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Issue [903].
"His architecture is timeless, deeply rooted in the historical context and environment, but also cosmopolitan."
—Comments from the 2012 Pritzker Prize jury
For the majority of architecture students, Wang Shu must be no stranger.
As the first person in China to win the Pritzker Prize, the highest honor in the architectural world, he established a personal personality and logic that the architectural industry could not avoid, using China's local culture to show local architecture, random tile walls, moso bamboo and other materials, giving the site artistic texture and thickness.
His works such as the Xiangshan Campus of the Chinese Academy of Fine Arts, the Ningbo History Museum, etc., can be talked to you for an afternoon when every architecture student mentions it.
Nanjing Sifang Contemporary Art Lake District, also known as "China International Architectural Art Practice Exhibition", has collected the design works of 24 top architects at home and abroad, aiming to create a building ecological zone that integrates functional architecture and a variety of art display spaces, making it the largest architectural art group in China.
Among them are Kazuyo Sejima, Ryue Nishizawa and Wang Shu, who are familiar to us, all of whom have won the Pritzker Prize, the Nobel Prize in architecture. It can be said that this is not only a bombardment of architecture, but also a "shuluo field" where architects are secretly competing.
Foursquare Museum of Contemporary Art – Steven Hall
Sifang Art Museum-Steven Holl
Yuanshe Hotel - Liu Jiakun
Hotel Monochrome-liujiakun
Mobile Space - Kazuyo Sejima / Ritsue Nishizawa
A Circle of Interaction-Kazuyo Sejima/Ryue Nishizawa
Today we share is the art lake area of Wang Shu's work triad, through real photos, original plan model, many selected hand-drawn copy analysis and video explanation, how does this low-key house reflect Wang Shu's design skills, and why did it win in Nanjing Lake District?
At the end of the article, a selection of information on the three-house plan is attached
What is the meaning of traditional culture?
The so-called three-in-one house, that is, a house with less than a courtyard, is a building with three sides enclosed and one side open. Although the Sanhe House is an early work of Wang Shu, it also fully embodies Wang Shu's unique personal design style, integrating traditional Chinese culture into architecture with the spirit of innovation, integrating contemporary realistic thinking with traditional culture, and reproducing the essence of traditional architecture.
The traditional curved roof is shaped from the rolling peaks, and the geometric piercings in the gables are the design vocabulary of traditional Chinese windows, passing through the large trees growing in the house to make the building and nature live together.
The living system of "Xiju" makes both the house and the viewer a "sleepwalker"... The building is nestled in the jungle of the mountain and coexists harmoniously with the natural environment, and strives to create a living environment in which nature and man are united.
Richness and simplicity do not conflict!
Many students always lose sight of one or the other in architectural design, not only want to be rich in functions and characteristics, but also want the overall simplicity and compulsion to do it? Wang Shu's triad house can be said to be a good balance between the richness and simplicity of the building, and has become a "textbook" level copy analysis case~
Simplicity is reflected in the architectural form of the triad, the building and nature coexist harmoniously, "hidden" in nature as if "asleep", curved roof, simple façade, quiet and low-key, not ostentatious and low-key display of Local Chinese characteristics.
But a big dream in the three-in-one house, who can first perceive its rich design?
Curved roofs are not only the inheritance of the traditional Chinese roof system, but also solve the practical problem of too much rainwater siltation;
image© summer solstice
The big tree that grows through the roof makes the triad house forest have a house, and there are trees in the house, so that the architectural space can talk with nature;
Geometric modern window gable façade, skeleton sheet wall and transparent box corridor make the space flexible and changeable;
The geometric perforated façade connects the two living spaces and storage areas, and the line of sight is also more transparent.
In the choice of Sanhe house materials, Wang Shu used the consistent style - local materials, featuring Suzhou terrazzo bricks, and the side entrance material under the concrete roof used traditional materials such as water-milled clear brick veneers and cut and polished large green bricks from Suzhou.
These "dirty" and "old" materials became his construction language after a wonderful chemical reaction with the site, the building is no longer cold, the relationship between people and the building is more intimate, and when he visits his building, he will naturally fully mobilize his body, more feelings and emotions.
Spatial forms coincide!
Through case analysis, we can distinguish between the working space, living space, traffic space and auxiliary space of the three-in-one house, and the setting of the entire space has undergone precise consideration, whether it is borrowed scenery, space penetration, and gray space.
Pill Sister found that the reason why the west work space uses high windows is to prevent western sunburn
The "West Sun" problem in the case study
Someone once described the site as follows: "The spatial form and the human body do a slow, heavy, bumpy but uninterrupted movement, the shallow pool of water in the house, the sleepers, the house ripples with each other, the eyes of the tourist or the owner and the flow of the surrounding world." ”
Read the blessing to the heart, deeply believed.
In the center of the courtyard, there is a central shallow pond that is different from the traditional courtyard, which not only collects rainwater, but also embodies a traditional Chinese concept of feng shui - fertile water does not leave outsiders in the field, and water represents wealth, so wealth should be "gathered" in the middle.
Screenshot of the SU model
To build a house is to build the world!
For Wang Shu, to build a house is to build a world.
"The more important thing than building a house is nature, to return to nature", a world full of natural landscape poetry, "to enable people to return to a knowledge that we have gradually forgotten in some kind of aimless wandering, to revive a way of life that has been degraded in the past century".
"Rong Knee Zhai Tu" Yuan/Ni Zhan
This set of selected materials includes high-definition real-life photos of Sanhe House, CAD construction drawings + SU fine models of Sanhe House, and 16 sets of Sanhe House copy analysis and video analysis ~ Good architectural works are the results of continuous deliberation and careful consideration by the master, and it is not fast to put it away to learn!
Selected three-in-one housing plan information (full set)
-Total 793MB-
High-definition live pictures of the three-in-one house
Sanhe House CAD construction drawing + SU model preview drawing
Triple House copy analysis preview
The students' copy case analysis cut through the layout analysis, façade analysis and other angles, grasp the spatial composition of the program, experience the architect's ingenuity, and form their own perception and understanding.
Sanhe House video analysis
Only some of the information is shown above
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