He who slept with many girls was said to be innocent, who shattered my three views?

Each work is the transmission of the author's thoughts, a good work can bring readers the enjoyment of beauty, the sublimation of the soul or the improvement of skills, on the contrary, a work of incorrect thinking may make the reader shatter the three views without knowing it. Some writers have allowed some poisonous three views to invade people's minds through various forms, some directly proposed, some through the story of obscure performance, and some directly giving high hats, poisoning groups of people one after another.

Japanese writer Yuki Harukami Mura's book "Norwegian Forest" is a best-seller in China, with Lin Shaohua's translation being the most widely circulated. The male protagonist Watanabe first broke up with his first love, and then slept with many girls, and still wandered between the heroine Naoko and Midoriko, such a scumbag was judged as a yearning for innocence in the translation of Lin Shaohua's version of "Norwegian Forest". He cited the first reason that Watanabe slept with many girls before confirming his feelings with Naoko, and the second reason was that he deliberately avoided having sex with Midoriko before confirming his feelings with Midoriko. Lin Shaohua directly whitewashed Watanabe in the translation sequence, portraying a scumbag as a representative of innocence, which really shattered my three views, which is like saying that a piece of fried stinky tofu is no longer stinky tofu, but a leap into fresh tofu. If Watanabe says that "the prodigal son does not change his head", he still reluctantly said the past, but if he said innocence, he really did not dare to agree. If this is also innocent, then except for people like Yongze who have fallen into the flowers to death, it is estimated that there will be no scumbags to be found again. Not sure if this is lucky or unlucky for women.

Qiong Yao drama Crescent Moon Gege was once popular, the heroine Crescent Gege was saved by her father's former friend Nu Dahai after the death of her parents, Nu Dahai's wife Yan Ji treated Crescent Moon like her own daughter, but Yan Ji did not expect, I treat you as a daughter, but you want to be a little three, the green tea heroine with empathy, beautiful and delicious, step by step serial set, finally successfully picked up the male protagonist, and said the classic line I did not come to break up this family, I came to join this family. Ms. Qiong Yao directly made a green tea bitch into a beautiful and kind, pitiful heroine, attracting a wave of sympathetic tears, and the kind original lady Yan Ji into a vicious woman, despised and cursed. In reality, Ms. Qiong Yao herself is the third in command, using her status as a writer to publicize the idea of the supremacy of love, whitewash herself, and suppress Ping Xintao's original wife, Lin Wanzhen. Qiong Yao did succeed in brainwashing a large number of post-70s, 80s, and 90s, until the twenty-first century, when people began to gradually reflect on the three views of Qiong Yao's works. Every work is a reflection of the author's thoughts, and the problems in the author's thoughts will inevitably be reflected in her works, just like Ms. Qiong Yao, through a story to make a world-despised little three- crescent moon grid is pitiful, if not screened, we will always be led by the nose.

In his book "The Spirit of Chinese", Gu Hongming interpreted the concubinage system in old China, portraying Chinese women as selfless people, and allowing men to take concubines is also a manifestation of Chinese women's selflessness. It is not unusual for Gu Hongming to make such remarks as a conservative in old China, but I would like to say that this is another kind of ideological poison, that is, before oppressing you, first put a high hat on your thinking, carry out some spiritual packaging, and then further poison you. This method of ideological confinement is more advanced than the previous two, so that although you are oppressed, you feel that you are spiritually commendable and ignorant of the oppressed things.

Generation after generation of literati convey their own ideas through their own works, and generations of ill-thinking literati imprison other people's minds through their own works, and some talented writers do have the ability to say black as white and white as black, but they can still convince many people, which is terrible. Therefore, when we look at works, whether they are film and television works or literary works, we must have a bit of a critical spirit, know how to distinguish between good and evil, distinguish between right and wrong, do not blindly be led by the nose without knowing it, and be the fool who is fooled.