On May 21, the movie "Liu Qing" was released. The film is based on Liu Qing's daughter Liu Kefeng's "Biography of Liu Qing", played by Teacher Cheng Taishen, and young actress Fei Weini played Liu Kefeng in the film. What is particularly noteworthy is that after the content of the movie "Liu Qing", some video materials of the writer Liu Qing were broadcast, and Liu Qing, played by Teacher Cheng Taishen, was very similar to the real writer Liu Qing. Of course, what is more valuable than the morphological godlike is the effective transmission of the film to the old writer's spirit of home country.
The film begins in the 1950s. At that time, the writer Liu Qing could have enjoyed a very high level of treatment in Beijing, but he had to go deep into the countryside of Shaanxi to observe the most real rural life, and to write works on rural life that could withstand the scrutiny of history. The movie "Liu Qing" officially unfolded in this context. The literary spirit of giving up official posts and only wishing to truly take root in the countryside and seek nourishment for their own creations is already invaluable.
On the other hand, the writer Liu Qing is not a prolific writer. In the creative environment at that time, many writers were able to quickly come up with their works to reflect the earth-shaking changes in the new era. However, the writer Liu Qing can only slowly "climb the grid" and cannot come up with a work for several years. Even if there are leaders who directly encourage them, they can't come up with long stories, so they can take some short stories out. Writers who are really rooted in life, which is so easy to come up with a work. And the truly excellent classic literary masterpieces are all painstaking works. The old writer Liu Qing has set a good example for all young writers at the moment.
However, when the first part of "History of Entrepreneurship" was published, many reporters wanted to interview Liu Qing, and Liu Qing's expression was that it was okay to chat, but not to interview, not to see the newspaper, and his own way of creation may also be wrong, and this slow way of creating may mislead young writers. Putting these few words of Teacher Liu Qing into the era at that time, the old writer was indeed serious and responsible, and had no self-effacing meaning. He genuinely doubts the way he creates. However, at a time when creative speed and creative passion have long been emphasized, It is Liu Qing's "slow climbing of the grid" that is more precious.
At that time, the eggs were eight cents a pound, and Liu Qing's first royalties for the "History of Entrepreneurship" were as high as tens of thousands of yuan. And this money, Teacher Liu Qing did not use to supplement his own life, but donated it to local farmers free of charge to build water conservancy facilities and so on. Then, the old writer Liu Qing paid in advance to help the local countryside improve the electricity and make every household connected with electric lights. These plots are actually the real tears in the movie "Liu Qing". If the slow and responsible way of creation still belongs to the writer himself, then it is a real big feeling to take out the manuscript fee and donate it to the local people for economic construction.
The feelings that are more than the donation of the manuscript fee are the hearts of the writers for our country and this nation, which are in the "entrepreneurial" stage. "History of Entrepreneurship" enthusiastically praises our achievements in "entrepreneurship", but in works such as the movie "Liu Qing", it also reflects some problems in our "entrepreneurship". The writer's feelings for the country and the nation are not only praises, but also a serious and responsible. In "Liu Qing", we can see that the old writers "love the country and the nation deeply".
Even in the last part of the film, the fee for the second volume of "History of Entrepreneurship" was sent over, and the old writer Liu Qing sighed that he finally did not owe the state money. This emotion is very complex, but it is also very sincere. In "Liu Qing", we can see a real writer who is serious and responsible in creation, and we can see that the writer who is meticulous in his creative attitude and has a one-to-one saying. Enthusiastic praise and face the problem, in the old writer Liu Qing here, do not contradict each other.
For the performance of teacher Cheng Taishen, you can use the four words "depression and frustration". These four words were originally used in the history of literature to evaluate the characteristics of Du Fu's poetry. However, this time, it is very appropriate to use the performance realm of Teacher Cheng Taishen. The Liu Qing realized by Cheng Taishen is not only similar in form, but also spiritually "god-like". It's a level of performance that draws dragons and tigers and bones. And the teacher who complements Cheng Taishen is the young actress Fei Weini.
The opening of the movie "Liu Qing" is the opening of Liu Kefeng's oral description. This role is actually the real first perspective of the movie. From the perspective of the evolution of the film content, the role of Liu Kefeng is not easy to present. Because in the first half of the film, the personal feelings of the writer Liu Qing are established between himself and his wife. This deep friendship has pushed the mood of the film down to a climax. The emergence of Liu Kefeng's role in the second half requires more accurate acting skills of actors.
Based on the acting skills of young actress Fei Weini, she has achieved a higher emotional sublimation in the writer's father-daughter relationship through accurate performance. Behind the seemingly calm performance of this young actor, there is a very good dramatic tension. This kind of precision is impossible for ordinary young actors to achieve. In the movie "Liu Qing", although Liu Kefeng's role is only a supporting role, it is these amazing glimpses of actor Fei Weini that make the role deeply rooted in the hearts of the people and achieve a more advanced artistic sublimation.
At a time when fast food is increasingly fast and passionate, movies like "Liu Qing" deserve better word of mouth, and also deserve better theater scheduling and fan support. (Text/Ma Qingyun)