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The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

This year's domestic TV series ushered in the "main theme year", and a large number of excellent main theme TV series took turns to meet the audience.

"The Age of Awakening", "Crossing the Yalu River", "Glory and Dreams", "Ideals Shine in China", and "Hundred Refining into Steel", these dramas restore the magnificent history of the centenary of the founding of the Communist Party of China from all angles, making many young people have a strong interest in that history.

Recently, another heavyweight main theme TV series was broadcast on CCTV, which is the TV series "Armageddon" directed by Gao Xixi and starring Tang Guoqiang, Wang Jinsong, Liu Tao, Yu Hewei and other powerful actors.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The 49-episode TV series began with the Chongqing Negotiations in 1945 and focused on the story of the Communist Party leading the people of the whole country to liberate all of China after the three major battles of Liaoshen, Huaihai and Pingjin, which was of great significance to boosting national morale.

CCTV arranged it to be broadcast during July, which is enough to show the importance it attaches to it, and this drama also lived up to expectations, and won the ratings championship as soon as it began broadcasting.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

However, before it started, Tomato Jun also sweated for the TV series, because there was an almost insurmountable classic in front of it, that is, the film "Armageddon" trilogy filmed from 1990 to 1992.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

In the hearts of many people, the movie version of "Armageddon" is the ceiling of Chinese war films, and it is difficult to have anyone before or after the ancients.

Many veterans of the war were still alive, and the crew invited the deputy chief of staff of the East China Field Army in the Huaihai Campaign as the general adviser, and he assisted Su Yu in commanding the battle. In addition, Lieutenant General Su Jing, director of the Intelligence Department of the Northeast Field Army, and Major General Yang Guoyu, deputy political commissar of the Transportation Command of the Central Plains Field Army, also participated in the consultant work of the film.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

At the time of filming, the four major departments and six major military regions directly sent soldiers to shoot, the number of participating soldiers exceeded 130,000 people, and the explosion scene was filmed with explosives, so the crew could wait for two full years for a shot.

Among them, the long shot of Huang Wei's troops marching has become a classic in film history, and 30 years later, it is still cited over and over again by major war-themed film and television dramas.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Such a "pomp" is now almost impossible to replicate, and once the TV drama version of "Armageddon" is launched, it will definitely be compared with the old movie version of "Armageddon".

But even so, director Ghosh is riveted and contributes three highlights when creating.

<h1 class="pgc-h-arrow-right" data-track="82" > the first highlight is the scale of production. </h1>

The drama set up three filming locations in Beijing, Zhangjiakou and Hengdian, excavated more than 40 kilometers of trenches, and used 107 cannons, 6 tanks, more than 1,400 guns, more than 100,000 bullets, and more than 50,000 props.

There are 240 main characters in the whole drama, and as many as 550 special actors, which are among the best in this year's main theme TV series.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

<h1 class="pgc-h-arrow-right" data-track="81" > the second highlight of the show is plot processing. </h1>

Ghosh did not copy the film version, but took a different approach to make a new idea.

Gao Xixi has directed classic TV series such as "The Sky of History", "New Three Kingdoms", "Legend of Chu Han" and so on, and his biggest feature is to use the small stories of small people to express the big feelings of big history.

The first episode of the show begins with the Chongqing negotiations, and after the appearance of various big characters, the director has a stroke and tells the love story of a pair of small people.

A Shandong military sister-in-law named Wang Cuiyun went to the northeast to look for her husband WuXiongguan, she came into contact with our army units, became a member of the logistics, and finally grew from a rural girl to a revolutionary fighter.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Many people do not understand that a TV series with such a grand theme is talking about love, in fact, the screenwriter wants to reflect the difficulty of the Communist Party to establish the Northeast Field Army through this little couple.

At that time, more than 60,000 Shandong disciples broke into the Kwantung and became revolutionary fighters, and WuxiongGuan was one of them. As a fighter educated by the Party, he was faced with a large number of ignorant people, demotees and puppet troops without revolutionary consciousness, and it was difficult to take these people to fight against the Kuomintang ace who had fought in the Burma campaign.

The fiancé rushed to the northeast, the fiancée followed closely, and the relationship between the party and the masses was condensed into an unmarried couple, which suddenly became concrete and perceptible.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

And by the third episode, it was still full of small characters and details.

The main theme of the tv drama is to show the bravery and tenacity of our army, but this drama has spent a lot of time showing the early days of our army: the troops are chaotic, and the organization is also chaotic, because a large number of bandits and old policemen have been collected, which at the beginning seriously affected the combat effectiveness of our army, and the litters of soldiers in the trenches were greedy for life and afraid of death and did not dare to charge, while Du Yuming's troops on the opposite side were well-trained and strictly disciplined.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

In fact, these precisely show the practical problems faced by our side in the early stage of the Liberation War, from the chaos at the beginning to the crossing of the river by millions of heroes, this change just proves the wise leadership of the Communist Party.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

<h1 class="pgc-h-arrow-right" data-track="28" > the third highlight of the show is the performance of the actors, which is also the most brilliant place in the whole play. </h1>

In the film version of "Armageddon", Mao Zedong is played by Gu Yue, who has played Chairman Mao 84 times in his life, and is the chairman who is most familiar to everyone, in the play he speaks a standard Hunan dialect, is not shocked when things are insulted, talks and laughs, and lets him interpret Chairman Mao's approachable side.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

In the TV drama version of "Armageddon", Tang Guoqiang played Mao Zedong, and since 1996, he has played Mao Zedong more than 30 times.

Compared with Gu Yue, his role of Mao Zedong is more far-sighted, interpreting Chairman Mao's domineering spirit of looking at the world.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The play opens with Mao Zedong on a plane to Chongqing, where he confesses that he is "unsteady" because of his fear of heights, but the words turn around and say that the Communists do not believe in any savior and immortal emperor.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Although Mao Zedong, who had a deep meaning behind this, anticipated the dangers of the Chongqing negotiations, he still faced the predicament with the courage of the Communists.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Subsequently, Mao Zedong was ostracized everywhere in his meeting with Chiang Kai-shek, such as Chiang Kai-shek's refusal to personally go to the airport to greet him; for example, Chiang Kai-shek only held out one hand when he shook hands; and for example, Chiang Kai-shek specially wanted to walk down from the second floor condescendingly, for which Mao Zedong did not pay attention to it, and still calmly clapped his palms.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.
The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

During the conversation between the two sides, Chiang Kai-shek ridiculed Mao Zedong at every turn, attacking him with a top hat, implying that there cannot be two political parties in one country and that the Kuomintang will never budge.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Mao Zedong, on the other hand, was not humble, saying that a body really cannot have two heads, and that everyone should conduct peace talks well for the sake of the people.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

After several confrontations, Mao Zedong's great personality charm overwhelmed the audience in front of the television.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The film version of "Armageddon" is played by Su Lin, who has played Premier Zhou in dozens of film and television dramas, and his superb acting skills have been affirmed by everyone.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The premier Zhou of the drama version of "Armageddon" is played by Liu Jin, compared to Su Lin, he has walked more purely on the road of special actors, he once refused to star in "Journey to the West" in order to maintain the image of the prime minister, named his daughter Liu Lai'en, and did one thing in his life - playing Premier Zhou well.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

This drama reflects the quality of the screenwriter and the full preparation of history lessons, Zhou Enlai and the Kuomintang Dai Kasa appeared at the same time, both of whom are from the Huangpu department, but in history, Dai Kasa admired Zhou Enlai and his admiration, and the director also showed this delicate relationship with a detail.

Dai Kasa first called Zhou Enlai "Director Zhou".

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Later, he changed his name to "Mr. Zhou".

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

When Dai Kasa was a student in Huangpu, Zhou Enlai was the director of the school's political department; now the two are parting ways, and can only pretend to be greeting, the two titles will explain the transformation of the two identities at once, and Zhou Enlai's calm and calm and Dai Kasa's eye wandering also form a sharp contrast.

Premier Zhou easily defused a tense dialogue, and the image of the entire character was immediately plumped up.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.
The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

In the film version of "Armageddon", Song Meiling was played by the special actor Wu Zhiyuan, who stood out from more than 20 actors to play this role that year, and has since become a special actor of Song Meiling.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The TV drama version of "Armageddon" in song Meiling is played by Liu Tao, compared to Wu Zhiyuan, her appearance is more three-dimensional, but with the help of makeup, Liu Tao wearing a cheongsam is fully closer to Song Meiling from the spiritual temperament.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

On the shooting scene, in order not to destroy the hairstyle and makeup, she slept with her head held, and the level of dedication was admirable.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The film version of "Armageddon" is played by Zhao Hengduo, who was born as a soldier and is very similar to Chiang Kai-shek from appearance to temperament, and in his 20-year special actor career, he has played Chiang Kai-shek in dozens of works, and he has a lot of experience, and in "Armageddon", he has performed the complexity of Chiang Kai-shek.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

In the TV drama version of "Armageddon", Chiang Kai-shek is played by Wang Jinsong, which is his second appearance as Chiang Kai-shek after "Glory and Dreams".

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

As an old drama bone, Wang Jinsong not only performed his own taste, but also resembled Chiang Kai-shek very much, it can be said that even the back of his head is like, which can be seen very clearly from the following contrasting photos:

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The head shape of the two can be said to be roughly the same, and even the look and temperament of laughter have the charm of Chiang Kai-shek.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Chiang Kai-shek's first appearance was in the back seat of the car, and Wang Jinsong showed Chiang Kai-shek's personality through several details.

One is that he locked his eyebrows, kept fiddling with his cane, struggled for a long time, and refused to go to the airport to pick up Mao Zedong, showing his inner trepidation.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.
The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The second is that at the dinner party to welcome Chairman Mao, Cheng Qian knew that Mao Zedong was a Hunan man who loved spicy food, and specially prepared a bottle of chili peppers in his position, Chiang Kai-shek was furious, and wanted to discard the chili pepper, and finally put it back in place for the sake of face.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The third is to meet with Mao Zedong, who arrogantly shakes hands with Mao Zedong with one hand and only holds a cane in the other, ostensibly showing superiority but in fact insecure.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The fourth is to be aggressive in his talks with Mao Zedong, saying that he is a dragon pond tiger's den, saying that he is a public servant, and on the other hand making a big fuss about the top hat worn by Mao Zedong, which seems to have the upper hand in the confrontation of languages, but in fact he has already lost his temperament, and the nature of the external strong and middle cadres has also been exposed.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.
The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

In the film version of "Armageddon", Lin Biao is played by Ma Shaoxin, who is also recognized as the best actor of Lin Biao.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The image of Lin Biao he performs can be simply fake and real, and the temperament of the character is directly to the essence: mood and anger are not colorful, and there is no personal hobby.

The drama version of "Armageddon" is full of controversy in lin biao's casting, and Yu Hewei first played this role.

Although Yu Hewei put on thick eyebrows with the help of makeup techniques, his face shape was also much thinner. However, compared with the real Lin Biao, he still looks slightly fatter.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

However, Yu Hewei has a strong ability, that is, no matter what role, he can interpret personal characteristics.

Liu Bei, Cao Cao, Chen Duxiu and other historical celebrities have all performed a new flavor by him, and there is also a joke on the Internet that "all things can be used in Hewei".

In this play, Yu Hewei still grasped Lin Biao's characteristics through several details when his appearance was not dominant and his role was minimal.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

At the beginning of the second episode, Lin Biao's rapid marching army galloped on the land of Hebei, the camera was focused on Lin Biao, he actually rode a donkey, dozed off, and opened his eyes under the reminder of the messenger, and then the messenger came to wake him up, telling him that he had just received a telegram from the chairman and changed his route to the northeast.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Then came Yu Hewei's highlight moment.

He was sleeping, and his whole body was lazy and relaxed, but his eyes were extremely solemn, and it was a reply to give the messenger a look.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

The historical Lin Biao is a moody military talent, and Yu Hewei uses a lens to show this state of "quiet as a virgin, moving like a rabbit".

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

Yu Hewei used the external acting method in "The Circuit Prosecutor Group" and "The Age of Awakening", interpreting the characteristics of the protagonist who is both good and evil; in "Armageddon", he used the adducted acting method, simplifying the complex, using the simplest micro-expressions and details to perform Lin Biao's characteristics in a limited role.

The stroke of God, Wang Jinsong played the back of Chiang Kai-shek's head, Dai Kasa changed his mouth to Zhou Enlai, and the first highlight was the scale of production. The second highlight of the show is the plot processing. The third highlight of the play is the performance of the actors, which is also the most brilliant place in the whole play.

In short, if the film version of "Armageddon" is an unbridgeable peak, then the drama version of "Armageddon" is a meandering river, it did not cross the peak, but bypassed the peak, with a grounded attitude, with a new group of actors, in a new field of the world.

(Rotten Tomatoes Editorial Department: Yang Yi)

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