The box-sealing performance of the Deyun Society has come to an end. As a rule of the Peking Opera industry, the sealing box has been applied to the cross-talk industry and adopted by many cross-talk groups, which is a major contribution made by Deyun Society.
The time of sealing the box and opening the box is basically fixed: the twenty-third day of the lunar month, that is, the small Chinese New Year's Eve; the day of opening the box is also fixed: the fifteenth of the first month / the sixteenth of the first month. Here there are audience questions, until the spring to open the box, there are already several programs in front, this time in the performance is not the wool of the audience?
There is this factor, but not the main factor. Sealing the box and opening the box is the most promising ceremony of a group, and it is also like a sacrifice ceremony, which controls the vitality of the troupe.
For example, guo degang and Yu Qian's paragraphs are high and low, and we will not comment on those contents, and I am tired of talking too much. The opening scene is Sun Jiufang and Ma Xiaorong's "Fang Yan Fang Language", and the second is Shang Jiuxi Guo Xiaohan's "Strange Cure". Overall, this is a new layout for deyun society to push new people, but the results are not satisfactory.
The opening is hilarious, not nonsense. Sun Jiufang's program has always been inseparable from and, has been inseparable from ethics, is there no creative ability or low creative ability, writing some good baggage is so difficult.
Shang Jiuxi will not say crosstalk and don't come to the stage! One word to describe: water! After following the performance several times, the effect is always unsatisfactory, and the shame of the worst "Pickpocket" does not know how to remember? Shang Jiuxi is still suitable for a small theater, and it is only happy to chat with the audience.
The three "Children and Disciples" performed by Burnt Cake, Yu Qian, and Luan Yunping are in good shape, mainly because the feelings are quite in place. Luan Yunping's arrogant strength and burning cake embracing the earth are very in place, and this show can be said to be the most perfect work of the whole performance.
Zhang Jiuling and Wang Jiulong's "Mouth Spitting Lotus", this paragraph is like a tribute, after all, everyone also knows that "Mouth Spitting Lotus" is one of the representative works of Hou Yaowen and Shi Fukuan. This time the performance was stunning, completely different from the previous state.
Meng Hetang and Zhou Jiuliang performed "Song Research", which was too good to be desired compared to the last time. But these two people do not seem to have reached the height of being popular on the stage, can not say progress, and even compared with previous years, there is still some weakness, are the fan economy harm.
Guo Qilin and Yan Hexiang's "Hong Yang Cave" has a very tight time, which affects the tight time and heavy task, which will also have some impact on the performance of the show. Guo Qilin left xiangsheng for a while, and the feeling of returning again was a regression in the level of crosstalk. This version of "Hong Yang Cave" does not even reach the level of previous years.
Yue Yunpeng Sun Yue's "Making a Kitchen", these two do not need to evaluate the rhythm of cross-talk, the ability to control the field or the level of performance. But this passage is indeed a passage that has already been performed. The earliest was Li Jindou's apprentice Fang Qingping said, specifically in "Smiling Proud of the Jianghu" or on which stage can not remember, but the rich oil, mutton shoulders these plots are particularly impressive.
The arrangement for Qin Xiaoxian was very good, and xiangsheng could not say it to go to the host, anyway, he did not want to eat the bowl of rice for a long time.