Tang Guoming replied to the reader's question about Cao Xueqin's writing after reproducing "Dream of the Red Chamber" 80 times
(Reminder: The content of this article begins under the 5th picture below)
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Tang Guoming, who advocated wearing thoughts on his body and became a writer, said: Especially for LiLu and other deaths, it is better to leave a name for the ages.
Tang Guoming's philosophical sayings: 1 is the halfway of 2, and 2 is the next moment of 1.
In June 2019, Tang Guoming published a collection of goose feather poems that pioneered halfway literature. As Tang Guoming expressed in the poem "Mr. Halfway"——
Not in the past, not in the present, not in the future, only on the way
Not elsewhere, not far away, only on the road
Not in the hometown, not in other places, at the moment only halfway above
May it be a mountain, may it be flowing water, may it be the appearance of a clear wind and a bright moon
I don't want to be poor, I don't want to be luxurious, I just want to think of danger and strive to be strong
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The "archaeological restoration" basis and data of "Archaeological Restoration" of Cao Wen after the Eighty Times of the Dream of the Red Chamber: The 81st to the 100th Time are derived from the 40 times after Cheng Gaoben's "Dream of the Red Chamber".
Reproducing Cao Xueqin's writing is to eliminate the part that Cheng Gaoben wrote 40 times after "Dream of the Red Chamber", leaving 20 times of Cao Xueqin's original text.
Tang Guoming said: There is no point in continuing to write "Dream of the Red Chamber" for ten thousand years
When Tang Guoming introduced his book "Zero Township", he said so:
"Zero Township" is a text that shows the spirit of constantly advancing and riding the wind and waves on the road of reality of no return.
The half-way doctrine expressed in "Zero Township" is both a philosophical idea and a literary concept.
"Zero Township" wrote ten million reasons why Tang Guoming could not become a writer, but became a writer. It also wrote how Tang Guoming went from looking up at the starry sky to becoming a starry sky to be looked up to.
"Zero Township" is a book that you can read without burden, and after reading it, the afterglow will continue to go around liang for thousands of years. You can read a few minutes or ten minutes or an hour at any time, you can pick or jump and read a few verses at will, you can put it down at any time, you can finish what you should be busy with, and you can read a book for a few minutes or ten minutes; you can enter my life from any entrance, but feel that there is never an end, always continuing, always looping; that is, you can start from any section of the book and read in a loop.
"Zero Township" is more like a non-fiction, cross-genre, autobiographical, encyclopedia variety of ways to talk to you face to face; with the posture of "in order to let you know myself, I am speaking to you so repeatedly", I write a person with "goose feather style bones, fresh wind and bright moon flesh, idle clouds and flowing water, long wind and affection", in the passage of time, under the soil of various symphonies and interweaving, sometimes there is a sense of homelessness, sometimes there is a sigh of "useless king" process - through the description of this state, Reflecting the kind of far away from the hometown without a sense of home, turning back to the hometown but finding that the hometown is no longer the scene of the hometown, in the wandering like a dream, nowhere to pursue, on the one hand, I lost and disappeared in the process of the times with a memory of the restoration of the rural homeland, on the one hand in the existing text monuments of their own spiritual homeland traceability, on the other hand in the spiritual wandering to find their own soul belongs to the homeland of the mental process, and I wandered in this process, wandering, wandering, searching for roots, memories, Speaking of the reality of "zero township" as a sense of rootlessness, uncertainty, and dependence, and a sense of strangeness to the rapid change of the world, he asked the world whether we were in the dream for the sake of our dreams. Or is it empty because of confusion? In the face of this unanswered problem, we can only continue to wander in the homeless, and we have to continue to drift again. So that every self with the same experience will forever become a "zero township" history that has been transformed into a "zero township", and the famous saying of "half-way philosopher" has been achieved -- we are neither in the past, nor in the present, nor in the future, we are only on the way, we have become us on the way, we have become "zero township" we. At the same time, this book also reveals how I reproduced cao Xueqin's hundred times of "Dream of the Red Chamber" in an archaeological way, wrote goose feather poems, and demonstrated how goldbach conjecture and 3x+1 conjecture became halfway philosophers. More importantly, I wrote how I went from the top of One Kan Niu Mountain to the foot of Yuelu Mountain, how I interacted with hundreds of girls, and how I achieved dreams that people thought were impossible to achieve. What kind of spirit is supporting me? If you want to know more, please read my 800,000-word book "Zero Township".
If the 21st century is the century of popular half-way philosophy proposed by Tang Guoming, then "Zero Township" is destined to be the most understandable good book and masterpiece of half-way philosophy proposed by Tang Guoming, a half-way poet, a half-way philosopher, a dream of the Red Chamber, and a man in the bright moon and a breeze, using novels, encyclopedias, and autobiographies to convey the half-way philosophy that Tang Guoming put forward and understood.
We came into the world to become talents, not to become slaves. We have no far away, nowhere else; there is no past, no present, no future, only one way for us to ride the wind and waves for our dreams, there is no way to escape, only "zero township".
Tang Guoming wrote the poem "Reading Xiang Yu", saying: "It is better to learn Xiang Yu to be himself than to learn from the ancients to become an imperial slave; but there are disputes in the world, and only Yu Ji is a husband."
Tang Guoming said: 1 is the halfway point of 2, 2 is the next moment of 1, and all things are always on the way. Not in the past, not in the present, not in the future, only on the way; not elsewhere, not far away, only on the road. On the way, we have nothing but the present moment.
Tang Guoming said: We are neither in the past nor in the present, nor in the future, we are just on the way; our lives are not elsewhere, we are just living on the way; students ask death, hearsay, gossip; for vegetable rice oil and salt sauce vinegar tea or money and power fame and fortune poetry and hops, running non-stop, working non-stop; under the premise that n is an integer, either eternally exist in the infinitely infinite flowing space-time process divided by 1 divided by "n power of 2" and rotate in circles on the ground, dissolving and exhausting themselves; or being in the "nth power of 2" In the space-time journey of the supreme being who can travel freely, he will be infinitely eternal.
Tang Guoming said: I have the feeling of long wind and the style of goose feathers; I have the style of goose feathers, the flesh of the clear wind and bright moon, the blood of idle clouds and flowing water, and the feelings of long wind.
Tang Guoming said: When I say "long wind feelings", I mean ambitions that have been passed down through the ages; when I say "goose feather style", I mean insistence on a thing that benefits the world without remembering the gains and losses of utilitarian gains and losses.
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Tang Guoming's theorem:
1. The birth of cosmic galaxies should be generated in the form of a band and a band similar to the "3x +1" conjecture "strange change" and "even change", which is continuously arranged with the change size of n data. Like these formally prescribed numbers, some fall into traps forever and cannot extricate ourselves, and some are transcended but disappear.
2. "Any even number divided by 2" plus or minus the same positive integer can give two prime numbers equal to this even number; and the two asymmetric prime numbers are distributed in the intervals on both sides of the "even number divided by 2" and are equal to the difference between the numbers.
3, 1 is the halfway of 2 - everything is always in the middle of the way, everything is always on the way, when you reach "1 +n", you are in the "2 + 2n" halfway. That is, when you reach 1, you are on the halfway point of 2, when you reach 2, you are halfway through 4 or when you reach 1, you want to reach 2; when you reach 2, you want to reach 4, facing the infinity of the future, you are neither in the past nor in the present, nor in the future, just on the way; your life is not elsewhere, you are just living on the way; you are always on another unknown halfway, you are forever placed in an unknown "zero country".
Works by Tang Guoming, a philosopher of the halfway road, a poet of goose feathers, Mr. Red Chamber, a poet of free ancient style, and a man of the clear wind and bright moon
1. Although I Tang Guoming was born into poverty, I can still restore and reproduce Cao Xueqin's writing, for this reason
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Someone asked me Tang Guoming, you were not born in a rich family, how do you reproduce the archaeology of "Dream of the Red Chamber" Cao Xueqin's writing, are you sure that you are Cao Xueqin? In the academic community, Cao Xueqin's birth of a rich family is only speculation, there is no ironclad evidence, until now, as for who is Cao Xueqin? It's a mystery that no one can find. It is not necessary to say that he must be from a wealthy family; it is not necessarily scientific to say that he wrote "Dream of the Red Chamber" is completely autobiographical. Because Wu Cheng'en could still write "Journey to the West" without going to the Western Heavens to learn the scriptures, Luo Guanzhong did not participate in the Three Kingdoms War and could also write the "Romance of the Three Kingdoms". Shi Nai'an, who wrote "Water Margin", must not have been a good man in Liangshan, and Shakespeare who wrote "Hamlet" did not have a life experience like Hamlet? Shakespeare was not from the bottom of the nobility, and his language was aristocratic to the contemporary West who can match it. The depth of literary genius and knowledge has little absolute connection with origin.
2. Realize a complete dream of the Red Chamber for yourself and the people of the world
Since the birth of "Dream of the Red Chamber", many readers have regretted the mutilation of its text for life. The summer I came into contact with it, when I read the last 40 times of the 120-return high-end "Dream of the Red Chamber", I firmly believed that Cao Wen after the 80th time of "Dream of the Red Chamber" was buried in the last 40 times. I am determined that in addition to striving to become a writer, another task is to read "Dream of the Red Chamber", excavate the Cao Wen in the 40th time of Cheng Gaoben's "Dream of the Red Chamber" in an archaeological way, and then restore it in an archaeological way, so that there will be a "Dream of the Red Chamber" for me to read in this life and no longer mutilated.
To fulfill this wish, you must first become a writer yourself, and you must have a Cao Xueqin-style literary bloodline to complete this arduous task. By 2009, I was 36 years old, 22 years after I first read Dream of the Red Chamber, which means that I continued to write and read for 22 years, and finally wrote my own work "Goose Feather Poem". Finally, he felt like a writer and began to officially publish his works in literary journals above the provincial level. By 2010, I began to take the first brave step and began to reproduce cao wen found 40 times after Cheng Gaoben's "Dream of the Red Chamber" in an archaeological way. When I did this, I did not consider making it an independent appearance, nor did I ever consider letting it enter the ranks of red studies, but I just thought of inserting it into the long novel "Zero Township", which I have been adding, deleting and modifying for many years, and reproducing cao Xueqin's "all hundred times" in the fat batch of Gengchen Ben's "Stone Record" in the form of an archaeologically restored "craftsman" for my own enjoyment.
After making it, Wan did not expect that under the encouragement of some friends, the article was submitted out, but it was published by newspapers and periodicals at home and abroad. In particular, after the American edition of the International Daily was serialized, it was serialized by the Peruvian edition of the International Daily. While constantly being paid attention to by the society, until the book was published in 2016, it was included in the red study bibliography from 2014 to 2016 by the Journal of Dream of the Red Chamber in 2017. Although the book has not been officially listed, it undoubtedly provides a basis for publishing houses or publishing companies with greater operational capacity to disseminate the book in the future.
When a reader read my "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time" and wrote the poem "Mr. Was originally Xueqin", "Cao Gong was reborn in Shaoyang", when I stood on this podium today, because I was rewarded for reading a hundred times of "Dream of the Red Chamber" that no longer mutilated and reproduced Cao Xueqin's writing, I felt that as long as people persevered for their dreams, on the day of their dreams, while realizing their reading dreams, It also helps people all over the world realize the dream of reading.
3. Reader experts made such comments on The writing of Cao Xueqin, the dream of the Red Chamber reproduced by Tang Guoming
Zhang Shiding, a red scholar in Qingdao, Shandong Province, who wrote "The Dream of the Red Chamber in the Right Sequence", sighed: "... Archaeology in the book is like sand in the waves; picking the truth, such as Xueqin and Yuqing reincarnated. Those who do not carefully study the Dream of the Red Chamber cannot do it, and those who do not have the power of the dragon and elephant cannot reach it. Seeing the restoration of Cao Wen in the Red Chamber today, full of paper and incense, meaningful, seamless, and dexterous..."
Wei Jianguo, editor-in-chief, said: "The talent that flew up in his works made people rejoice for several days in a row." "Especially in the text of Cao Gongfeng bone and temperament. It can be said that Tang Guoming understood "Dream of the Red Chamber" and understood the bone marrow. ”
The painter Fang Cai Said: The vein is connected, and it is natural and natural.
After reading my book, a reader with the online name "Tomorrow" wrote: This book is a good reference to the research results of previous scholars in restoring the fate of Cao Xueqin's original characters; in terms of text, the original work is mainly deleted and adjusted, and there are fewer texts that are completely created separately. Overall, this book is well worth reading.
After reading my work, a reader with the online name "Wild Years" said my work in an online article: loyal to Cheng Gaoben, higher than Cheng Gaoben, reasonable plot, and very appropriate language.
Liu Yeqing wrote a poem: "Forty times to find the true text, to understand the dream of the red chamber." The layman is a fool, and the gentleman turned out to be Xueqin. "Ten years of hard work is unusual, and then the absurdity is played into a great wilderness, the words are pasted with Cao Gongyi, and the stubborn stones make up for the heavens and the fuhua chapter." "Ten years of hard work is unusual, and then the absurdity is played into a great wilderness, and whoever makes up for the dream of a hundred years, Cao Gong will be born shaoyang again."
Mr. Yao Duojun of the State Administration of Radio, Film and Television of China wrote a poem: "Shi broke the sky to shock Tang Guoming, unlocked the red chamber to make meritorious achievements; snow celery grease Yan character blood, three hundred years later there will be Zhiyin." ”
On May 23, 2020, Chen Baojin uploaded the "Anhui Demonstration High School Peiyou League 2019-2020 School Year High School Spring League Language Test Paper and Answers" in Baidu's library, the 21st question, please compress the following two news in one sentence... Material 1 "Tang Guoming's Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber Published": In 2016, the advent and publication of Tang Guoming's "< the Dream of the Red Chamber> The 81st to 100th Time after the Advent of the Chinese Dream brought surprises to the world, filled in the regret of the defects of "Dream of the Red Chamber", and made us read the real original appearance of Cao Xueqin's "Dream of the Red Chamber". Therefore, it is safe to say: because of the discovery of Cao Xueqin's writing after the eighty times of "Dream of the Red Chamber", "Dream of the Red Chamber" is no longer mutilated, and "Dream of the Red Chamber" has since stood in front of world culture as it was.
On July 27, 2020, an online reporter named "Kang Kang Reorganized Dream of the Red Chamber" replied after the article "Don't Accept the Fact that Writer Tang Guoming Restored the Archaeological Restoration of Cao Xueqin's Writings": ... It is the original appearance of the Dream of the Red Chamber, and the first eighty times it is strictly sewn...
4. Tang Guoming's dream of the Red Chamber of Cao Xueqin, which reappeared 40 times after Cheng Gaoben, and the ending of Bao Daichao's three people
In Tang Guoming's "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to the 100th Time", the ending of Jia Baoyu, Xue Baochao, and Lin Daiyu is:
Jia Baoyu - Epiphany everything is too illusory, a dream away from home and return to the wilderness;
Lin Daiyu - tears of the world's life like grass, poetry flying to become immortals;
Xue Baochao ----------------------------------------------------------------------
For the true ending of Jia Baoyu, Xue Baochao, and Lin Daiyu, there are words in the fifth episode of "Dream of the Red Chamber——...... Turning back, Xiao Gui took the original manuscript of "Dream of the Red Chamber" and handed it to Baoyu. When Baoyu received it, he looked at his text with one face and listened to his song with his ear:
The first dream of the Red Chamber primer
...... Therefore, on the performance of this "Dream of the Red Chamber" with gold and mourning jade.
The second is a lifelong error
The capital is a golden and jade marriage, and I only read the former alliance of wood and stone. In the air, the mountains are crystal clear snow; never forget, the lonely forest of the immortals in the world. Sigh in the world, the beauty is not enough to believe in the present. Even if it is a case of qi eyebrows, it is difficult to calm down in the end.
These words have already made it clear that in addition to the main theme of the author's "Dream of the Red Chamber" except "Huaijin Mourning Jade", it is not to say that Jia Baoyu and Xue Baochao are together, but that Jia Baoyu is not married to Lin Daiyu after he left Baochao and left, and sighs about the absurdity of life, and there is also the idea of "Huaijin Mourning Jade", not that some people understand that he finally submitted to the family and Xue Baochao and missed Lin Daiyu, which is not only not in line with Jia Baoyu's character, but also in line with Jia Baoyu's personality.
In addition, the Qing Dynasty Fu Cha Mingyi's "Green Smoke Lock Window Collection" has twenty poems in the "Dream of the Red Chamber", which is one of the earliest documents on the "Dream of the Red Chamber", and its writing date is no later than the twenty-seventh year of Qianlong, with a small note: Cao Zi Xueqin wrote a "Dream of the Red Chamber", which is a record of the prosperity of the wind and moon, and covers its ancestors as jiangning weaving house. ...... Unfortunately, his book has not been passed down, and the world knows little about it. Yu saw the original banknote.
Among his 20 poems are three poems about the contents of "Dream of the Red Chamber" after eighty times:
Its eighteenth: Sadness A funeral word, as if it were true and self-unknown. Andre returned to the soul incense a wisp, from the Qing shen to continue the red silk?
Nineteenth: Mo asked about the golden marriage and the jade edge, gathering like a spring dream scattered like smoke. (Among them, "golden marriage" refers to Jia Baoyu and Xue Baochao; "Jade Edge" refers to Jia Baoyu and Lin Daiyu.) There was no aura under the stone return to the mountain, even if he could speak in vain.
Its twenty: The jade cooking gold is not a few springs, and Wang Sun is thin and boneless. Where did Qing'e red pink return, ashamed of Shi Jilun at that time.
It naturally fits the content of Tang Guoming's archaeological restoration from Cao Xueqin's writings found 40 times after Cheng Gaoben's "Dream of the Red Chamber".
5. "Dream of the Red Chamber" Cao Xueqin completed it before adding or deleting the manuscript, but did not complete the addition and deletion
If you want to find out whether Cao Xueqin has completed "Dream of the Red Chamber", as long as you can see from the text of Cao Xueqin's "Dream of the Red Chamber", Cao Xueqin has completed "Dream of the Red Chamber". Regardless of his words of "reading for ten years, adding or deleting five times", from the sentences, poems, fuwen, and eulogies in the text of "Dream of the Red Chamber", these Cao Xueqin could not have written out at the time of the first draft. According to the law of creation, Cao Xueqin filled in it after completing all the first drafts of "Dream of the Red Chamber" and adding or deleting them.
Without citing other evidence, only the sentence in front of "Dream of the Red Chamber", as well as the poems in which their sisters started to gather, especially Lin Daiyu's "peach blossom words", when writing the first draft, it is absolutely impossible to write so well, and it is absolutely impossible to completely make up the poem when writing the first draft, and the fifty-third Gengchen Eyebrow Criticism has: "Since KeQing's death, I have not seen Jia Rong remarry, and this time there is the phrase 'Rong's wife avoidance', which is an omission in the book." The seventy-fifth Gengchen Benhui front batch has: "Lack of Mid-Autumn Poetry Qi Xueqin." "Therefore, "Dream of the Red Chamber" is absolutely completed, and what is not completed is only that when it is revised and deleted, there may be some poems and omissions that have not been filled; like the "Furong Recitation" written by Baoyu in the seventy-eighth time, this article alone can only be completed after the completion of the first draft, and it is impossible to write well when the first draft is written. I deeply experienced this when I wrote "Zero Township".
6. There is no point in continuing to write the Dream of the Red Chamber for 10,000 years
Tang Guoming, who restored and reproduced Cao Xueqin's writing, stressed that there is no point in continuing to write the Dream of the Red Chamber for 10,000 years. Continued writing, all of which are written by oneself, can be called continuation. Am I a redologist? Is it "Cao Xueqin in literature"? This is for future generations to say. But I'm sure I'm a goose-feathered poet, a writer who lives in seclusion by the lake. I once reproduced the Cao Xueqin pen found in the 40th return of the 120-way high-end "Dream of the Red Chamber" with the thinking of a writer, thus archaeologically restoring the Cao Gongwen pen after the 80th time of "Dream of the Red Chamber". If nothing else, in the matter of being close to Cao Gong's writing, I am very confident to say that this is no ancient person before, and it can also be said that there is no one after him. The Cao Xueqin text I reproduced surpassed all the continuations of the "Dream of the Red Chamber" after my previous Cheng Gaoben's "Dream of the Red Chamber" forty times, including Gao Yan's renovation; the latter can be said to have done useless work after I archaeologically restored the "Dream of the Red Chamber" eighty times, if anyone continues to write it, it can be said that there is no longer any meaning, even if it is done, it is equivalent to doing useless work.
7. In the first paragraph of the 81st paragraph of the original text of Cheng Gaoben, the display of the process of reproducing Cao Wen in an archaeological restoration:
(1) In the first paragraph of the 81st chapter of the original text of Cheng Gaoben, the Process of Cao Wen is reproduced by archaeological restoration
Note: The words in the "<>" below are deleted, the words and sentences in "()" are reduced, the words and sentences added in "[]" are reductive, and the rest are Cao Xueqin's original writing.
Moreover, after Yingchun returned, Lady Xing did not seem to have this matter, but Lady Wang raised one, but < was very sad, and sighed herself in the room. > (sighing in the room. < only > saw Baoyu coming, and < saw Madame Wang> and there seemed to be tear marks on her face, and she did not dare to sit down, but only stood next to her. Lady Wang told him to sit down, and Bao Yu took the kang and sat down next to Lady Wang. Madame Wang saw him staring blankly, as if she wanted to say nothing, so she said, "Why are you so stupid?" Bao Yu said, "< is not why, but when I heard > Second Sister's situation yesterday, I really can't stand it for him <." Although I didn't dare to tell the old lady, I just couldn't sleep these two nights. I think that girls like us have suffered such grievances there. Moreover, the second sister is the most cowardly person, she has never mixed with people, but when she encounters such a heartless thing, she does not know the suffering of women at all. He said, almost in tears. Madame Wang said, "This is also something that cannot be done." As the saying goes, 'The girl who marries out spills water', tells me what to do. Bao Yu said, "I had an idea last night: > we simply returned to the old lady, took the second sister back, and asked him to live in Zi Lingzhou, still our sisters and brothers ate together, and they were stubborn together, saving the Sun family < the bastards >." When he comes to pick him up, we won't tell him to go [back]. He took it a hundred times, and we kept it a hundred times, saying only that it was the old lady's idea. Wouldn't it be bad < < >>! Madame Wang listened, laughed and annoyed, and said, "You are dazed again, and what is <> (nonsense)!" Da Fan became a girl, and he was going to go out for a long time to < >, marry into someone's home, < his mother's family, and he had to look at his own fate. Don't you hear people say, 'Marry a chicken with a chicken, marry a dog with a dog,' and everyone there is like your big sister as a bridesmaid. Moreover, your second sister is a new daughter-in-law, and your grandmother is still a young person, each of them has their own temper, and when they first arrive, they naturally have to twist something else. In a few years, everyone will touch their tempers, and after giving birth to children and daughters, it will be fine. > you are not allowed to say half a word in front of the old lady, I know that it is not up to you." < go you, don't mess around here. > (Go back to the garden to read your book, don't waste your work here for your second sister," and asked you about the book again. Speaking of Baoyu< he also > did not dare to make a sound, sat down once, and came out listlessly< >. Holding a stomach full of sullen breath, there was nowhere to vent, walked to the garden, [Poop] all the way to Xiaoxiang Hall.
(2) The text of Cao Wen reproduced from the first paragraph of the 81st original text of Cheng Gaoben:
Moreover, after Yingchun returned, Lady Xing did not seem to have this matter, but Lady Wang raised one, and was sighing in the room, when she saw Baoyu coming, her face seemed to have tear marks, and she did not dare to sit, but only stood next to her. When Madame Wang told him to sit down, Bao Yu took the kang and sat down next to Madame Wang. Madame Wang saw him staring blankly, as if she wanted to say nothing, so she said, "Why are you so stupid?" Bao Yu said, "In the situation of the second sister, we simply returned to the old lady Ming, took the second sister back, and told him to live in Zilingzhou, and still our sisters and brothers ate together, and they were stubborn together, so as to save themselves from the anger of the Sun family." When he comes to pick him up, we won't tell him to go back. He took it a hundred times, and we kept it a hundred times, saying only that it was the old lady's idea. Wouldn't that be nice! Madame Wang listened, amused and annoyed, and said: "You are dazed again, mixing nonsense, Da Fan has become a girl, and he will go out to marry someone for a long time, and you are not allowed to say half a word in front of the old lady, I know that it is not up to you." Go back to the garden to read your book, don't waste any more time here for your second sister's business, carefully ask you about the book again. Frightened, Baoyu did not dare to make a sound again, sat down again, and came out listlessly. Holding his stomach and sullen, with nowhere to vent, he walked to the garden and went all the way to Xiaoxiang Hall.
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About the Author:
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Tang Guoming's calligraphy: goose feather thesis
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Tang Guoming followed his principle of "knowing your reason and force, looking at his reason and force, combining the reason and force of all families, knowing and doing, and getting my reason and force", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, he came up with the famous saying of "halfway philosophy":
1, 1 is the halfway of 2, all things are always in the middle of the way, all things are always on the way.
2, halfway is a kind of drifting never to the end of the homeless state of zero.
3) We are neither in the past nor in the present, nor in the future, we are just on the way.
4, there is no far away, the far you reach, but it is a far away halfway above.
5. Write about the gains and losses of heaven and earth, and strengthen the mental strength of the world. I'm rewritten by everything, I'm rewriting everything.
6, force to determine the clean, rational world. All things are increasing and decreasing, not being born and dying. The universe began in an increasingly and decreasing parity in which the sun never extinguished.
7) The culture of mankind father and mother is literature and mathematics.
8, on the way, we have nothing but to have this moment.
9, people only put themselves in the middle of the way, there are many possibilities to achieve their own.
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Tang Guoming said: There is no point in continuing to write "Dream of the Red Chamber" for ten thousand years
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Tang Guoming's Cao Xueqin's writing pen found in the 40th time after Cheng Gaoben in "Dream of the Red Chamber" is like looking for a corpse after being divided, organizing the bits and pieces of Cao Wen's flesh and bones found, and then reproducing Cao Xueqin's writing twenty times after the eighty times of "Dream of the Red Chamber" in an archaeological restoration way.
It naturally fits the hundred times of "Dream of the Red Chamber" mentioned many times in the fat batch, called "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: 81 to 100 Times".
On the basis of the 67th Cao Wen of "Dream of the Red Chamber" that is still reproduced in an archaeological restoration, it is proofread again with the first 79 times...
In addition, the first eighty times and the other times are the first eighty times of "Dream of the Red Chamber" published by the People's Literature Publishing House in May 2000, which was proofread by Mr. Yu Pingbo.
Zhengzhou, Henan, September 2004, Haiyan Publishing House, 1st Edition, Mr. Zhou Ruchang used all the fat batches to collect the school's eighty times "Dream of the Red Chamber"
In April 2003, the 1st edition of the Writers Publishing House, Mr. Zheng Qingshan, revised the "Stone Record of the Fat Book Hui School" for eighty times as the main school,
After the mutual proofreading of the 3rd edition of the People's Literature Publishing House "Dream of the Red Chamber" in 2008,
Plus the twenty times after the eighty times of the eighty times I went to the pseudo-authentic archaeological restoration on the basis of the last forty times of Cheng Gaoben, "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time",
And synthesizing this before and after the language style unity, the context is connected, returning to Cao Xueqin's original original pen of the hundred times version -
"Tang Guoming Archaeological Restoration of Cao Xueqin Hundred Returns to the Dream of the Red Chamber".
Who is Tang Guoming?
A person in the bright moon breeze who "cannot move, fire cannot fall, wind and rain do not collapse, and step on the mountain to get on the road";
A literati who "bleeds without losing the feelings of the long wind, the fire does not damage the style of the goose feathers, the gains and losses of the heavens and the earth, the strength of the heart of the world, the bones of the goose feathers, the flesh of the clear wind and the bright moon, the blood of the idle clouds, and the long wind and the heart";
A human intellectual with the spiritual sentiment of "benefiting the world and benefiting all generations" and "advancing with the times to think of dangers and strive for danger, seeking truth from facts and seeking peace and the world";
A half-way philosopher, half-way philosopher, and half-wayist youth who put forward the "half-way philosophy", a literary devotee, an ideological pioneer, a soul resonant;
A Mr. Red Chamber who "knows your reason and strength, sees his reason and force, unites the reason and force of all families, knows and acts, and obtains my reason and strength".
A goose feather poet who shouted "Li Ding Qiankun, Li An Tianxia" and "I am the useless king that has been passed down through the ages".
A free archaic poet who advocated removing the shackles of the framework and writing ancient poems as "naturally catchy, naturally sound; water to flow, clear water out of dust".
The half-way humanistic spirit embodied in Tang Guoming's body, as tang Guoming's famous poem "The Reader" said——
Thunder does not fall, fire does not move, wind and rain do not collapse, like a long moon breeze / eclipse at any time, up and down, writing as you like, like idle clouds and flowing water
To the raging tide, turn a blind eye and listen to it, bleed without losing the feelings of the long wind / Live at the foot of the peaceful mountain, the poor are carefree and rich, and the fire does not damage the goose feather style
Advancing with the times to recognize the truth of the world, thinking of danger and striving to be strong / Seeking truth from facts to transform the actual destiny, cultivating morality and the world
Reading thousands of books, investigating the time of heaven and man, through the changes of ancient and modern times / walking thousands of miles, the principle of poor heaven and earth, and becoming a family
Tang Guoming, male, Han ethnicity, currently living in Changsha, half-way philosopher, goose feather poet, Mr. Red Chamber, Mingyue Qingfeng, member of Hunan Writers Association.
Since his publication, he has published several articles in literature, red studies, and mathematics in Zhong Shan, Poetry Journal, and other books and periodicals at home and abroad.
Since 2013, its inkblot "Goose Feather Post" can be exchanged for 3,000 yuan.
In 2016, he published the famous work "Archaeological Restoration of Cao Wen after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time", which was included in the Red Chamber Of Red Chamber In 2017 and included it in the Red Chamber Journal's 2014-2016 Red Studies Bibliography.
In 2018, his autobiographical work "Such an Argument for Goldbach Conjecture 1+1 and 3x+1" won awards at the Shanghai Writers Association and East China Normal University.
In 2019, he published the half-way literary poetry collection "Goose Feather Poems" by Internet celebrities so far.
Since 2013, his dream-chasing deeds of pioneering archaeological restoration of Cao Wenhongxue, pioneering goose feather poetry, and demonstrating Goldbach conjectures 1+1 and 3x+1 conjectures to obtain "halfway philosophy" have been successively adopted by Hunan Satellite TV, Zhejiang Satellite TV, Beijing Satellite TV, Guizhou Satellite TV, Liaoning Satellite TV, Hubei Satellite TV, Anhui Satellite TV and other TV stations through tv programs such as "China Dream Show", "Wonderful Chinese Characters", "Favorite is China", "If You Have Something to Say"... It has been fully displayed and reported, and has been reported by countless newspapers and network media in the United States and at home and abroad so far.
In 2017, he demonstrated the world mathematical problem "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, and discovered the universal law formula from "3x+1", and came up with the "halfway" philosophy by arguing "1+1" and "3x+1": you are always on another unknown halfway, you are always placed in an unknown "zero township"...
In April 2018, he completed the "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber".
In April 2019, the bimonthly magazine Taihu of Wuxi City, Jiangsu Province, published Tang Guoming's half-way literary exploration of "goose feather novel" pioneering work "Soldiers Sticking to the Fortress of the Great Wall".
What is Tang Guoming's "goose feather novel", as the writer Tang Guoming himself said-
The goose feather novel is to absorb the poetic and unbroken creative technique, just like the goose feathers are separated from the swan, flying around in the wind, and the goose feathers are still the goose feathers on the swan.
In June 2020, he completed the halfwayist literary exploration novel "Goose Feather Poetry Novel" "Zero Township".
On October 29 and October 30, 2020, Tang Guoming became a hot search on the Internet for two consecutive days because of the Weibo news topic #Man Snail 20 Years Want to Restore the Dream of the Red Mansions# for two consecutive days, and then swept across the country and other official and non-governmental mainstream media, making this topic the bearer of "billions of traffic" or "trillions of traffic". By November 4, 2020, Anhui Satellite TV, Xiaoxiang Morning News, Anhui TV Public Channel, Anhui High-speed Voice, Zhejiang Radio and Television Hangzhou Qianjiang TV, Sichuan TV News Channel, Harbin TV News Comprehensive Channel have broadcast this news.
On October 11, 2021, due to the news topic #Men's Snail Rental House 21 Years of Restoration of Dream of the Red Chamber #, the whole network was hotly searched.
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Summary of Tang Guoming's mathematical and "halfway philosophical theory" achievements in the process of arguing goldbach's conjecture "1+1" and the world mathematical problem "3x+1":
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1、“1+1”：
No matter how large a prime number is, except for primes 2 and 5, its single digits are always 1, 3, 7, 9; no matter how large and even, its single digits are always 0, 2, 4, 6, 8, and "any even number divided by 2" plus subtracts the same positive integer can give two prime numbers equal to this even number; and the two unequal prime numbers are distributed in the interval between the "even number divided by 2" and equal to the difference between the numbers. This theory holds in the known interval of even prime numbers, and in the face of endless unknowns we can only agree with this theory in the advance of the number of intervals and an interval number, so the Goldbach conjecture, that is, the general formula of "1+1" is:
t﹦[（t÷2）﹣q]＋[（t÷2）＋q]
(In the case of the even number t>2, q is the difference between two primes and "this even number divided by 2"; except for the prime numbers 2 and 5, the range of single digits of the prime number can only be looped in 1, 3, 7, and 9. ）
2, "3x + 1" and the law of universal flux, universal always on the way formula:
With an odd number of single digits that are 1, 3, 5, 7, 9, multiplied by 3 plus 1, it will be incremented to an even number whose single digits are 0, 2, 4, 6, 8, and we call this operation rule that increments from odd numbers to even numbers "odd change", and then use 2 consecutive integers to divide the even numbers into odd numbers, and we call this operation rule that decreases from even numbers to odd numbers "even"... Any positive integer greater than zero, through a continuous such "odd-even" operation, such as the infinity of infinite numbers is always in the "3x+1" conjecture through the "odd change" and "even" principle to reach 4, 2, 1 on the way...
The nth power of 2 is the final line of all "3x+1" conjectures " odd " and " even " coefficients " that reach the 4 , 2 , and 1 streams , and the starting line of the return to the infinite data universe from 4 , 2 , and 1. On this n-power line of 2, there are innumerable shunt points from the 4th, 2th, and 1st returns to the convergence point of the 4th, 2th, and 1th streams, but these points are on the number points of the 2-power combination of 4+6n. Therefore, following the "3x+1" conjecture "odd change" and "even change" rule through the convergence point of 2 n power combination 4 +6 n numbers, the return flow can be divided out of the odd number x combined with 1 + 2n or combined 2 + 3n number group, and following these number groups backflow, the backflow will reach the endless number flow of 4, 2, and 1 through "3x +1", "odd change" and "even change". It describes the endless odd even numbers that follow the "odd" and "even" running rules to finally reach the result of 4, 2, and 1. It is the universe that is inactive from disorder to order from beginning to end, and then from end to beginning, so that it exists in the universe and creates the best and most appropriate expression of the poetic generation and demise and extinction of all things in the universe, so the formula of this law of universal flux is:
...... 2x ↔ x ↔ 3x＋1 ↔ （3x＋1）÷2 ↔ ...... 2 to the nth power ↔ ... ↔ 4、2、1......
namely
...... 2+4n ↔ 1+2n ↔ 4+6n ↔ 2+3n...... ↔ 2的n次方 ↔ ...... ↔ 4、2、1......
- This is how everything in the universe is so poetically generated and died in the form of bands, dying and generating. This is the law of universal flux and the formula that all things always change on the way. According to the principle of "3x+1" conjecture "odd change" and "even change", the birth of everything in the universe should be a band and a band similar to the "3x +1" conjecture "strange change" and "even change" process, with the change size of n data and constantly arranged and generated.
The endless odd even numbers it describes follow the "odd change" and "even change" running rules and finally arrive at 4, 2, 1 The result is the best and most appropriate expression of the universe "everything is always on the way", and it is also the best expression of the world as an infinite whole, and it is also the best expression of the "3x +1" conjecture "odd change increasing" and "even change decreasing" principle in the future, and after entering the 4, 2, and 1 cycles of orderly operation in the form of big data, a kind of human dream "God", beyond the insight of every human being, and even includes all wisdom and omnipotence." The superego "will be born out of this world in the form of mathematical information. Moreover, the world's things are "even when" decreases back to "odd time", and returns to "odd time" will increase back to "even time", and world things are so following the "3x+1" conjecture "odd change increasing" and "even change decreasing" principle in the best description of all conservation and balance. At the same time, this formula also philosophically explains the cyclical and orderly operation of the world life system, just like the 4, 2, 1 forms of cyclical orderly operation, which are evolved from countless unknowns following the "3x+1" conjecture "odd change increasing" and "even decreasing" principles to meet us - that is to say, it is the best mathematical form of the solution that philosophers have been asking about "why the world has become so".
In any case, everything is always always on the way to 4, 2, and 1 through the "odd change" and "even change" principle, and everything in a certain moment and a certain historical period is only in its "strange change" and "even change" data flow, or in combination with 2 + 4n or 1 + 2 n or 4 + 6n or 2 + 3n or 2 + 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 in the 2 or 2 of the data separation point of other operating forms, always in an unknown halfway, always placed in an unknown "zero township"...
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3. "Halfway" philosophy (Tang Guoming follows his principle of "knowing your reason and force, looking at his reason and force, combining the reason and force of all families, knowing and doing, and getting my reason and force", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, the "halfway philosophy")
Under the premise that n is an integer, the n power divided by 2 is the smallest and the nth power of 2 is the greatest, Tang Guoming follows his principle of "knowing your reason, seeing his reason, conforming to the principle of all families, knowing and doing, and getting my reason", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, the "halfway philosophy" is obtained:
1 is halfway through 2 – everything is always in the middle of the way, everything is always on the way, and when you reach "1+n", you are in the halfway of "2+2n". That is, when you arrive at 1, you are halfway to 2, when you arrive at 2, you are in the middle of 4 or when you reach 1, you want to reach 2; when you arrive at 2, you want to reach 4... In the face of the endless future, you are neither in the past nor in the present, nor in the future, but on the way... Under the premise that n is an integer, you either live forever in the infinitely infinitely flowing space-time of the nth power divided by 1 and circle on the ground, dissolving yourself and exhausting yourself; or you are in the space-time of the nth power of 2, which is the most large and free space-time, and you will be infinitely eternal... You will always be in the middle of another unknown, and you will always be placed in an unknown "zero town".
We are neither in the past nor in the present, nor in the future, we are just on the way, we are all people on the way. Our lives are not elsewhere, we are just living on our way. We are all halfway products. There is no far away, the far you reach, but it is a far away halfway above.