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He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized

There has been speculation that the small kai on the Japanese surrender book is from he Yingqin's hand, although it is quite controversial, but He Yingqin's calligraphy is really good, not playful, good at calligraphy of all kinds of him, all kinds of fine, especially the calligraphy, the line book, and the lishu, these three kinds of books are very good, the inscriptions are referenced, the degree of integration is very high, and the pen is square, cutting the iron, the line of writing is free and flowing, studying the "king's" yanmei road, and his calligraphy is rigorous and standardized, neat and uniform, from many signs, His calligraphy is based on tradition, and has achieved the combination of ancient and modern, blending the ancient to a new point, let's enjoy his calligraphy works together.

He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized

His calligraphy is the most meteorological, not only jin and tang, but also ancient and modern, especially showing the rigor of the Tang Dynasty, from his calligraphy works, Ou Kai's signs are more, especially the use of square pens, there is a sharp iron, although occasionally see the round pen, but still let people feel a strong sense, the line thickness is uniform, the dot painting arrangement is compact, the connection between each other is also very close, take care of each other thoughtfully, consider very thoroughly, the pen has a response, the words are taken care of, there is a new atmosphere, If you look closely at his calligraphy, you will find that his calligraphy and Liu Kai's bones are very wonderful.

He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized

And his writing, the clouds flowing water, an eye, you can feel a strong "Zhao body" wind, Yanmei free, flowing and stretching, this weather is admirable, it can be seen that his grasp and control of traditional calligraphy is very precise, the lines are smooth and natural, slightly undulating, and elastic, such a treatment, not only deep in the ancient law, but also have their own views and insights, his pen of the book, is another scene, although the lines are less undulating, but there is still a hidden atmosphere of big waves, At this point, I believe that many friends can feel this breath, especially the rigorous and standardized strength, which is particularly strong and impressive.

He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized

His calligraphy level, in today's day, is absolutely first-class, and even some friends said that although such handwriting is very good, it is difficult to enter the national exhibition, the reason is because it is too traditional, and lost the needs of the exhibition body, for this, share your views and insights, exchange yo.

He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized
He Yingqin's calligraphy is not talking about playing, the inscriptions and inscriptions are referenced, the lines are free, and the books are strict and standardized

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