2018 is the year of the fall of the superstars in the cross-talk industry, and a total of ten old cross-talk artists have died of illness in the same year. What made the Tianjin audience sad and lamented was that a year ago today, Yin Xiaoxiao, the mainstay of teahouse cross-talk, also passed away and reunited with his old partner Mr. Huang Tieliang.
Yin Xiaosheng was born in Tianjin's Xiangsheng family, and his father Yin Shoushan was once the "palm cave" of the Lianxing Tea Society, and he was also a well-amused old artist in the Shouzi generation, and the audience liked him to give him a nickname "Yin Fool". The son inherited his father's business, and Yin Laugh also said crosstalk. The stage name of "Little Fool" naturally fell on Yin Xiaoxiao.
As a cross-talk taidou Ma Sanli's high foot, the master gave a "laugh" word, and the master brother gave a "sound" word, thus achieving the stage name of Yin Xiaoxiao. Yin Xiaoxiao and Huang Tieliang are a pair of fire stalls for teahouse cross-talk, and the audience who often goes to the garden knows that this old two is the big axis of the friends cross-talk group. They can become the bottom corner of the friends not only because of the high level of generation, but more importantly, the performance art of the two old gentlemen is superb. Death is the characteristic of "Huang Yin" to make life, and when the same piece of life is performed on different occasions at different times, it is basically word for word. "Tethered Doll", "Wife and Child", "Upside Down Door", "Great Trial", etc. are the two long-term performances of the pole work. Yin Ye is extremely talented in measuring work, and he is extremely accurate in size, and the pauses and expressions when turning over the baggage and handing over the legs are just right. For example, Huang Yin's version of "Entrusting Wives and Children" has such a baggage:
Huang: You think, when you were young, we both, you and I.
Yin: Who's with you?
Huang: You!
Yin: Oh, I grew up with you, the two of us?
Huang: Hmm!
Yin: So how did you grow to a half-cut length?
Yin Ye's disdainful bad smile combined with the Sunshine Boy's envoy is a good burden for fried sticky! Later, this burden was removed by Guo Degang and Yu Qian, and it was still hot whenever the burden was turned over. Laying the mat steady at the same time should be fried, accurate to the second of the leg to ensure a tight rhythm, this is the essence of Yin Ye's work.
Yin Xiaoxiao once bid farewell to the stage for nearly 23 years, and then under the kind invitation of Mr. Baolin, Yin Ye finally agreed to go out of the mountain, but what he did not expect was that the first performance of the stage for many years was full, and since then it has been out of control. In 1998, Mr. Baolin proposed the return of Xiangsheng to the tea house and premiered it at the Tianjin Yanle Tea House on September 13 of the same year. On this basis, Due to the initiative of Baolin, Feng Baohua, Yin Xiaoxing, Tong Shouben, Huang Tieliang and others to form the Zhongyou Xiangsheng Art Troupe, which was also the only folk cross-talk group composed of professional cross-talk actors in the country at that time. Under the recommendation of his peers, Yin Xiaoxiao officially became the legal representative of the friends.
In the words of Tian Lihe: "Yin Xiaoxiao is a cross-talk actor in the whole line, single and teasing, and learning to sing." "He not only plays the piano and plays the violin, but also plays Jinghu, and even has a lot of research on Han Mo Danqing. In the surviving video, we can also see the audio and video materials of Yin Ye Baisha sprinkling words and singing "Four Joys". When he was young, Yin's voice conditions were very good, and liuhuo programs such as "Learning West River" and "Learning big drums" were often staged, and later because of excessive tobacco and alcohol, his voice was lost. However, from the "Wu Xiazi" in his later years, we can still see the singing skills of Yi. Due to his advanced age, Yin Xiaoxiao still inherits the characteristics of Ma's cross-talk on the stage with "speaking", is not in a hurry, and brings the audience into the storyline through meticulous laying and vivid expressions.
Now, yin ye has left us for a full year, and the "sunshine boy" Huang Tieliangxian has died more than three years ago. The departure of the two golden partners in the past is undoubtedly a great regret for the audience. At this point, my mind is full of the reserved program "Three Festivals of Worshiping Flowers" returned to the scene of "Huang Yin", Huang Ye's xiang'er, Yin Ye's singing has already jumped in front of his eyes. The strength and size of the return of the two older two is the accumulation of decades of stage experience. I also hope that Huang Yin's two disciples can inherit the mantle of the two old gentlemen, return the audience with better programs, and comfort these two excellent cross-talk artists.
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