The series aired in 2016, and now that it's been nearly five years, it doesn't seem outdated to watch it again. This drama has both absurd plot composition and partially realistic heartache. Under the devotion of Cao actors and Combli and a group of actors, it has become the "Embodiment of Jealousy" that is displayed in front of us.
Through the title of the play, we can also see the main focus of the play on the emotion - jealous love. And the title of the play also has a secret coincidence with the name of the male protagonist Li Huaxin, the embodiment of jealousy, the jealous CEFC. In my opinion, the reason why Korean dramas have persevered in their fire is that their screenwriters have been constantly digging for new themes and a wider range of careers. The drama focuses on the stories of a group of anchors and journalists who are struggling in tv stations. The female protagonist, Na Li, played by Kong Xiaozhen, is an ordinary weather forecaster with a persistent anchor dream.
The first few episodes of Cousin Na Li are very distressing, and the caution and commitment in front of the regular staff make her a different kind of person in the eyes of the forecaster like herself. From the beginning, Cousin Has always been firmly aware of her position, of course, she has also been working hard to live. For her brother's tuition, she took several jobs to cooperate with the filming of the promotional film. It was this journey in the play that completely changed her life.
The character relationship setting between the male and female protagonists tells us from the beginning, and Cousin Nali has been in love with Li Huaxin for three years. The trip to Bangkok is also a long-lost meeting between Cousin Nali and li Huaxin, a special correspondent, and there is no change in the rules of getting along between them, and Li Huaxin is always domineering. Although the director and screenwriters are trying to create a funny and relaxed atmosphere, but put yourself in the shoes of the person, Cousin Nali's heart is actually very hurt.
Fortunately, the appearance of the male second Gao Zhengyuan seems to have brought the bleak unrequited love life of Cousin Nali to an end, and in these emotional scenes, it is also interspersed with the process of Li Huaxin having breast cancer and being discovered and reminded by Cousin Nali, who has a genetic history of breast cancer. Men get breast cancer from the first few episodes to the end is a lead-in, Li Huaxin also from the initial dare not believe that men will suffer from breast cancer, to the end of his own as a reporter to follow up the relevant news. And what impressed me the most was the rebuttal of Hernelly's remark that "women have breast cancer" when she admitted to him on tv that she had breast cancer.
Of course, in this play, it still follows the old convention of Korean dramas - the female protagonist is the male protagonist, and the male second is the audience. When the three of them live together in the play, and Gao Zhengyuan's gentle and meticulous attitude towards Cousin Nali, I have been thinking about how to end it and make the male and female protagonists more reasonable and reasonable together. It wasn't until the jealous contrast caused by repeated events, and when Li Huaxin frankly supported Na Li and discarded his most cherished self-esteem, that I was like Gao Zhengyuan in the play, yes, that's it, only then did I have a reason to give up.
In addition, I have to sigh that this is the only drama I have watched that the female protagonist and the male second love the male protagonist more! Cousin Nali loves Li Huaxin more, and Gao Zhengyuan also gave up Cousin Nali because he loved Li Huaxin more, and eventually became a witness to the wedding of the two. Of course, it is cao Zhengyi's acting skills that bring to us a proud and arrogant, simple and manly Li Huaxin. It is also Kong Xiaozhen who gave us an ordinary but persistent and valuable cousin Nali. I sincerely hope that you can go to see this drama.