Lan Ying Zi Tian Shu, The Number Of Butterflies, late Shi Tuo, Shan Gong, Wan Seal A Master, West Lake Yanmin, also known as Dong Guo Lao Nong, lived in the list of "Chengqu Maotang", is one of the representative painters of the late Zhejiang School. Its Shanshui Fa Sect Song Yuan, can also become a family of its own. The teacher painter Shen Zhou, with a beautiful pen, copied the Tang, Song and Yuan families, and Shi Huang Gongwang was particularly committed. In his later years, his pen strength was vigorous, the weather was steep, and he attached equal importance to Wen Zhengming and Shen Zhou.
White Cloud Mangrove Diagram Ming Dynasty Lan Ying
There are several mountains in the picture, and the trees are lush and green, decorated with red and green, which are colorful and colorful. This painting is painted with a boneless method, with stone blue and stone green painting mountain stones, using cinnabar to paint grass, the leaves are also pointed out with thick red, yellow, green, green boneless, and the clouds are rendered with white powder. The picture is rich in color, but elegant and fresh.
Snow Creek Crane Figure Ming Dynasty Lan Ying
This picture depicts the poetry of Lu You's "Stealing Leisure": I occasionally remember that Xuexi went with a crane, but bought a lotus from the clouds. In the picture, the winter mountains are lonely, the cold stream is like a mirror, a coat of plum blossoms returns, and the crane he raises stands on the bow of the boat. The whole artistic conception is open, the pen and ink are integrated, and the snow tree dyeing powder is the most powerful.
Yunyuan Tibetan fishing map Ming Dynasty Lan Ying
The painting depicts peaks, mountain springs, pavilions, pines, peach blossoms, and boat people. In the upper part of the painting, a section of strangely steep and towering mountain peaks is spectacular, and in the danger of being overwhelmed by danger, it also has a sublime sense of "going to the sky and not getting enough", showing the author's strong ability to create a landscape. The expression techniques of leaves are extremely rich, including the method of clipping leaves with lines on both sides, the point leaf method of directly lying in ink, and the combination of pine needles and light colors.
Zhi Xu Qing Yan Tu Ming Dynasty Lan Ying
The author of this picture is self-titled: Six Dynasties Doqi People, Sending Hidden Mysteries and Interpretations. Branch Xu (Lu) Taoist, affection is suitable, under the ancient rock of Changsong, talking about the whole day, Dazhi throwing water, good names and joint search. Outside of the world, I know myself. Wuyun Zen master Dao ancient practice clean, has nothing to do with the world, likes landscapes and rivers likes literature and ink, and reaches the old god More than that. (Wang) Yu and Fang diplomated, so they made a plan to support Xu Qing's speech, and begged for instructions. Butterfly Blue Ying Is Not In July.
Chushan Qiuji Figure Ming Dynasty Lan Ying
This picture uses the Rice Fu Painting Cloud Mountain Method to paint the mountain scenery after the autumn rains. The distant mountains do "falling eggplant points", the trees are rootless trees, and the smoke clouds are shrouded, which is a good performance of the beautiful scenery in the mountains after the autumn rains in the south.
Silkworm Bush Flying Snow Figure Ming Dynasty Lan Ying
Silkworm Bush is the legendary ancestor of the ancient Shu kingdom, and this painting depicts the scene when it snowed in the ancient Shu region.
Xishan Xueji Figure Ming Dynasty Lan Ying
The picture depicts the scenery after the snow on xishan mountain, the distant peaks are towering, the trees on the mountains are sparsely wooded; the branches of the trees in the mountains are covered with thin snow, and the ice ridges hanging on the thin branches are crystal clear; the pines at the foot of the mountain have melted, and there is still a little snow on the autumn leaves.
Yunyuan Gao Yitu Ming Dynasty Lan Ying
This picture depicts the foothills of the mountains, the hills and hills, the mountain springs; the streams are clear and clear, circling through them; the clusters of flowers and grasses, competing to spit out the beauty; the peach and plum are bright, and the branches are graceful, like a wonderful song playing in late spring. Deep in the forest, beside the bank of the stream, a white-shirted coat was waiting for guests in the hut. On the wooden bridge outside the pavilion, there was a red-robed coated coat, walking towards the hut. This painting is vigorous and vigorous, the weather is high, and it is a fine work of Tian Shu's landscape.
Autumn Mountain Fishing Hidden Figure Ming Dynasty Lan Ying
In the picture, the distant peaks are towering, the farmhouses at the foot of the mountains are neatly arranged, and the fence is surrounded by trees; two shack boats are moored on the nearby river, and the two people at the stern are sitting and talking; the ancient trees on the shore are dark and straight, and the leaves are withered in the late autumn. Throughout the painting, the landscape people's homes, ancient wooden boats, are all poetic and picturesque.
Snow scene ming dynasty Lan Ying
The picture depicts the scenery after the snow, the pine poles are rough, the trails wind up, several huts loom in the valley, and the snow and mist in the roof mountain, presenting a clear world after the snow.
Qiuting Poetry Diagram Ming Dynasty Lan Ying
The picture depicts the towering Autumn Mountain, the hanging waterfall, the giant tree towering in the sky, and the High Priest listening to the spring chanting poems in the pavilion across the water and grass. Shanshi's painting method was born out of Wang Meng and tended to be simple.
Songluo Late Cui Tu Ming Dynasty Lan Ying
In the picture, the peaks are cascading, and there are temples in the middle of the picture located in the dense pine forest, half hidden and half exposed. The spring water flows along the meandering mountain stream, connecting with the river at the foot of the mountain, and the nearby river is lined with trees, and an old man in the forest moves forward, followed by a piano boy. The layout of the picture adopts the "high and far-reaching" method, which is imposing.
Jiang Gao Fei Xue Tu Ming Dynasty Lan Ying
The picture shows snow on the riverside. In the distance, the mountains are empty, the river surface is wide and calm, and the pines on the banks of the river are thick and green; a hut is built at Jianggao, and a person sits alone in it, looking peaceful and peaceful, focusing on the scenery of the wind and snow outside.
Xi Ge Qing Yan Tu Ming Dynasty Lan Ying
The picture depicts the quiet and leisurely mountain life of the literati, the distant peaks are towering, the cliffs are steep, the pine trees at the foot of the mountain are thick and strong, a row of houses is hidden between the lofty mountains, several literati sit in the house to read papers, the pine is leisurely, and there are waterfalls flowing out of the building.
Akiyama Hermitage Ming Dynasty Lan Ying
This volume outlines the mountain stone trees with a frustrated pen, and combines the mountain stones into clear and sharp small shapes to accumulate into a continuous mountain, as if sorting solitaire, making the shape of the landscape simple and clear. This rare elegant brush and ink makes this work a masterpiece of Lan Ying's ink paintings.
Xishan Autumn Color Map Ming Dynasty Lan Ying
The picture shows a large area of water from the right, the distant mountains are misty, the clouds are steaming, the central mountains are protruding, and the streams are meandering through the mountains.
Source: Yezaki Culture
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