The Yangzhou Eight Monsters Exhibition turned out to be the red man standing in the C position around Kangxi

Shenzhen He Xiangning Art Museum's "Leading the New - Yangzhou Eight Monsters and Yangzhou Three Hundred Years of Painting Special Exhibition" was originally launched last month, because the epidemic was delayed for more than half a month. When the preview first came out, I was surprised, because the exhibition name "Leading the Different Standard New" collided with the Yangzhou Eight Monsters Exhibition of the Guangzhou Museum of Art last year, which came from Zheng Banqiao's "Delete the Complicated And Simplify the Three Autumn Trees, Lead the New February Flower of the Different Standard", or because it is written too well, I would rather use the name.

The exhibits come from the Nanjing Museum, which is another cooperation after last year's Loudong School exhibition, if last year's Four Kings belong to the "right vein" recognized by the temple, then the eight monsters who flowed in Yangzhou this time are market-led "mad evils", which together can see the essence of the Qing Dynasty painting world. However, due to the limitation in Yangzhou, there was only Shi Tao among the four monks, which was a slight regret.

Shi Tao's "Xishan Scepter Fan"

Shi Tao settled in Yangzhou in his later years, so the exhibition begins with him. The exhibition is similar to the last Loudong School of Painting, not limited to the Yangzhou School, but the painters associated with Yangzhou are covered, including some who are not very famous, or more interesting.

Shi Tao's "Huaiyang JieQiu Tu"

I have not seen this masterpiece at the Nanjing Museum several times. There is a long stone tao inscription on it, which can be used as a standard piece of calligraphy.

Shi Tao's "Crazy Canyon Qinglan Map"

Every time, I have to sigh shi Tao's water vapor. I love this one even more.

Shi Tao's "Cold Pond Shadow Fan"

At this ratio, are people sitting on the bridge?

Cha Shibiao "Pine Stream Diagram Fan Surface"

Zha Shibiao was a native of Anhui and lived mainly in Yangzhou after entering the Qing Dynasty.

Cha Shibiao "Wash Brick Drawing Fan Surface"

Chasi Biao's "Sound Map of Bamboo Dark Springs"

The self-title is written by Ni Zhan, and the composition is slightly more complicated than Ni Zhan.

Cha Shibiao "Cloud Mountain Map"

Cha Shibiao "Linting Mountain Color Map"

Calligraphy and painting are imitated by Dong Qichang.

Yu Zhiding"GaoShiqi Snow Mountain Gui Ma Tu Scroll"

I like this volume of "Gao Shi Riding", Yu Zhiding is worthy of being the first person to paint portraits in the Qing Dynasty, the horse is also particularly well painted, and there is a pony painted on the saddle, so cute. There is a little bit of blue leaf depiction on the costume, but it is not obvious. Yu Zhiding is a native of Jiangdu, Yangzhou, so two works are exhibited. The large poster on the outer wall of He Xiangning Art Museum uses this "red man", which can be called C position.

Yu Zhiding "Portrait of Wang Yuanqi"

Seen at the Nanjing Museum, Yu Zhiding painted several portraits of the bearded Wang Yuanqi, a white painting painted in 1707. The two paintings painted by Yu Zhiding above are actually red people around the Kangxi Emperor, one is a big collector, the other is a big painter, they dominated the mainstream discourse of calligraphy and painting at that time, which is completely different from the Professional Painters of the Yangzhou School who rely on the "new money" of salt merchants to support their families.

Wang Yun's "Evening Cui Zhu Ling Tu"

Wang Yun is a professional painter who learned qiu Ying, but there is still a long distance between the faces of the characters.

Yu Yuan's "Yutang Rich and Noble Figure"

Very large shaft, Yu Yuan is a disciple of Wang Yi, but the common ones are flower and bird paintings.

Gu Fushu "Quasi-Guan Tong Landscape"

Gu Fushu copied many ancient paintings, and his composition was studied by the Northern Song Dynasty's high-headed mountain, but the pen was Wu Men's fine brush, which was very interesting.

Yuan Jiang's "Daytime Jintang Diagram"

This kind of decorative landscape figure painting of Yuan Jiang and Yuan Yao's father and son may have been very beautiful when they were first painted, but they always liked it after the silk was dull.

Yuan Yao's "A Fang Palace Map"

Li Yin,"Imitation of Gao Kegong Landscape"

Li Yin is also an antique painter, but it is almost meaningless. There are also some painters who do not look at it, and finally enter the chapter of yangzhou eight monsters below.

Jinnong's "Leading Horse Diagram"

Jin Nong's works are only two pieces, or too few, this painting may be from the Gongtu, the figures in the painting are Western faces, and the trembling lines of the red robe have similarities with the "Buddha Statue" in the Tianjin Museum.

Jinnong", "Plum Blossom Diagram Double Axis"

Gao Fenghan's "Long-term Rich and Noble Map"

The left hand painting has been signed.

Gao Fenghan's "Layer snow warm incense map"

Three questions in succession.

Hua Zhao's "Sumy's Diagram of the Book"

Hua Zhao's "Plum Blossom Book House Map"

The painted mountain stone has the taste of Tang Yin.

Hua Zhao", "Four Axes of Flowers and Birds"

This set of works is painted on Aya, and there will be a unique reflective effect on the spot.

Bian Shoumin's "Lu Yan Tu"

Although Bian Shoumin's painting has habits, the brush and ink of this painting are still good.

Bian Shoumin's "Crab Diagram"

Bian Shoumin's words feel slightly artificial.

Bian Shoumin's "Shangmi Famous Flower Diagram"

Chen authored the "Flower Atlas"

The poems of each inscription are extremely refined.

Li Peng's "Five Pine Diagrams of The Stream"

Li Peng's "Basho Xuanshi Diagram"

Li Li's "Cold and Fragrant Picture Scroll"

At the beginning there is a long question similar to the picture theory.

Wang Shishen's "Empty Fragrance Map"

Wang Shishen's "Lake Stone Daffodil Diagram"

Wang Shishen's "Stone Map of Lanzhu Slope"

Huang Shen's "Exploring Beads"

Huang Shen's few pieces this time can be.

Huang Shen's "Old Man Strikes Out"

Huang Shen's "Lake Pavilion Autumn Xingtu"

Huang Shen also has a set of calligraphy and painting albums, which he does not read.

Li Fangyi's "Carp Through the Willow Diagram"

Li Fangyi's "Bamboo Stone Diagram"

Fang Shishu "Mountain Village Return to Fishing Map"

Fang Shishu is actually a Lou Dong sect, he only lives in Yangzhou, and his works are also the most orthodox in this exhibition.

Min Zhen's "Bangs Play Toad"

Luo Ping's "Basho Buddha Statue"

I also don't understand why Luo Ping put it so back.

Luo Ping's "Bamboo Stone Diagram"

He also has a piece of "Ancient Wood Frost" that seems to have been seen last time in The Flower and Bird Painting Exhibition in Nambo, and he will not put it away.

Fang Qiyi's "Narcissus Diagram"

Zheng Xie's "Three Friends Pine Stone Four Axes" (choose one of them)

If you can't take a picture through the glass, just look at one. Other painters in the future are not very well-known, so they will not look at it. Overall, it is a very good exhibition, with many high-quality standard parts. In addition, He Xiangning Art Museum is also exhibiting "Dancheng Xiangxu - Chinese Cultural Celebrity Rescue Art Documents and Liao Anxiang Donation Calligraphy and Painting Special Exhibition", which are modern and modern works and will not be repeated.

●"Leading the New Standard- Yangzhou Eight Monsters and Yangzhou Three Hundred Years Of Painting Special Exhibition"

Exhibition period: July 14-October 10, 2021

Venue: Shenzhen He Xiangning Art Museum