Author | Codeword of Arslan
Source | Confucius old book network dynamics
Under the tide of the Internet, there have been many good works for a long time, and many good words have been missing for a long time, such as rainbow shadow.
I remember the first time I read Rainbow Shadow or 20 years ago, "Hungry Daughter" was a sensation, I had read and bought this book, many years later, the shelves could not find it, and now the collection at hand is the two books behind Rainbow Shadow, "British Lover" and "Ananda". Many female writers choose to narrate from the perspective of intimate feelings, because private feelings are easy to enter the state, and once the narrative of this feeling jumps out of the private and evokes the resonance of everyone (not just women). In the last century, female writers emerged in an endless stream, and among them, there were outstanding ones, such as Chi Li, Fang Fang, such as Bi Shumin, such as Yan Geling, such as Yi Lei, and also like Hongying. The latter three are all good at intimate narratives, such as Elaine's "The Bedroom of a Single Woman", and the title alone can make a few ripples in the audience's mind. The same is true of Rainbow Shadow's narrative. The key is not that they can state their personal feelings frankly and sharply, but that they describe the surfing characters and their fates under the tide of a specific period, floating joy and sorrow, all engraved with the distinct traces of this time and space.
I think that for a writer with a sincere soul, he sincerely writes about a person, that is, he sincerely writes about a group of people, and he can write the trajectory of people's destiny in this era. The same is true of Rainbow Shadow's creation with a strong personal color.
I once thought that Rainbow Shadow had disappeared, but I found out from looking up information a few days ago that she was still creating continuously over the years and working diligently. In fact, I am middle-aged and greasy, lazy to read, wrapped in work and trivia every day, and missed many words.