Shah Rukh. Khan – in the name of love
In a nutshell, Sasha should be half star and half actor, among Indian male actors, he is the most entertaining, and among entertainment stars, he is the most capable of acting. This is actually not bad, as a public figure, it is very rare to have both of these qualities, after all, for most people, you can only do one side, and for some people, you may not be able to do well on the one hand.
There will always be labels such as the king of romance and the popular lover when it comes to sasha, just as the audience thinks that as long as he starred in a movie, there must be beautiful love, and he must play a person who is obsessed with people (maybe even named Raj or Rahul), but if you look at his movies at different times, you will find that he is actually constantly changing.
His early characters, such as Vijay in Love Scam (Kasha's first collaboration), Ajay in Evil Love, and Rahul in Fear of Love, are either poor people who love crazy or unscrupulous avengers, and should not be linked to words like romantic and affectionate, on the contrary, I think these characters are quite scary. Then he made a lot of love movies (of course, it is undeniable that these movies made him), and he really suited love movies. He is not like Uncle Mi, his eyes are full of wisdom and reason, nor is he like Xiao Sa, his eyes are full of wildness and uninhibited, and his eyes are full of tenderness.
Even if he gave himself a big beard, eight-pack abs, and turned himself from a gentleman into a rough man, the gentleness and elegance that had already been in the bone would still be inadvertently revealed from an action or a look.
The core of most of Sasha's films is "love", not only for men and women, but also for their families and the motherland. In general, its films are to tell the true feelings of the world with scenes of sorrow and joy, and he rarely directly criticizes the injustice of society and exposes the ugliness of human nature in the film. On the contrary, he always shows the brightest side of India to the audience, and what you see is not the poverty and backwardness of the country, but their colorful culture, the good moral cultivation of the middle class and the beautiful natural scenery. Of course, his films do not blindly whitewash Taiping, he will also point out many social problems, but most of the time he will not throw these problems straight, but put them into a story of warmth or sadness. And eventually they will all be resolved in the name of "love". A lot of people call him "romantic", and I think that's not just the kind of "Romantic" atmosphere he creates in various romance films, but also the kind of idealized society he creates in movies, but audiences in India get a little comfort when they watch movies, and foreign audiences can also learn about the other side of India through these movies. As a film, isn't its mission also fulfilled?
Amir. Khan – Reason is king
Uncle Mi is also an Indian actor that we like very much, and he should be the one with the faintest star color in the "Three Khans" and the closest to a complete actor. His films are the benchmark of Indian cinema, representing the quality and conscience of Indian cinema. (But even such a high-quality Uncle Mi failed to save "Phantom Three", that film is really not good) Unlike Sha Sha's "romanticism", most of Uncle Mi's films are very realistic, and even the programs they host ("Truth Interviews") are closely related to social issues. Although in the movie, Uncle Mi played handsome, played cool, and sold cute, but he felt that off the screen he was a serious face worried about the country and the people.
Every artist will be labeled unconsciously after becoming famous, because each artist will have his own style or image, whether this style or image is born or created, and when the audience sees them, they will certainly put them into a certain circle according to their own judgment, such as literary fan, small fresh, silly white sweet and so on. But Uncle Mi, it seems difficult for you to classify him as an actor, and apart from the common denominator that most of his films confront some social issues, you can't label him as any other, any type of role he can interpret very well. For Uncle Mi, he didn't need to break through himself, because he had never limited himself. Like the wind, there is no fixed shape, but it has a power that cannot be ignored.
"Reason" is the evaluation of Uncle Mi because his characters always tell the darkness of the world between laughter and anger, and his role always makes the audience think deeper in scenes or scenes of sadness or joy. He rarely constructs a utopia for the audience, but instead always dissects the harsh reality and places it in front of the audience. Oh, yes! Reality is so painful, so miserable, and in his films, the pain is always so real. For such an actor, the landlord's respect is greater than his love.
I don't know what kind of surprise Uncle Mi will bring us, what we can do is probably look forward to it
The Double Wall of Empire - Shah Ruk. Khan Amir. sweat
Speaking of these two legends, I can't help but write another story. Although we all know that it is the "Three Khans", as far as the landlord's personal ignorance is concerned, from the artistry of the film, It is still Sha Sha and Uncle Mi who are more representative, and the two of them are also more comparable. But that doesn't stop Lori's Uncle Monkey from becoming my favorite Indian movie since 2013.
The comparison between these two people has always been there, even in this small circle in China. But the two are actually two completely opposite styles of painting, one of them is emotional, one is rational; one is romantic, one is realistic. To use an inappropriate analogy, it is Li Bai and Du Fu or Hugo and Balzac. Sha Sha is not like Uncle Mi's words and deeds are all wise, and Uncle Mi is not like Sha Sha's every move shows the flow of style. Sasha conveys the truth of the world in romance, uncle Mi explores the truth of the world in reality, one teaches us to think, the other teaches us love. These two people are like the two unattainable peaks of the Indian film industry at present, and together with other large and small mountains, they support the whole of Bollywood.
There is a line in "Chess Soul" that "if there is only one genius, it is impossible to create a famous game, Go requires two equal geniuses to get together to achieve divine skills" Acting is the same, the match between the masters is always particularly exciting, often only one eye can decide the high. So Sha Sha and Uncle Mi don't you plan to cooperate (the landlord knows that this is probably a lifetime series) Three Khans cooperation do not count on, the effect of three people is not necessarily stronger than two people, and Xiao Sa is obviously weaker than the first two in terms of acting skills.
To say a few more words, Bollywood's current mainstays are all dozens of years old, but the successors have not seen a few. A few years ago, I looked at Lambier like that, and now I don't know what it's like; Lambert has been a surprise in recent years, but his qualifications make me think that he still surpasses DP first (after all, Shasha's myth is not easy to copy); Shahid is at ease to be a good husband, to be a good actor, it is not realistic to think about what toss out after so many years; that group of juniors what Warren Dawan, Stan Mallosa, Aditya Roy Kapoor and so on are still safe to follow the seniors for a few more years, and it will not be your turn for a while and a half. ay! Sha Sha, Uncle Mi, Xiao Sa, and Da Shuai it seems that you will have to work hard for a few more years.
Salman. Khan – the golden mind of the bad boy
The reason why he is called a bad boy, I guess everyone knows more about his "glorious deeds" than I do, but in the landlord's view, those things happened in another country a long time ago, everyone is hearsay, and its authenticity and credibility should be marked with a question mark. And what everyone sees is more of a mature uncle who is willing to help others with a kind heart. So nature has a golden heart.
In fact, whether it is a green astringent sa or a mature sa, I feel that the manly taste on him has always been more childish than childish, and there is a sense of uninhibited and flow in his eyes, and with a wild nature.
So he is not suitable for roles that are too affectionate or too rational, not that he can't play, but these roles will cover up his own characteristics.
Sa should take "The Fearless Police Officer" as a watershed, before it, Sa's films were not very eye-catching, especially at the box office. After it, almost every year Xiao Sa had a strong performance. The reason why Xiao Sa's film can occupy a place in the Indian film industry is largely due to its "grounding", for the general audience is too gorgeous or too obscure film is not easy to arouse their interest, they like to see their familiar life scenes in the movie, their familiar song and dance, listen to their familiar music, and then jump together in the cinema, it is best to have a little "hot" action scenes. Anyway, watch the film, don't you just have fun. This is naturally very popular with Indian audiences, but it is not necessarily suitable for Chinese audiences, so Xiao Sa is the most unfamiliar one among Chinese audiences in the current "Three Khans", and the probability of his films being recommended on the Indian film recommendation table is also the lowest in the "Three Khans". (Especially for chinese audiences like landlords who are accustomed to watching Jet Li and Jackie Chan's kung fu films, it is really funny to see those pompous action scenes in Xiao Sa's movies!) ）
But "Monkey God" is a big change for me to see Sam's film, which is one of my favorite Indian films since 2013 (of course, there is a beautiful little Lolita, and the direct A face has won) The movie is easy to understand but meaningful, the picture is also very beautiful, it is a very good film. But unfortunately, Xiao Sa, as the male protagonist, has not become the highlight of this film (privately believes that the limelight of this film has been robbed by Xiao Loli), which exposes him another problem - lack of acting skills. This film is very touching, but it is not because Xiao Sa's acting skills are touching, but this kind of theme, this script touched the audience.
"Monkey God" ends (highly recommend this film, although you may have seen it)
Hrinik Rothhan
The big marshal is actually quite regrettable, personally feel that he is the strongest comprehensive strength in the Indian film circle, appearance, figure, acting, dance, resources he is not lacking ("three khans" each have shortcomings, at least they are short) and the big marshal has the potential to become a man who overrides the "three khans", but helplessly "three khans" have a gundam, one thunder can not move, the status is as solid as a rock, our marshal had to follow behind them, barely counted as a "four khans".
First of all, the big handsome looks really handsome! (This is nonsense) He's not quite like an Indian, and has a European and American style
The nose is straight, straight and small, with deep eye sockets, light pupils, and eyes that can be as innocent as a child or deep. Angular
If the appearance of the "Three Khans" is a matter of opinion, then the grand marshal is indisputable.
The dance posture does not count, the conditions itself are good, and I have practiced and been in the environment of having to dance in Bollywood, and it is not good to dance well. The deserving king of Bollywood.
Of course, the acting marshal has, the deepest impression is "Request in the Rain", which is a very beautiful film (this director has made the film is still quite beautiful) The marshal plays a paralyzed magician, the performance is really in place (very recommended for the audience who has not seen it to watch, it is a very exquisite film) Even if it is a commercial film such as "Indian Superman", the performance of the marshal is also very interesting, in which he plays two roles (father and son), and the audience can obviously feel the difference between the two, which shows its intentions. Speaking from the heart, his acting skills should be stronger than Thatsa's.
But even a person with such a strong comprehensive ability has not been able to surpass the "Three Khans" (sure enough, only the "Three Khans" can defeat themselves, and perhaps there is still time) It is estimated that it will not be possible in the future, after all, time is fair to everyone, and we can already see the traces of aging in "Indian Movie 3". ay! The most is that the human world cannot be retained, zhu Yan resigns the mirror flower and the tree.
God was truly fair, He gave Him everything, and the only thing that didn't give him was time. I think if the marshal could have been born a few years earlier or a few years later, maybe the situation would have been different.
Continuous update..... Focus on not getting lost.....