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Moving without sprinkling, sitting on the berry moss at will, Du Fu's poem about the 3 arrangements of the clues preface one, the clues in the ending two, the line in the beginning of the three, the line in the end of the ending

<h1 class="pgc-h-arrow-right" data-track="1" > preface</h1>

This article comes from the "Clues" section of the "Poetry Examples and Writings" section.

The ancients likened poetry to a string of copper coins, some of which are like scattered copper coins, and some of which are like the thread that wears the copper coins. This line is the "clue" mentioned in this article.

Mr. Zhou Zhenfu quoted a passage by Jiang Haoran (a scholar of the Qianlong period of the Qing Dynasty born in 1743), which actually exists in Qiu Zhao'ao's (1638-1717) Du Shi's Detailed Notes.

Because both of them quoted Huang Sheng's "Du Shi Shu". Huang Sheng (1622——? ), the word father, also known as Fu Meng, the number of Bai Shan, Leng Weng, Lotus Wai Shi. Huang Sheng was a Zhusheng in the Ming Dynasty, a native of Shexian County, Anhui Province. Du Shishu was written in the 23rd year of the Kangxi Dynasty, and those who study Du Fu often quote Huang Sheng's views.

Moving without sprinkling, sitting on the berry moss at will, Du Fu's poem about the 3 arrangements of the clues preface one, the clues in the ending two, the line in the beginning of the three, the line in the end of the ending

<h1 class="pgc-h-arrow-right" data-track="7" > first, the clue is in the ending</h1>

This passage is divided into three parts, each illustrating the different positions of the clues in the poem. The first one at the end:

  Poetry eyes are bright and use the line Guizang, how the five of the mountains and forests, "Cangjiang" and "Jieshi", wind shoots and rain plums, silver armor goldfish, all scatter money also, and with a "Xing" word through it, it is the line in the knot also. ( Huang Sheng,"Du Shi Said")

Poetry eyes, there are sentences in the middle of the eye and there are middle eyes in the article. The eye in the sentence is the finishing touch in the sentence, so it is said: the poetry eye is precious. The refining of words is the middle eye of the sentence, mostly verbs, or adjectives and names used as verbs.

With the line, the clues in the poem are not so obvious, but they play a role in connecting the whole text. Here is an example of Du Fu's poem, "Accompanying Zheng Guangwen to The Mountains and Forests of General He", No. 5:

The remaining water is broken, and the remnants of the mountains are open.

Green hanging wind folding bamboo shoots, red blooming rain fat plum.

Silver armor is used to play kites, and goldfish are exchanged for wine.

Move without sprinkling, feel free to sit on the berry moss.

Move without sprinkling, feel free to sit on the berry moss. Xing, referring to the excitement of amusement, the first six sentences write the scene, the Cangjiang River, jieshi, wind shoots, rain plums, silver armor, goldfish, are all pleasing to the eye in the eyes of poets and guests.

The "xing" of the guest and the host has shifted, and the landscape and bamboo of the first four sentences have been changed to drinking and feasting. Therefore, it is said that "to wear it with the word "Xing" is to tie the thread."

Moving without sprinkling, sitting on the berry moss at will, Du Fu's poem about the 3 arrangements of the clues preface one, the clues in the ending two, the line in the beginning of the three, the line in the end of the ending

<h1 class="pgc-h-arrow-right" data-track="15" > second, the line is also up</h1>

Second, the clue is in the opening sentence of the poem:

For example, Qinzhou's "Sending Huai" "Frost Dew" chrysanthemums, "broken willows", "Qingfu", Shuilou Mountain Day, "Returning Birds" and "Perching Crows", also scatter money, and the word "sad eyes" is linked, which is also the line. ( Huang Sheng,"Du Shi Said")

Here is an example of Du Fu's other Five Laws poem, "Legacy":

Sadly, the frost dew is watched, and the cold city chrysanthemum flowers by itself. The heavenly wind broke the willows, and the guests wept and cleared their throats.

The water purification building is straight, and the mountain is dark and oblique. Night comes to the end of the bird, after the slaughter of the perched grebe.

The imagery of this poem are: frost dew, chrysanthemum, wind willow, guest tears, qingfu, water tower, mountain day, returning bird, crow.

Huang Sheng said that these independent scenes are also like loose money, using "sad eyes" as clues to connect together. Clues are placed in front of a poem.

Moving without sprinkling, sitting on the berry moss at will, Du Fu's poem about the 3 arrangements of the clues preface one, the clues in the ending two, the line in the beginning of the three, the line in the end of the ending

<h1 class="pgc-h-arrow-right" data-track="23" > third, the line is knotted</h1>

Third, clues appear at both the beginning and the end of a poem:

This poem "Earth Day", "Mountain Cloud", "Lei Yin", "Hydrology", also scattered money also, and the word "Yin Qing" crowned, "rain coming" two words to receive it, is the line in the knot also. (Jiang Haoran's "Du Shi Ji Shu" quotes Huang Sheng)

Here is another quote from Du Fu's poem, why is Du Fu always quoted? Because Huang Sheng's book is dedicated to the study of Du Fu.

Du Fu's "Jiang Ge Has a Nostalgia for the Rain" Pei Er duan gong:

The southern era is strong and strong, and the clouds and sunshine are not divided. Wildlands are popular in the day, and the river enters the mountain clouds.

The layer pavilion is based on thunder yin, and the long sky faces hydrology. The rain comes to the north of the copper pillar, and the Polish army should be washed.

Before there is cloudy sunshine, after there is rain, the middle four sentences are loose money, which are strung up front and back.

The clues in the poem are very much like the stems of a vine plant. The flower leaf grows on the stem, and this stem is either hidden or present, hidden between the flowers and leaves.

Moving without sprinkling, sitting on the berry moss at will, Du Fu's poem about the 3 arrangements of the clues preface one, the clues in the ending two, the line in the beginning of the three, the line in the end of the ending

<h1 class="pgc-h-arrow-right" data-track="32" > concluding remarks</h1>

Regarding the clues, Mr. Zhou Zhenfu concluded:

From the above three examples, it seems that the clues of the three poems, one at the end, one at the beginning, and one at the beginning and the end, rely on these pointed words to string together the scenes written in the poem, constituting the clues of the poem.

The clue must be through the whole process, the dragon sees the head but does not see the end, although some parts are invisible, but there is a whole dragon. The poem has a bright line and a dark line, whether it is a bright line or a dark line, its purpose is to connect the "scattered money", so that the whole poem is integrated and penetrated.

@Old Street Taste

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