The master's move is really wonderful, but in front of the predecessors, Guan Jinpeng's adaptation of "Rouge Buckle" is still ahead.
The public attendance rate is 91%, the professional attendance rate is 96%, and the total number of votes is 229 votes, which is undoubtedly the second short film in "Director Please Advise" after the 232 votes that were given to "Love" and has ranked second so far.
In the first half of the third program of "Director Please Advise", Wang Wenye's short film "My Alien Daughter" adapted from "Happy Planet" was screened in turn, Wu Zhongtian adapted the short film "Sale" of "Jiang Taigong Fishing", and Guan Jinpeng adapted "Rouge Buckle" of "Human Fireworks".
In the end, Guan Jinpeng's "Human Fireworks" became the best in the audience.
First of all, let's look at Wang Wenye's short film "My Alien Daughter".
Such a short film is indeed complete and qualified for newcomer directors, of course, using a soft sci-fi coat to express father-daughter affection.
For the ending, Yu Entai revealed that due to limited funds, there is no UFO shot, but from the film, it has been seen that the little girl's eyes have changed dramatically, which is enough.
The short film is reminiscent of "Hello, Li Huanying", although it is a short film of ten minutes, but the emotions expressed are the same, especially at the end like "Hello, Li Huanying" to recreate everything experienced in the past from another perspective, which is also a reversal.
It can be seen that the newcomer Wang Wen has indeed made efforts, although there is a suspicion of imitation, but it has been considered a pass to be completed.
Nowadays, most of the mature commercial genre films on the market are this road, as the second generation of stars, Wang Wen is obviously greatly affected, and has enough resources to control all this, on the competitive stage, it is also the most stable performance, catering to the audience and judges, through the story, rendering emotions to impress people, avoiding their own weaknesses, and giving full play to the advantages of newcomers.
Of course, in the end, Wang Wenye and Ning Yuanyuan were not successfully selected by the producers, but entered the pending area, which is also the best result, and it is also fair to the two newcomer directors.
Then look at Wu Zhongtian's "Sale".
After watching the short film, you will understand why Wu Zhongtian wants to reject Li Chengru, indeed in the early stage, the old man needs to show a kind of softness, but the heart is rigid, especially in the end, the outbreak of inner rigidity truly shows the responsibility and responsibility of the father.
"Sale" is obviously different from the previous short films in the show, it is obvious that it is a experienced director's standard, breaking the conventional narrative, not panicking, leading the audience to experience why an old man is so insistent on the old house, looking for a buyer, of course, for the general audience will be like the girl in the show will be tired, but it is this tiredness, there will be a final reversal, meaningful.
The whole structure is very cleverly designed and is an excellent genre short film.
The same is to express the father's love, but unlike Wang Wenye's "My Alien Daughter", Wang Wen is also directly giving, while Wu Zhongtian is implicit and introverted, with a collection and release, an old father's emotions are rich, both self-blame and guilt, but also responsible. An excellent combination of technology and storytelling.
Finally, Guan Jinpeng's "Human Fireworks" is obviously a high-level work.
The poetic expression makes people see the skill of this master director.
The switching of the heroine's clothes played by Ye Tong is not only the skillful use of technology, but also the display of poetic shots, the boy's back-and-forth between the "Rouge Buckle" movie and reality, the film is the impact on him, and his understanding of the film.
A dreamlike dialogue that leads the audience back to the film of "Rouge Buckle", as Guan Jinpeng said, this is not only a tribute to the classic, but also a memorial to old friends, but also an exchange between the director and the current youth. And this kind of communication is not only in the film, but also in reality, how the film should express it, what to express. It's not just a simple story, it's really everything that expresses the heart with the language of the lens.
The three short films obviously represent the current situation of the entire film market today, young directors are catering to the market and making regular films, middle-aged directors are challenging themselves to create their own genre films, and the older generation of directors are adhering to the original intention and continuing the tradition.
Of course, as producer Chen Zhixi said: a really good movie, all the audience will like it, and the film critics will also like it.
But the reality is still harsh. Especially in this show, it is a condensed display of reality, of course, it still needs everyone's efforts, and the market is still promising.