Under the Bai'ao policy, mixed children were forced to be separated from their families for 1500 miles, and three little girls took a journey home that touched the earth.
The child wants to go home, and the Australian government still refuses to publicly acknowledge the real thing. Director Philip Thompson, who has directed films such as The Bone Puzzle, Patriot Games, and Voyeurism, has been the director of the film. North. Du Kefeng photography. Original Doris. Pickiton.
The film is the first Australian local film film shot by Du Kefeng's homecoming, this film was released on February 4, 2002, in the film, he deliberately created the unique rough texture of the desert, so that the visual style of the whole article presents a wild beauty that is difficult to tame.
Known as Wong Kar-wai's royal photographer, at the 2001 Taiwan Golden Horse Awards, he just won the Best Cinematography Award for his homecoming, and then the hero who was hyped by the media was also shot by him, with director Fei Li. Punos's words to evaluate him, he is simply a genius, an ordinary camera, in his hands can shoot the most beautiful pictures in the world.
Du Kefeng said in an interview because of this film that this time shooting children in Australia to go home is my first Australian film, and finally I have a little explanation for my parents who live in Australia.
The director said in an interview: A real director, not only the use of cameras to record images, not only in the shooting of technical skills, those can be achieved through learning, and the real rare is the ability to tell stories, which requires talent, but also requires the director to use his life's energy to explore.
In the film The Child Wants to Go Home, it involves the Construction of the Australian Government in 1901, which was established in 1907 as the longest protective fence in the world, with two strips, both running through the north-south direction, built in the desert area of the Australian inland, dividing Australia into two parts, while the small protagonist in the film relies on the shorter one.
From the middle of the 19th century to the 1970s, during this period, the Australian government has always held the concept of aboriginal correctional education, feeling that aborigines need the assistance of whites, so they are all listed in charge, and break up the families of black-skinned aborigines, and do not allow them to marry and move freely. Branagh's manager feels like he's doing something right, sacred, and helping the indigenous people.
The aborigines did not enjoy any rights there as free people, could not learn the cultural knowledge of their own people, and their understanding of their own people was blank.
The white Australian government instilled white people's ideological beliefs and so on, so that they got used to the habits of white society, and the most tragic thing was that many indigenous children were forced to leave their biological parents and bring them to the white gathering places, so that they had a sense of service to white people from an early age.
It is said, but only supposedly, that 1/4 to 4 of Aboriginal children emigrated there in this way, and they were later called the stolen generation, a policy that the Australian government publicly acknowledged in 1997 for the policy that was discontinued in the 1970s, and the history of the stolen generation is still in the bargaining.
The story told in the film takes place in the darkest period of the Australian government, of course, this does not mean that this work is to attack the government, or to incite national feelings, it is just to tell a true story, to tell the suffering of the conquered people, and the resistance, and the three little girls in the film are the last wave of the generation known as the stolen.
The English name of this film is Robbit-Proof Fence, in fact, the English name of this film refers to the longest protective fence in the world built by the Australian government in 1907, because the real purpose of the guardrail was to stop the rabbits who came around and stole crops.
The film is based on The Robbit-Proof Fence, which was originally published in 1996 by Doris Thompson. Picton, formerly known as Nikki. Grimala. The author originally listened to the story told by his aunt, which was conceived in Doris's mind for a long time, and finally made up her mind to present it to the world.
Author Doris followed her mother when she was four years old, forced to migrate from Kigron to an Aboriginal settlement on the Mur River, she entered the Royal Perth Nursing School at the age of 18, she and her husband have been living in Geraldton, Western Australia, they have six children, she has worked as a film and television producer in Western Australia, and now she is really full of children.
Directed by Philip. North's success as part of the New Wave of Australian cinema, human bone puzzles, patriot games, voyeurism and a series of other commercial films laid the foundation for Philip. North's location in Hollywood.
But director Philip. When North filmed this film, he boldly broke through his own filming route, and the somewhat autobiographical children wanted to go home, the style was serious, and it was full of artistic atmosphere, which was very touching.
Directed by Philip. North himself had said that he really enjoyed living and working in the United States, but in the end it didn't allow me to make what I wanted, so I went back to Australia and made the film. Of course, for such a film is inevitable, there will also be controversy, because it is the first film to tell the story of the stolen generation.
Whether it is a report or a film, it is exaggerated, this is the Australian government's statement, but when you go deep into the Aborigines, the answer is that it is just a whitewash of the government, and the actual situation is worse than you know.
In fact, I think this is the importance of this film, especially to let the public see the true face of history, and for those of us who are foreign, we may not really understand its full meaning.
And for those indigenous people, they may prefer to believe that such a thing did not really happen to them, of course, the government will certainly try to cover it up, and in 2002, it was made into a movie, and it was made by white people, and the indigenous people should be happy that a white man told the world such a humiliating story of inflicted on them.