In recent years, various forms of "poetry conference" programs have appeared one after another, allowing more ordinary audiences to enter the magnificent and exquisite art world of ancient poetry, feel the eternal charm of China's excellent traditional culture, and at the same time, it has also stimulated the sales of ancient poetry books outside the program, setting off a national "poetry fever". A few days ago, Professor Zhong Zhenzhen, academic general counsel of the "Chinese Poetry Conference" and "Chinese Good Poetry" and a major researcher of contemporary classical poetry, wrote a new book "Zhong Zhenzhen's Speech" published by Jiangsu Phoenix Literature and Art Publishing House. In the work, Zhong Zhenzhen selects 64 lyrics by 42 famous poets, starting from the Dunhuang song lyrics, through the Tang, Song, Yuan, Ming and Qing dynasties, explaining the classic famous passages of various stages of word history for more than a thousand years, the text is clear and the literary style is remarkable, leading the reader into the eternal soul of the poets of all generations.
"Silver Lantern and Ouyang Public Seat Sub-topic": Last night, because of looking at Shu Zhi, laughed at Cao Cao Sun Quan Liu Bei. Exhausted the organs, in vain, only three parts of the world. Qu Finger carefully pondered, scrambling, Liu Ling drunk? No one is a hundred years old. Less obsessive, old and emaciated. Only in the middle, some teenagers, bear to tie the floating name? A pin and a thousand gold, ask the white hair, how to avoid?
Fan Zhongyan was the pioneer of the Northern Song Dynasty's Haofang Poetry School, and although his words are only five songs today, there are new explorations in terms of subject matter and new explorations in style. This is a special case.
The word is written in pure colloquial language, and the text is not difficult to understand. The film is to the effect that when I read the Romance of the Three Kingdoms last night, I couldn't help but laugh at Cao Cao, Sun Quan, and Liu Beilai. They used all their power and scheming, but they only wasted their efforts and only created a situation in which the world was full of three points. Instead of tossing and turning like this, it is better not to do anything, just drink him drunk with Liu Ling.
The next film uses the poetry of Bai Juyi's "Crazy Lyrics". Fan Ciyue: In a lifetime, I have never lived to be a hundred years old. When I was young, I didn't understand things, and I was old and weak. Only a little bit of youth in the middle is the most precious, how can we bear to use it to pursue fame and fortune? Even if you have achieved a pint of official and a millionaire, can you escape the natural laws of the old rising and coming?
The word selected in "Zhong Zhenzhen's Speech" is somewhat different from Fan Zhongyan's other words, mainly colloquial, witty and humorous, but full of passive and inactive views of history and timely enjoyment of life, a bit of the meaning of "lying flat" as said by today's people, allowing us to see another Fan Zhongyun who is completely different from "Yueyang Louji". But if we comprehensively examine Fan Zhongyan's actual personality and the specific era background of the creation of this poem, then we will have a deep meaning: Fan Zhongyan has been diligent and enterprising since childhood, but he is ill-fated in his career, he has been demoted several times, and in the third year of the Qing calendar (1043), he finally became a suffragan (deputy prime minister) and presided over the new policy, but in the end he also ended in failure and was once again demoted from Beijing. The "Silver Lantern and Ouyang Public Seat Division" was born in the background of this era, and it can also be said that this is the embodiment of Fan Zhongyan's mood of "full of absurd words and a handful of bitter tears". Fan Zhongyan's image was not damaged by a few complaints, on the contrary, these few complaints made him flesh and blood, with a strong personality, not only respectable, but also cute. Asking for words only in words often does not understand their words. If you want to deeply understand the samadhi of a piece of writing, you must know that people talk about the world and seek it outside the words. This is the lesson that this word gives us. Zhong Zhenzhen's unique views made us awe-inspired.
In fact, in "Zhong Zhenzhen's Speech", the author Zhong Zhenzhen pays more attention to the knowledge points that are easy to be ignored, expanding from one knowledge point to other knowledge points, Zhong Zhenzhen is like a treasure hunter, using his rich ancient literary knowledge to re-dissect this seemingly simple and familiar poem, so that a small poem is like a labyrinth with a blind box, in the process of walking out of the labyrinth, readers can also randomly find unexpected surprises, so that readers can find freshness in familiar places.
It is worth mentioning that Zhong Zhenzhen's explanation of poetry has always had its own unique angle and ideas, first talking about the background, and then layer by layer, from specific words to allusions used, using easy-to-understand words to make people feel as if they have traveled through time and space and the poet who is creating this poem is far away.
In addition to the well-known poems, Zhong Zhenzhen has been committed to discovering, sorting out and annotating those "niche words" that are relatively unpopular and rarely understood by the world. Willing to guard the cold bench, he always hopes that these words that have not been recorded in various anthologies can also be known and appreciated, and achieve re-"out of the circle", rather than forever acting as a nameless foil in the history of literature. The 64 poems selected by "Zhong Zhenzhen's Speeches", except for a few famous masterpieces that people are familiar with, are mostly the best systems of small and medium-sized writers who have never paid much attention to the election of politicians, such as Li Bai's "Remembrance of Qin'e (Zhen Sheng Pharyng)", Bai Juyi's "Remembrance of Jiangnan Words Three Songs • One of them (Jiangnan Good)", Liu Yuxi's "Xiaoxiang Shen (Xiang Shui Liu)", most of which are the best systems of small and medium-sized lyricists who have never paid much attention to them, and their main characteristics, in a word, are "strange": or strange themes, or strange ideas, or strange brushwork. Or the wording is wonderful, quite worth reading.
In this regard, Zhong Zhenzhen said: "For more than 40 years, I have written some academic works and written many articles on poetry appreciation. The former is for peers engaged in academic research, and the latter is for lovers of classical literature of intermediate or higher education. In comparison, I prefer this latter type of text because they have a much wider readership. The excellent chapters of Chinese classical literature are the precious heritage of our Chinese nation and the rare exhibits in the temple of world culture, which belong to all mankind. It is a very meaningful task to introduce these literary treasures of our nation to as many people as possible. I am proud to be able to do this work, but I am also ashamed that the quantity and quality of my work are not satisfactory. ”
From Dunhuang song lyrics to Qing Dynasty words, Zhong Zhenzhen carefully sorted out and annotated, excavating their creative background and interesting creative stories, so that these classical words hidden behind thousands of radiant works also have a moment of radiance. "Zhong Zhenzhen's Speeches" are mainly Song Ci, accounting for more than half of the total. The word style is longer than love, and the words selected in the book are mostly the true feelings of the lyricists. The most selected in the book is the congratulatory speech, and "Partridge Heaven • Half Dead Tong" is placed at the beginning of the congratulatory message. The words say: "Everything that weighs more than the gate is different, and what is different from the same thing?" After the sycamore is half dead and frosted, the head white mandarin duck loses its companion and flies. Hara on the grass, dew chu xi. The old habitat and the new ridge are two clings. Empty bed lying listen to the rain in the south window, who picks up the lights at night to mend clothes! The word is written as seeking
Often the love of husband and wife, reading it makes people cry. When Zhong Zhenzhen explained the word, he introduced a series of poems of ancient and modern mourning, and Pan Yue's "mourning poems", Yuan Shu's "Sending Sorrows", and Su Shi's "Jiang Chengzi" were presented one by one. Yuan Dynasty poet Wei Chu's "Partridge Heaven and Room People Descending to the Sun to Send With This Gift" was written when the author was traveling, coinciding with his wife's birthday, so he felt it and expressed his feelings of lovesickness. Even Xin Abandoned Disease, who was ridiculed as a "dropped book bag", was selected to reflect his pure heart. Zhong Zhenzhen wrote in the book: "As far as art is concerned, Pan's poems are five ancient, thick and simple is his good, slightly insufficient is slightly extravagant, a topic sprinkled with hundreds of words, the trumpet of the long song, but not as good as the rare sound of the swallowing; the yuan poem is the seven laws, the form is easy to flow in the plate stagnation, its sentiment is deep and gentle, it is not easy to read, it is difficult to read, but it is always not exhausted, and it is perfected; Su and He are powerful because the word body is long in the romance, and the style is first stained with light, so it is more likely to see the intestines; and the Su words are three, four, five, and seven words, one singing and three sighs, It is also better than the basic seven-sentence greeting. From the content point of view, the yuan poems and congratulatory messages write the emotional basis for the hardships and hardships between the husband and wife, and the bittersweet and bitter tastes between them, which is precisely what is missing in the works of Pan and Su. The congratulatory sentence not only has a sound through the sky, there are tears through the fountain, and the interest is also purer than the yuan poem, which should be the crown. To be sure, the words Su and He are longer than the poems of Pan and Yuan Liu, which can be called the double bi in the ancient mourning chapters. On the artistic Su word poor victory, comment on the ideological congratulations are slightly better! ”
Readers studying "Zhong Zhenzhen's Speech" is like attending the lecture in person, and everyone will find that the words can be interpreted in this way. The significance of this work is as Professor Kang Zhen, a professor at the College of Literature of Beijing Normal University, commented: "(Zhong Zhenzhen's Speeches) deeply grasps the general context of classical Chinese words and returns to the birth site of famous passages through the ages. Mr. Zhong personally selected annotations and incisive appreciation, which is convenient for readers to get a glimpse of the mysteries of classical words. Yang Yu, a professor at Central South University, also believes that this is a "lexical classic that lovers of classical literature must read."
Zhong Zhenzhen has been engaged in lexical research and popularization for more than 40 years, and has served as the academic general counsel of CCTV's "Chinese Poetry Conference" and Hebei Television's "Chinese Good Poetry". As he himself said, it is true that "the belt gradually widens and there is no regret, and the people of Yi are haggard", which has made important contributions to the promotion and popularization of ancient poetry. He once wrote a poem about speaking and reading poetry, "Tasha Xing", this tune is used to rhyme, and Zhong Zhenzhen uses into rhyme instead, which is a new attempt. Words: and the moon is divided into plums, with frost picking chrysanthemums. Pick out the deep valley with one shoulder. It is said that the poet is a flower seller, and the sound of selling flowers is fragrant. Don't pick yi red, don't pick fast green. Colorful and colorful. Reading poets is a flower appreciator, and flowers are not tired of candles all night! "Poetry" in the broad sense also includes "words". This word uses the Bixing technique to express Zhong Zhenzhen's expectations for himself and his expectations for Zhiyin, and at the same time, it also makes him suddenly realize: "Zhenzhen has words" and "words", not "words" of "pedestrian words", but "words" of "poetry"! (Readers' Daily All-Media Reporter He Jian)
Editor: Wang Xin Responsible Editor: Dong Xiaoyue Review: Zhou Hua