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Tachikawa's 22nd bullet, "The Executioner of Zero", which took over as superintendent, announced that the theater version of Death Elementary School student had entered the fourth generation of overseers.
In M21's "Tang Hong's Love Song", "People will go, their words are also good", Shizuno Kongwen greatly restrained Michael. The violent disorder of The Film, the M22, which has turned into a new era, continues the trend of quality recovery and the focus is once again tilted towards the narrative of literary drama, although the opening scene of the Tokyo Summit is blown up. Of course, it is undeniable that Shizuno Kofumi brought the theatrical version of "Detective Conan" to the peak of business, and after leaving office, "The Executioner of Zero" also reached a box office of 8.8 billion yen, becoming the highest-grossing animated theater version in Japanese history.
The theme of M22 may be the most serious and realistic in the dead small theater version. The story is set in the administrative judicial system of the Metropolitan Police, public security, procuratorate, and local procuratorates in Japan, and public officials such as police, prosecutors, witnesses, and lawyers appear alternately, involving some more complex background knowledge.
Although due to the lack of understanding of the actual situation of Japanese society, I do not know the professionalism of the film, but at least the overall appearance has a certain camp pattern, clue conflict, character relationship network, a little three-dimensional and complex. Compared with this film, the so-called "mysterious organization" that is forced all over the world, the FBI, the CIA, and the public security undercover all-star, and the characters from all sides have turned a large circle and are mostly related by blood, and they have gotten a lot better.
And what is rare is that the script of M22, Takeharu Sakurai, who previously wrote M19 "Sunflowers of Karma (Day) Fire (Dog)" and M20 "Nightmare of Pure (Qin) Black (Wine)", can be called the two most heinous films of the Death God Elementary School Students.
The addition of the protagonist group leads to the unjust case of Maori Kogoro being arrested as a bombing criminal. Conan began to run for the innocence of his future father-in-law, and the future mother-in-law naturally led to the lawyer's camp and clues. The other protagonist, Amuro Toru, acts in secret as a public security representative, and as the plot progresses, the two converge.
Tracking down the conspiracy behind the unjust case, involving multiple camps of political and judicial backgrounds, and the officials who take turns to appear, in fact, "The Executioner of Zero" has a bit of a political thriller meaning in the narrative genre, with a little bit of darkness and hardcore.
Some of the urban pictures also show cold and tough tones, as well as an empty but oppressive sense of space, which is also a common image style in political thrillers.
Of course, you can't expect Death's elementary school students to actually act out a political thriller above the standard, and "Captain America" will not be able to play anything amazing if it is filmed in the 22nd part. Conan was as comfortable as ever in various official establishments, and the public officials talked to a schoolboy in a serious manner.
Maori Kogoro's framing is actually deliberately arranged for Amuro Toru, which is only a lead to the protagonist and the power of the Metropolitan Police Network, and does not constitute much practical crisis pressure in the plot. The tension of the unjust case is far less than the special article "Murderer, Kudo Shinichi" in TV521, which is the story of 9 years ago.
The more complex story background and character relationships also mask the weakness of reasoning. However, around the crime of the prisoner, "The Executor of Zero" makes some realistic issues to discuss. Such as the public security power in Japan, the fairness of judicial proceedings.
The prisoner is not the face of the prisoner that the plot needs, the crime is intended to weaken the power of the public security police, and pursue the fairness and justice in their own values. During the operation, every effort was made to avoid casualties among innocent civilians, and when Maori Kogoro was mistaken for a prisoner and was to be prosecuted, he also fought for his benefit.
The debate between procedural justice and outcome justice is also a theme of "The Executor of Zero", although it is clichéd, the film does not talk about any tricks.
As the protagonist of the square, Amuro Toru, in order to investigate the case, used the reputation and personal freedom of Maori Kogoro as a chip, which is also out of his own justice to safeguard national security, and there is also a certain gray in the legitimacy of his actions. A certain degree of chaos, the collision of values, is also the progress, or recovery, of the disaster of "The Executioner of Zero" over the previous theatrical version for several consecutive years.
The real name is Toru Amuro, which is the origin of the title of "The Executor of Zero". Another undercover member of the Black Organization, said to be a super popular character, is now a national husband in Japan, but by the time of his Bourbon plot, Detective Conan has entered the stage of forcibly lengthening the story line, becoming more and more boring, and he has no chase, and he is not familiar with its situation.
But in the film, Conan asks Amuro whether there is an object, and the answer is "My lover is this country", which should be the screenwriter's Easter egg for the national husband, imagine a large number of flower-obsessed female audiences, seeing her husband on the big screen saying that his wife is the country, what a strange expression it will be. A little thinking of the "Love Boomerang" that was introduced from the mainland in the first half of the year, the opening scene is Niigaki Yui saying to the camera , "I'm getting married."
The last play of "Tang Hong's Love Song" used the song card as the theme element of the case, and sometimes the scene felt like it would be played on the flower card set of "Summer Battle". In "The Executioner of Zero", the IoT terrorist attack launched through the network access to the electrical appliance until it is shocked into the satellite continues the visual sense of Hosoda's "Summer Battle" (or the "Digimon" theatrical version of "Our War Game"). From the perspective of American movies, it can also be said that "Die Hard 4: Virtual Crisis" + "Mission Impossible 4".
The final crisis of the satellite crash is also like the nuclear bombs in "Summer Wars", "Our War Game", and "Mission Impossible 4", which are deflected by the protagonist and fall into the water. It's just that super agents as strong as Brother Atang are also disarmed from the inside of the system by technical means, and the Japanese public security and elementary school students are directly using the hard solution of physical collision.
The introduction of the now more fashionable drones has also allowed the juvenile detective team that has often helped in recent years to do a serious job. Of course, this is mainly thanks to the guidance of the old mother of gray plains, although the small mourning person has long since collapsed out of the atmosphere, and if she had been like this, I would not have liked her.
After Shizuno Kongwen stepped down, although M22's action scenes are still infinitely anti-human, but fortunately, the choreography is properly paced, and in the middle of the film, Conan has a skateboard show operation that retains the program, and after years of baptism, it has been relatively restrained. Honestly, I almost finished talking about the incident before I began to release the big scene, leaving the last 20 minutes for satellite sniping.
The film returns from the reasoning film to the essence of the physics film, Amuro carries Conan through, launches a Newton frustrated hearse drift, the car can still drive no matter how it hits, has already turned this white car as the white devil of the Gundam (Amuro toru and Shinoya Zero's name comes from the Gundam series Amro. Ray and his voice actor Toru Furuya, the voice actor also specifically designated the same person).
Tokyo drift, skidding light rail, building speed cars, combined with the collective loss of control of cars in front of the cyber attack, "Zero's Enforcer" seems to be an animated version of "Fast and Furious".
Finally, Amuro's tall flying car, Conan's curved tiger shot the ball, and an unscientific super electromagnetic soccer cannon hit the satellite... It feels like in the near future, the death soccer ball of the Death Elementary School student may really rush out of the atmosphere.
Watching Conan once again volley at the flying car, and Conan being carried by adults again, breaking the glass in the fall and flying into the building, he remembered M5's "Countdown to Heaven", the golden age of the theatrical version that could not go back.
And finally Masaharu Fukuyama's ending song "Zero -ZERO" sounded, and there was a faint smell of "Detective Galileo" strung out (Mo Fei celebrated the 2008 "The Devotion of Suspect X" movie version and Lu Luxiu's "Zero Town Soul Song" ten years old... The musical feeling of the physics detective and the anti-physics detective are indeed a bit incompatible.
It seems that the heroine Xiaolan has not been mentioned, uh... Is she the heroine? After the father was arrested, he made several phone calls to the "washing machine", and as the daughter of a barrister, he did not even know that the lawyer could not defend his immediate family, but later mentioned that he still had some homework to let the state-elected defender appear in court for his father. There is no way, Xiaolan's embarrassing existence today is basically a non-war crime of force majeure.
Finally, I still use the screenshot of gray plains to end this year's Conan theater version of the series, see the trailer, and next year I will drag Kidd out to support the field, when is a head.
It seems that there are already several theatrical versions, and the end is all conan and xiaoyi's small talk.
(Finish, another year...) ）
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