The Song of the Earth, the 419 stirring of the souls of China and the West

In the exchange of Chinese and Western cultures, Mahler's "Song of the Earth" occupies a very special position. Of course, it can be said in a grand narrative that western classical music and Eastern classical poetry are the most refined of the two cultures, and the combination of the two leads to Mahler's "Song of the Earth". According to this statement, Mahler's Song of the Earth is nothing more than a product of 419, because such works are extremely rare in Eastern and Western art literature, and unique in Mahler's own works, like a 419 burning, and so on.

The reason why 419 can be 419 is definitely not based on any grand narrative stuff, and the ignition of 419 has always been personal and fragmented. Mahler, as an individual, has always been complex, and Chinese classical poetry has ignited its enthusiasm, but it can never be said that Mahler's end of life is completely corresponding to the heart of Chinese classical poetry. Mahler, a wandering soul without a home, only carried out the passion of 419 once in the wanderings of his life, and that was it.

419 is all equal, mahler let the classical music of the West take the classical poetry of the East 419, not that the classical music of the West is stronger than the classical poetry of the East. The classical poetry of the East can also take the classical music of the West 419, and the key to the problem is whether the 419 people of 419 can be like Mahler.

Now, we may wish to first look at the original Tang poems selected in Mahler's six-movement works, note that whether the original works here are all these, some of them are still debated, but this is not a big problem, there is a big problem, the poetry here, there is no du Fu and other so-called realism, Li Bai, and then Wang Mengshi (money from here), so it is not difficult to understand that the real spiritual things, the most easily connected, the most easily inspired by the 419 style, can not be too realistic.

Compared with the suffering of reality, the suffering of the soul is really the great trouble of man, which is the same as the Chinese and western lines. Open your heart and listen to the suffering of Mahler, the stirring of the suffering of the human heart.