Writing poetry should be devoted to the complete expression of meaning, and if the expression is not enough, there is no need to write poetry. I often read that the poems of Gule fu are well written, and they all have endless deep meanings in their hearts, and they are articles written down, and they are immortal for thousands of years. Later generations used the popular tone of the time in vain to describe the superficial and insignificant things of ancient poetry, and they could not always attract the attention of readers when they read it, because of the lack of true feelings. Li Bai wrote the most Of the Tang Dynasty poets' Lefu poems, but he only borrowed the ancient titles of Lefu and moved over to express his heart, and even had places that were absolutely different from ancient poems, which was the reason why these works were good.
When poetry reaches a very good state, it does not require others to understand, nor does it need to be understood by oneself, is it really not understood by oneself? That's just not understanding what can be understood. The ancient style of the five words of the early Tang Dynasty began with Zhang Jiuling and Chen Ziang. More than half of Zhang Shi's poems were limited to depiction, and his own arrogance was only played out by 20% or 30%, and when it came to carving words and sentences, he was originally very proficient. Zhang's poems contain very thick content, volatilizing unpredictable changes, learning from the ancients but using the ancients for the present, and not being bound by the ancients at all. To fairly comment on ancient and modern poets, where to distinguish their superiority and inferiority, is only naïve and spiritual.
Lu Ji's words are graceful and gorgeous, the words are beautiful, and the mood is far away, which could have impressed the reader, but unfortunately, most of his intentions arrived, most of them were only literal. Tao Yuanming was delicate and quiet, coming from nature, and then came to one of the areas of writing poetry, only Zhang Jiuling could almost compare. Writing poetry is like carving, it is easy to carve deeply, but it is difficult to carve shallow. Every time I went to a temple on the mountain, the people I visited with me often stopped halfway through the road. I must reach the top of the mountain, at first it is a high song, then shouting loudly, shouting can not stop, then crying loudly, after crying suddenly feel the breath in my heart is calm. I just don't know what the contact exploration is, isn't this what Du Fu said about "turning over Prozac"? The seven-word grammar of the poets of the Song Dynasty is very worth seeing.
On the night of August 11 of the year of Xin Di, someone dreamed of walking into a public hall, and the people sitting on the four corners were all wearing black gauze hats and red robes, and only the person in the northeast corner had flesh horns on both sides of the forehead that were more than half an inch long. I was very scared when I stood in the middle, and it was vaguely like I knew that this person was Du Wenzhen, so I didn't dare to ask for it. The next day, he told Ye Zhonglan, and Zhonglan said, "It is expected that it was caused by Gao Jian's intentions before and after." "Some people once observed the flowers of the pomegranate tree, which is very touching, so Cai Yong used this flower to start the "Kingfisher" poem, and Cao Zhi used this flower to revive the "Abandoned Woman" poem, and the two of them had their own unique ingenuity, and they all came to a good idea together. According to the color of the pomegranate flower, it is different in the eyes of the people who see it, and the emotions are more compassionate in the heart.
Akatsuki said, "Pondering the body of the sages, it is your own to collect the buds of various flowers like a bee and brew it into honey." "The poet colored, to add children with cinnabar words horizontally and vertically, the body was originally blue-green, gradually turned red. His brilliance penetrates from the inside of the flesh to the face of the head, not from the outside, which is his own color. Han Yu's poetry, since ancient times, is said to be a master, with the strength of the pen, freely wielding pen and ink, it is originally very bright and lively. When it comes to being calm and calm, meticulous, and possessing both gods and forms, only Du Fu can reach this realm.