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In the history of Yue opera, what are the stories of Fang Yafen?

author:The Man in the Iron Mask interprets historical figures

Teacher Fang Yafen, a contemporary Yue opera performance artist, a national first-class actor, a famous Hua Dan, a disciple of Yuan Pai, a descendant of Yuan Pai, a famous actor of Shanghai Yue Theatre, a fan of opera known as "Queen Fang", known as "Queen of Yue Opera", in the eyes of her friends, she is affectionately known as "Princess Fenfen", a famous yue opera artist.

Saying that many years ago, she was an easy-going and cheerful happy girl in her life, and the stage was a dignified and atmospheric famous girl, some people said that with her aura and her talent, she was destined to be a natural good actor, and she herself said that I was born for Yue opera.

It was 2010, and then the Lunar New Year was coming again, and at the scene of the show they were going to distribute red envelopes to her, of course, this is not the pressure of money, it is more important than money: faith, gratitude, responsibility, happiness, happiness, but can not be greedy, you can only choose one, for happiness she said but her happiness belongs to the individual, it can be permanent, it can also be a moment of feeling of a kind of happiness, then she will not choose it, and happiness can be found by herself, it can also be given to everyone, it is permanent, It can also be said that she is always there, and feels that she knows these two words very well. In the remaining three Chinese Yafen chose responsibility, and at that time she felt that she should choose the most important choice now is responsibility. The two deans, with her personality and their usual understanding of her, how could she choose a word with such a heavy responsibility? One of Fang Yafen's good friends and also the host Wu Mijia her teacher Rong Guangrun, the former dean of the Shanghai Theater Academy, said that rong Guangrun (teacher Rong is her good friend, but also her very respected teacher, he has always been very concerned about Fang Yafen's growth) said that he felt that as far as she was concerned, she might have another because her genre is Yuan Pai, and the position of Yuan Xuefen, the founder of Yuan Pai, in the Yue opera industry is so important, if she is a descendant, this sense of responsibility may be strengthened. Also Fang Yafen's good friend Sun Rongqiang, then the dean of the Shanghai Minjin Self-Improvement College (who is The brother-in-law of Teacher Fang Yafen), he must have had more contact with her usually, he said that in life, Fang Yafen is a "pistachio", so she is very, very responsible for Yue opera, for art, and really. That interpretation tells everyone why she chose this word in her mind, she said that in fact, the two words of responsibility are very heavy, in fact, we all know that they were middle-aged at that time, and the two words of responsibility must also be shouldered on their shoulders. The first is to be responsible for herself, the second is to be responsible for the audience, and the other is to be responsible for her own art, which she feels is so.

The first thing she said was to be responsible for herself first, we looked at the information she was admitted to the Shanghai Opera School in 1984 is it, it should be said that Fang Yafen She was in 1985, 1984 was her classmates they went first, she went in 1985 to belong to the transfer students, and then at that time she practiced in the class, studying, their classmates gave her an elegant number, saying that she was "Fang Yafen who practiced immortality", stepping into the Shanghai Opera School was a very, very rare opportunity for her. It is also an opportunity to cherish, so I can't back down, I have to go forward, I have to pay more effort than ordinary people, at the beginning she didn't know what singing is, but also in the ignorance of understanding is to say that she entered the temple of art. But once she comes into contact with it, she gradually and gradually likes it, falls in love with it, and has been until now. Dean Rong Guangrun Rong When did he start to pay attention to the actor of Teacher Fang Yafen, when she was very young, in 1993, Shanghai engaged in the "Top Ten Young Actors" competition selection, when the Cultural Affairs Bureau asked him to be a judge, and then watched this Yue opera performance, she was because it was the previous year to play the "West Chamber". An important work of the competition is the "Ask the Heavens" of "Xiang Lin Sister-in-law", this "Ask the Heavens" you want her to play is a scene that is to say that the aging and dying of Xiang Lin Sister-in-law, so desolate, so desolate, and is a white-haired old woman, know that it is a very young actor in his twenties, but the feeling on the stage is completely into the role, and the Yuan Pai's singing voice conveyed is so pure, coupled with the special characteristics of her own voice, which gave him a big surprise at that time. A very deep impression, he wanted a young actor to be able to experience such a deep kind of role, and play the characteristics of Yuan Pai so well, he said that Teacher Yuan Xuefen should be very happy to have such a good successor, so he was very impressed. Teacher Rong also specially ten actors among each expert to help an actor write a thing, Teacher Rong helped her write, so Rong Guangrun, they said the dean of the Shanghai Theater Academy, all of a sudden she felt flattered, so this is also a kind of opportunity, at that time their judges had to divide the work, to each award-winning actor to write a review, or to comment on a little artistic characteristics, it just so that he was assigned to Fang Yafen, it is indeed his deep impression. At that time, she was in her twenties, in her twenties and twenties, and she played such an image of a white-haired and complex person in her heart. Of course, at that time, it was mainly based on inheritance, the teacher also guided a lot of guidance next to it, and the tutoring was more in-depth, but her teacher was still very worried at that time: So young, may not be able to play that feeling, she also asked the teacher's home inside the balcony there is a bamboo pole, she is drying clothes, has been sun and rain, has been red, very in line with Xianglin sister-in-law at that time, she said teacher you give this bamboo pole to me okay, she said yes, she also gave this bamboo pole to her, But that feeling doesn't mean that I can send a bamboo pole to do it, so she has been unconfident, very unconfident, and in the first few days of the performance, she was still very, at that time, she wanted to back off, she said forget about it, I definitely can't play this role, it's too difficult. But then if you don't overcome such an obstacle, you may never be able to deduce such a classic character, so at that time I also thought of a lot of ways, and in the end how hungry how to shiver did not feel, she was like this in the play, that is, not eating, not eating for a day, I was dizzy, panicked, and then take this to feel, suddenly feel that I feel right. It was the way she walked, and the feeling of suffocation imminently, but with a strong beating, that's how she found it. Teacher Rong said that it is actually an experience.

Teacher Fang Yafen belongs to the kind of artist whose works come out quickly and there are quite a few, and there are many works. She once said that there are many works, but the real mature or influential is that in these 2000 years after the few plays, she feels that gradually matured, and others and the audience have found that not only some of the plays she played as the protagonist she portrayed very successfully, but also some of the supporting roles she will also join in to play very well, she feels that an actor does not have a big role and a small role, only how do you look at the role. If I think that I am singing the protagonist, and I have to sing the protagonist, then your mentality will definitely be bad. She always has a saying, why are you so happy, she said happy because I don't care, I don't care, so I'm happy, because I calculate less, so I'm happier than others. She feels that everyone has reached middle age, should hug each other, rather than saying that I am going to think about what kind of role I am playing, Whether I am a protagonist or a supporting role, but if you are the same role, you can play a very brilliant role, then she feels that it is also her own artistic charm that can infect the audience, they will not affect you, in people's minds of the good impression.

And at that time, last year, in 2009, one of her new plays was "Autumn Colors Are Getting Stronger", and she was also one of the supporting characters No. 3, who came to their famous programs as a guest, and then "Han Feizi" In which she was also a supporting role. In fact, it is not easy to do, you have to say that from this term in their theater world, Stanislavsky, a famous Russian dramatist, said that there are only small actors and no small roles, but this truth can be understood, truly understood, and in practice can really do not many. Many people rush to play the main role, if it is not to play the main role, he is not happy not to contribute, this Fang Yafen once played with eighteen small students, this small student actor, a considerable part of the middle is a supporting role, not exactly the protagonist, this is difficult to do, not very easy to do. So Rong Guangrun he thinks this is very valuable, you say she does not care, in fact, she is very serious about art, but the size of the role does not care, in fact, she is worried about art, not the role. Then he felt that it was a very good state of being an actor. At that time, some time ago, I knew that she was injured when she was rehearsing the play, it was a leg injury, it was not the time of the rehearsal, in fact, this may have been an injury before, she herself did not feel it, but in the performance may have come into contact with this side, it was sent out, very powerful. She may not feel it herself, but in fact, her colleagues were quite distressed by her at the time, because they watched it on stage and endured it. Yes, she feels that people are mutual, how you usually treat others, others will treat you, so she is in the performance, sometimes the "A Thousand Miles of Love" in the dream haunts her after she died, there is a scene behind herself is relatively empty, she is holding that leg over there crying, because of pain. Next to them, many young actors watched her also touching (wiping) tears over there, and they felt that sometimes it was also the helplessness of the actor, but in fact, it was more of an actor's sense of responsibility for the audience. If it is the first time that others have seen an actor like her, they cannot see that she is such a strong person. Sun Rongqiang said that she was not only strong, but also a little brave, once she was sick, the nose was punctured, this needle puncture was so long, she did not talk to the family at all, afraid of worrying, afraid of causing them to worry, and also gave tutoring to students that night. In fact, she has a lot of such things, President Rong said, she is responsible for the audience for the sake of art, she often encounters this situation, such as the Beijing performance of "Yuqing Sister-in-law", insisting on singing one hundred and twelve sentences on the stage, taking a body temperature of more than thirty-nine degrees after stepping down, and then going to Tianjin to Zibo to perform, the theater said whether you want to rest, this performance is not a way to negotiate with the other party, but because I know that the other party's tickets have been sold, and then insist on going to Tianjin, to Zibo to perform, He felt that this was an attitude that an artist was really responsible for the audience and really responsible for art, so he thought that this was Fang Yafen's superiority. She said that she was very grateful to everyone, because she performed on stage when she had a high fever, some of the actors and cast members on the stage, because when she sang a hundred and ten sentences, they were very worried that she might fall, so both sides of the side curtain were full of people, they were all watching her, afraid that if she did something, when she finished singing a hundred and ten sentences, the audience below was applauding. Because the audience does not know that she is in the fever, the audience below applauds, they are also clapping next to them, sister you are too strong, sister you are too strong, so it is also the kind of encouragement of many colleagues and colleagues, she feels that she should do her best.

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