side, becoming a touch of Eastern Ying in Hong Kong films.
In 1993, Hong Kong realist-style director Chen Guo first entered the film world, and he based on the famous "Guangchanglong Incident" in Guangzhou, shooting a horror film with exposed emotions, ghosts and strange spirits, and love triangles.
The film adopts the bizarre setting of Chinese folk female ghosts killed by negative hearts and their souls are stored in umbrellas, and the Japanese actress Chiko Aoyama in the film contributes to many large-scale scenes.
However, due to the distribution company Jiahe's criticism of the film's various nude shots and quality, the film was hidden in the snow for 3 years, and director Chen Guo no longer made fantasy movies under his anger, but achieved his status as the leader of realism, until now this film is still talked about by many fans.
Chen Guo's works have a high reputation among peers
Nonsense less, let the fork for everyone to bring this Wu Dawei, Tao Junwei, Aoki Zhikeko starring in the large-scale human ghost strange love film "Big Trouble Guangchanglong".
Radio anchor Zheng Mingbao was entrusted by a friend to conduct illegal drug transactions with smugglers, but he did not want to encounter the police to encircle and suppress him, and his friend was imprisoned. In the panic, Zheng Mingbao fell into the water and accidentally picked up a worn-out umbrella and took it into the house.
What Zheng Mingbao did not expect was that this umbrella actually hid a female ghost, and under the pleading of the female ghost, Zheng Mingbao decided to help him return the wish.
In a radio broadcast, Zheng Mingbao described the tragic experience of the female ghost to the audience through the mouth of the female ghost.
The female ghost named Fang Yin, entrusted her father's last wishes, from Nanyang specially returned to Hong Kong to take over the Guangchang Long Hotel, not long, she fell in love with Ma Guangshen, a resident of the police, Fang Yin repeatedly broke Ma Guangshen's task of catching thieves, and the two became happy enemies.
Although Fang Yin was single-minded, ma Guangsheng was a man of affection and liked to mess with flowers and grass, and Fang Yin was forced to die several times, which made Ma Guangshen gradually converge, but it was obvious that his lover was not dead hearted, and there was a fierce quarrel with Ma Guangshen in front of Fang Yin.
On the day of Fang Yin and Ma Guangshen's wedding, the lover came out again to make trouble, which undoubtedly cast a shadow on Fang Yin's marriage.
Sure enough, the marriage did not tie Up Ma Guangshen, he mixed with his lover, Fang Yin caught the two in bed, but did not want to fight, Ma Guangshen pulled a deviant frame, accidentally kicked Fang Yin out of the window.
Zheng Mingbao's ghost story is quite popular, as the person involved, Ma Guangshen, a thief, is weak-hearted, he kidnapped Zheng Mingbao and asked him how he knew about Fang Yin's death, fortunately, the radio station director broke the siege in time, which saved Zheng Mingbao from the pain of flesh and skin.
Fang Yin's murder by the negative heart man has won everyone's sympathy, under the proposal of Zheng Mingbao, Fang Yin took advantage of the fact that his body had not yet decayed and returned to the flesh, and the resurrected Fang Yin found the ungrateful Ma Guangshen after thanking Zheng Mingbao.
Since it was a walking corpse, Fang Yin's flesh soon began to decay, and the murderous Ma Guangshen lover decided to let Fang Yin disappear.
Ma Guangshen was knocked down in the melee, and the lover watched his beloved man dying and no longer had any meaning to live, pulled the trigger in remorse, and a man and two women died together.
As a folk tale adapted from Guangdong region, "Big Trouble Guangchanglong" does not have too many surprising places in the story, and the love tragedy of the idiot man and the woman is still discussed under the cloak of the ghost story, but director Chen Guo conforms to the trend of the prevalence of wind and moon films at that time and adds a lot of large-scale shots to the film.
On the surface, it seems that Zheng Mingbao, the radio anchor played by Zheng Danrui, is the protagonist of the movie, but in fact, he is just a clue character who connects the love and hate entanglement of Fang Yin, Ma Guangshen and others, and the humorous atmosphere of the film is mobilized by Zheng Mingbao.
Ma Guangshen is the initiator of this love tragedy, he is in the twilight, on the one hand, he is addicted to the gentleness of the lover's flesh, on the other hand, he does not give up Fang Yin's innocent love, and the handsome-looking Wu Dawei did perform ma Guangshen's scumbag image.
Compared with Ma Guangshen's cowardice, Fang Yin and her lover are actually the true temperament of love, the two women fight each other, but the position is different, if it is not because of the fight for men, the two may be very good sisters.
Just like the nun's summary at the end of the film, "Two people are fate, three people are evil", it is precisely because of the love-hate entanglement of love triangle that the inequality of love distribution has led to.
As Chen Guo's debut work, "Big Trouble Guangchanglong" may not be perfect, but it is better because the actors have excellent acting skills and interpret the mediocre story in every detail.
It is worth mentioning that although the Japanese actor Chikiko Aoyama is the welfare of this film, her acting skills are absolutely seconds to kill the heroine Tao Junwei, no matter from which point of view, this is the representative work of Aoyama Chikiko.
Compared with the heroine Tao Junwei, the female number two Aoki Chikoko, who contributed various welfare shots, is more eye-catching.
As a Japanese artist, Chikako Aoyama debuted in 1988, but in the fiercely competitive Japanese showbiz, Chikako Aoyama did not break through.
After playing in Japan for several years, Aoyama Chikoko came to the "Asian Hollywood" Hong Kong to develop, in order to get out of the position, Aoyama Chiko has repeatedly dedicated herself to art in Hong Kong films, which can also be regarded as making the audience remember this Toei actress.
In 1991, in the sci-fi film "Female Robot" starring Ye Zilin and Wu Dawei, Chikiko Aoyama took on a heavy responsibility, playing the female policewoman killed by the villain Zhou Billy, and transformed into a robot by the scientist Ye Zilin.
Compared with Ye Zilin, Aoyama Zhikezi's appearance and figure do not fall behind, and the two people's fighting and beautiful outfits also add a lot of color to this mediocre quality wind and moon film, and Aoyama Zhikezi has also become a talking point for fans, leaving her own footprints in the history of Xiangjiang Wind and Moon.
In the same year, "He Rijun Again" based on Li Xianglan was released, and Liang Jiahui, Mui Yanfang, Wu Jiali and other big celebrities starred, and although Aoyama Zhikezi only had a few scenes, she still left a deep impression on the audience.
In 1993, Chikiko Aoyama and David Wu, who had previously collaborated, once again lingered on the screen, and this film became his masterpiece, becoming the last film that Chiko Aoyama stayed in Hong Kong to star in. After that, he returned to Japan to continue his development.
After 2000, Chikako Aoyama appeared in "Peerless Baby" and "Slim Girl", becoming her last image in Hong Kong movies, and has never come to Hong Kong to shoot.
Today, although Chikako Aoyama still makes cameos in domestic film and television dramas, she has long lost her former appearance, and now she works in Japan as a psychotherapist.
It is a pity that her appearance has not become popular, and perhaps this is also a microcosm of the cruelty of the entertainment industry.
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In 1993, Liang Chaowei played the most obscene Wei Xiaobao, and Ye Yuqing Li Yuexian was even more magnificent
The woman falls in love with the kidnapper, the husband is angry and kills his wife, and wen Bixia represents the movie "Shock"
This article is the original fork to see the film, without my permission may not be reproduced, violators will be investigated.