The meaning of qi rhyme, the ancients have their own strengths, but Du Fu can indeed take care of these points. He often gathered these four points together in his mind, and by chance, a little feeling arose and responded, so that his poems alone could surpass those of ordinary poets. Posterity can not put these four kinds in their hearts, how can they learn to write?
I happened to read Du Fu's "Message of The Brother of Deshe", "The Wind Blows the Bauhinia Tree, the Color and the Spring Garden Twilight", and I felt that the love of this poem was profound, and there was nothing insufficient that accompanied the encounter, Qu Yuan and Cao Zhi, and this is how to express affection. The words "color and spring garden twilight" and "spring garden" can include many colors and lusters in it, and people who are not careful may not understand the reasoning.
Ancient and modern poets, the first to recommend Cao Zhi and the "Nineteen Ancient Poems" as the first, Tao Yuanming, Ruan Yuan, Bao Zhao and Zuo Si second, Jian'an Seven Sons and the Six Dynasties poets second, only Du Fu can take into account and synthesize the content and qi of the poem, Li Bai can take into account and synthesize the feelings and charm of the poem. It's just that there is intentional qi in the emotional rhyme, and there is also a sentimental rhyme in the mood, but it just depends on which side it focuses on. Among the poets after the Tang Dynasty, where were there more than Li Du and li du?
In Wang Anshi's poems, Huang Tingjian believes that the study is three Xie, namely Xie An, Xie Lingyun and Xie Yuan. Ouyang Xiu said that he studied Li Bai and Han Yu, but he liked to be in good spirits, and he was like Bai Juyi. Huang Tingjian said that he studied Du Fu. Su Shi learned from Liu Yuxi, learned from Bai Juyi, and in his later years called himself Tao Yuanming. What these poets learned, they should also learn. However, it is not necessary to learn these few, and it is also possible to learn from these poets. These few have only seven words of verse, and there is something to learn. To learn Li Bai's poems, it is only necessary to look up and learn, that is, to have heroism, and Du Fu's poems must be deeply drilled and words and phrases must be refined. There is no greater water flowing on the ground than the Yellow River, the source of the Yellow River is originally the stars, the so-called stars, is therefore very outstanding, learning this field, why not alone?
The roots of poetry are originally derived from emotions, moods and sorrows. Reading the poems of the ancients, the emotions at the beginning are very fierce, but the poems are still implicitly convergent and simple, not scattered and rhythmless, that is, the more in-depth the learning, the more mellow the cultivation. Today's people have the emotion, and the pen immediately follows, as if pouring water on the flat ground, flowing with the terrain, without any convergence of constraints, this is because the learning is not deep enough, so they do not know how to cultivate themselves.
Some people say that literary schools must have a source, but they need to be unique. I think that the word "face" is not precise enough, and there needs to be another kind of thick qi in order to allow it to merge and change many that already exist, and then it can become a unique faction. This is qi, and each of them arises with their own personality, and not necessarily everyone is the same. To experience the poetry of the predecessors, you will know.
Learning ancient poetry most needs to have strength, strength and strength, hard like a flame to make people dizzy, read to know that this person has the spirit of the ancients, but do not feel that this person learned ancient poetry, this is the good hand in poetry. Without strength, the writing will be loose, the article context will be scattered, dragging mud and water, reading with interest, just feel that a certain sentence fell off from there, where a certain word was stolen, which is not good.