Xiao Chi, Li Zehou's "Chinese Aesthetics" Reading Notes - The Era of Beauty, Xiao He only showed sharp corners

Koike, Xingshu, Zhu Wenyin

.

The Confucian scriptures are used to cure things and save the suffering, the Taoists' lofty emptiness is natural and inactive, and the Zen Buddhism's clear-sightedness and enlightenment are the main theoretical positions of Chinese aesthetics. However, it is not only the theoretical position of aesthetics, but different ideological systems of the world, life, society, and behavior, viewing the world and life from different perspectives, and handling society and behavior with different attitude principles, so that they have different value judgment standards and results, and produce their own different feelings and experiences, including the feelings and behaviors of beauty.

Beauty cannot exist independently of man, and therefore cannot be independent of the society, thought, culture, and era on which man depends, all of which are one and the same, or clear or chaotic, or supernatural or vulgar, vaguely mixed with a living person, and beauty is mixed in with them.

Beauty, abstracted from beauty, cannot be completely disconnected from real people and all that exists. Beauty is not beauty, but beauty is the state of existence of beauty, otherwise, beauty will no longer exist.

Under different ideas and concepts, there will inevitably be different feelings and experiences of beauty and standard systems. Learning from the West and the East has gradually brought about the conceptual propositions and practices of beauty in Western philosophy and art. Whether it is Schopenhauer's irrationalist philosophy, or Kant's classical philosophy, Nietzsche's existential philosophy is a philosophical idea of the whole world, life, and society, and beauty as part of it naturally produces different understandings, goals, and ideals.

Chinese philosophy and the aesthetic ideas it contains are no worse than imported products, and all that is missing is an environment of contention that has been strangled by imprisonment and stifling. In modern Times, China's feudal rule finally collapsed on its own, and various ideological trends and Western ideas came from a different place, creating a diversity and prosperity of ideology and culture, and the cognition and concept of beauty also became diverse.

Of course, the biggest social behavior in modern China is to save the survival, and this real need for survival is far greater than all ideological trends and beliefs. All philosophy, thought, culture, and aesthetics must be subordinated to or spoken of serving the general goal of the epoch. Everyone in the era has been inevitably driven by the choice of survival of their homeland, either to survive or perish, and some have chosen to surrender. Their choices inevitably determine their thinking and aesthetics, so they show the commonality and overall bias of the times, which is the inevitable expression of beauty, beauty, and aesthetics itself.

Entering a period of peace and prosperity, more life choices and possibilities provide development space for a variety of philosophies, ideas, and aesthetics, whether traditional or foreign, are all manifestations of the environment of the times.

The diversity of culture and art, like the diversity of living things, is a prerequisite for development and progress. In the cognitive research of beauty, more ideas and achievements are exposed, and more collisions and sparks are generated. In order to obtain more opportunities for progress and innovation, we should look at the current situation of diversified thought and literature. Instead of choosing a mountain head to hold the thigh, pulling the big banner and pulling the tiger's skin, the party divides gold and silver in the circle of different cuts.

The times are bound to progress, and civilization, thought, and philosophy are bound to progress with it; this is an inevitable trend in the development of the universe and living things, and an inevitable trend under the combined force of competition and consciousness. The aesthetic literature and art that accompany it must also progress, and it is not worth mentioning when the mantis arm is overturned when the car dregs and waves.

《Koike》

Song Yang Wanli

The spring is silent and the water is sunny and soft.

The little lotus only showed its sharp horns, and there were dragonflies standing on its head.

Welcome to pay attention to the public number: Zhongliu Zhiyin, get free seal design.

The concise method of art appreciation and discernment is dry goods, elegant and customary appreciation, and you can further study and seek its understanding

People's representative, Li Zehou's "Chinese Aesthetics" reading notes - the science of beauty, so many delicate rivers and mountains

Count to the first few weights of Yunshan Mountain, cursive writing, Zhu Wenyin, and you live in Datong Frog Well

Homeland, Xingshu, Zhu Wenyin, lying flat, somehow by her to go