Qin Guan was an important poet of the Song Dynasty,
He is good at describing the quiet and cold situation,
Express the emotion of desolation and loneliness.
Whether it is "desert and cold on the small building"
Or "Fog lost the platform, the moon lost Tsutsu ferry"
All of them reflect this feature.
Today, we read the ten poems of Qin Guan,
Feel his loneliness and sorrow.
Queqiao Immortal
【Song Dynasty】 Qin Guan
The clouds are clever, the flying stars are hateful, and the silver man is dark.
As soon as the golden wind and jade dew meet, they will win and conquer countless people.
Tenderness is like water, good times are like dreams, bear with Queqiao to return to the road.
If the two loves are long, they are in the twilight.
The hidden lady said: This song recites the song of ancient and modern love: If two people love each other to the death, why should they have the luxury of asking for the vulgar companionship of the twilight? The language is naturally fluent and easy to understand, and the emotional is subtle and deep.
Most importantly, he provides a new interpretation of love for the people of the time and future generations, that is, not only makes the pattern of love more broad and far-reaching in the artistic conception, but also raises the spiritual love to an unprecedented height.
"Eighty-Six Sons, Leaning Dangerous Pavilion"
[Song] Qin Guan
Leaning on the dangerous pavilion. Hate is like a herb, and it is still alive.
After reading the willow outside the green horse goodbye,
When the red song at the water's edge is divided, it is suddenly frightened.
Gratuitous day and Lou Ting.
The night moon is a curtain of dreams, and the spring breeze is ten miles of tenderness.
How to turn to the direction, the joy gradually follows the flowing water,
The sound of the strings is broken, the incense is reduced,
It was late, and the rain was clear.
Positive pinning. The yellow oriole chirped again.
Cain Niang said: This word expresses the parting love between the author and a singer he once fell in love with. The whole word is cut from the emotion, abruptly rising, during which the scene narrative is drawn, or the joy of the farewell, or the pain of the aftermath, or the lament of the reality, euphemisms and twists, and the word "hate" in the heart.
《Tasha Xing Chenzhou Hostel》
Fog lost the platform, the moon lost Tsutsu ferry. Taoyuan is nowhere to be found.
The isolated house is closed in the cold of spring, and the sound of cuckoos is obliquely sunlit.
Send plum blossoms, fish pass ruler. Masonry into this hate has no weight.
Chenjiang was fortunate to go around Chenshan Mountain, for whom Xiao Xiang went.
Yin Niang said: This song "Tasha Xing" is Qin Guan's famous work. "Fog lost the platform, the moon lost the crossing", intertextuality, has always been praised. In the fourth year of Shaosheng, Qin Guan was belittled because of the party struggle and left Chenzhou, which was very painful mentally.
This poem writes about the exclamation of the guest hostel: the first film writes about the lonely and cold environment in the middle of who is in the middle; the next film begins with Shu shi, writing about the courtesy and comfort of distant friends. The whole word is written in a euphemistic and tortuous way, expressing the sadness and grievances of the frustrated people, and expressing dissatisfaction with realpolitik.
"Huan Xi Sha Desert Light Cold On the Small Building"
Desert light cold on the small building, Xiaoyin rogue like poor autumn,
Light smoke and flowing water paint screen quietly.
The free flying flowers are light as dreams, and the boundless silk rain is as fine as sorrow,
The treasure curtain hangs idle small silver hooks.
Cain Niang said: This little word is fresh and soft, like a gentle woman, telling the faint sorrow, full of beauty. "Free flying flowers are light as dreams, boundless silk rain is as fine as sorrow", the quiet and mysterious atmosphere is fascinating.
"Man Ting Fang, Mountain SmearIng Clouds"
The mountains wipe the clouds, the sky even fades with grass, and the sound of the painted horns breaks the door.
Pause the levy and talk about the common leader.
How many old things in Penglai, empty looking back, smoke and mist.
Outside the slanting sun, jackdaws are ten thousand points, and the flowing water surrounds the isolated village.
Soul destroyer. At this time, the sachet is secretly dissolved, and the strip is lightly divided.
He won the favor and Qinglou Bo survived.
When to see you, on the sleeve, empty cry marks.
At the place of injury, the high city was broken, and the lights were already dusk.
Yin Niang said: This is one of the masterpieces of Qin Guan, and Su Shi called Qin Guan "Shan Mo Wei Yun Jun" in the sentence "Mountain Smear Micro Cloud", which shows its degree of liking.
This is a erotic love word, what is rare is that in the word, Qin Guan integrates the sense of a bad career and a dream, and "how many Penglai old things" are dissipated in the smoke and mist, which generally shows the sadness and confusion in the hearts of the two parties who parted. Xia Yan uses white paintings to express his sadness and hatred, showing his feelings of falling into the rivers and lakes.
"Kako Koko Trees Around the Village"
Trees around the village. The water fills the pond.
Leaning on the east wind, Haoxing wandered.
A few small gardens, harvesting the spring light.
There are peach blossom red, plum blossom white, cauliflower yellow.
Far from the wall. Hidden Thatched Hall.
Raise the green flag and the flowing water bridge.
By chance, I walked through Higashioka.
Warblers are crying, swallows are dancing, butterflies are busy.
Yin Niang said: This song uses the technique of white painting to depict an idyllic scenery. Trees surround the village, the pond is full of water, and in the small garden, peach blossoms, plum blossoms, and cauliflowers bloom, all in the spring light. In the distance, the walls and thatched huts, the flow of water flowing under the bridge, the eyes are full of warblers crying, swallows flying butterflies busy.
A nice idyllic spring scene.
"Minus Magnolia"
Old hate at the end of the world. Alone desolate people do not ask.
To see the ileum. Cut off the small incense of the golden furnace.
Dai moths grow long. Ren is not blowing in the spring breeze.
Sleepy building. Over the Phenom word sad.
The hidden lady said: This is a poem that writes the melancholy sentiments of the woman who misses the woman in the boudoir and misses the people who are far away.
The whole word Toth woman complained to herself, with the word "sad" running through the whole line. "Tianya" points out the distance between thoughts, "old hatred" shows that it has been separated for a long time, and the four words write out the suspense of space and time. The mood is poignant, the artistic conception is subtle, and the style of the Southern Tang Dynasty is elegant, and the words are clear and timeless, and the style is far-reaching, which is the true color of the Qin word.
"Dotted Lips"
Drunken light boat, the flow of letters leads to the depths of the flowers.
The dust edge is wrong. No counting flowers to live in.
The smoke and water are vast, and the sun is twilight for thousands of miles.
Countless mountains. Red as rain. Don't remember the time.
Yin Niang said: After reading this word, I love the sentence "Smoke and water are vast, and the sun is slanting for a thousand miles". "Smoke and water are vast", then the future is far away; "a thousand miles of oblique sun and twilight" implies that the situation of the writer will deteriorate; "countless mountains" is a symbol of heavy resistance and difficulty in returning to the imperial court; "chaotic red like rain", that is, beautiful things are being destroyed.
These four scenes are combined to show a huge artistic appeal. Although the lyricist has no words to say about sorrow, sorrow and disappointment have overflowed the paper.
Bodhisattva Man
The sound of insects crying shocked autumn pillows.
Luo Wei wet Mandarin duck brocade with tears.
Lying alone jade muscle cool. Cruelty and hatred are long.
The winds are blowing. The rain is dim.
After all, it is not sleep. Crows cry Jinjing cold.
Cain Niang said: This poem writes about the grievances of the autumn night, and through the description of the scenery and the rendering of the atmosphere, it writes out the sorrow and resentment of this girl.
In terms of wording, he pays special attention to the use of words such as "weeping dew", "tear wet", "single", "cool", "residual", "hate long", "yin wind", "rain", "dark lights", "crow cry", "Jinjing Han"; and in order to point out the identity of the bridesmaid, words such as "Luofo", "Zengying Jin", "Jade Muscle", "Cui Mantle", "Jinjing" are used.
"A Thousand Autumn Years"
Outside the sand at the water's edge. Chengguo spring cold retreat.
The flowers are chaotic, and the warblers are broken.
Drifting wine cups, parting wide belts.
People are gone, and the clouds are twilight opposite each other.
Reminiscences of the West Pool Society. Partridges with flying covers.
Hand in hand, who is here today.
The sun side clears the dream, and zhu Yan changes in the mirror.
Spring is also gone, flying red ten thousand points of sorrow like the sea.
Yin Niang said: This is a poem written by Qin Guan to describe the spring scenery and spring love, concentrate on the intertwined present and past, political misfortune and love frustration, and express the pain of depreciation and the sorrow of drifting.
In terms of content, this word is triggered by the spring scenery and spring love, from the past to the present, from joy to sorrow, from sorrow to resentment, integrating political misfortune and love frustration, and concentrating on the pain of depreciation and the pain of drifting. In the art, there are twists and turns, one singing and three sighs, implicit, touching; ending with scenery, the realm is far-reaching, and the aftertaste is endless.