Counting the sketch actors on the stage of various evenings, it is not difficult to find that many of them are professional cross-talk actors, such as: Gong Hanlin, Huang Hong, Jin Zhu, Liu Yajin, Han Lancheng, Chang Yuan and so on. However, the reasons for their change of career are not the same, some are more suitable for the performance form of the sketch with personal characteristics; there are also those who think that they are not talented enough to insult cross-talk.
All in all, the change of behavior is a higher achievement in the art of the individual. But obviously, he can make a name for himself by saying that crosstalk is biased to plunge into the ranks of sketch actors, which is somewhat puzzling. What is even more puzzling is that although he entered the circle of sketches and also appeared on the CCTV Spring Festival Gala as he wished, he was unknown after transforming into a sketch actor and never left a deep impression on the audience.
The actor who "entered the wrong line" was Liu Liu, who was the deputy head of the Heilongjiang Provincial Qu Art Troupe. Liu Liu, who was born in 1963, is an out-and-out "eldest son" in the xiangsheng gate, and his tutor is Mr. Zhao Chuntian, a famous beijing cross-talk artist. Perhaps some viewers are not familiar with Zhao Chuntian, but the mention of his master and father's names can be described as thunderous. Mr. Zhao studied under Hou Yichen, and his father, Zhao Yiru, was one of the most outstanding representatives of the Beijing school of cross-talk. Liu Liu of the writing generation is actually not a cross-talk actor with the aura of "big generation" on his head and can withstand a cross-talk actor who does not have one. On the contrary, he said in his early years that the level of cross-talk was quite high. If some people think that Liu Liu's sketches have no characteristics, they can only say that he has cleverly hidden the cross-talk that he is best at.
Nowadays, mentioning Liu Liu again may remind you of the green leaves that he gave Zhao Benshan a foil on the spring evening, and may also think of Liu's big head in "Country Love", but few people remember that he was once a professional cross-talk actor. Liu Liu and Feng Yongzhi had been partners for a long time, during which the two staged a number of new cross-talk with the characteristics of the times, such as the familiar "Pipe Fighting Wealth", "Shadow", "Qi Fan", "Fat Model" and so on. These creations and compilations not only have a certain degree of performance difficulty, but also have profound practical significance in the theme of the paragraph. What he satirizes is not a certain person, but a social phenomenon.
For example, "Pipe Fighting Wealth" is a representative work when he and Feng Yongzhi teamed up. Audiences who have listened to this passage know that the satire of the passage is the mentality of a small number of people in the society who became rich first at that time and wantonly squandered everything. The bottom baggage also has the positive meaning of warming the heart to transmit positive energy. In just thirteen minutes of work, there are singing willows, there are inverted mouths, there are tongue twisters... And these techniques are all in the service of shaping characters. From the song willow crooked singing "The Legend of Muyushi", the wealth and wealth of "I" are expressed, and the "southern old guest" is portrayed through the inverted mouth, and the correct values of "millions" are displayed with pipes and blanket tongue twisters. Looking at the whole paragraph, there is a plot, a character, a burden, and a meaning. Similar themes of new cross-talk include Yang Yi and Yang Jinming's "Song Hall Anecdotes".
In 1988, the second national professional cross-talk "Dalian Xinghai Cup" TV Invitational Competition was held in Dalian. In that year, Cui Jinquan won the first prize of the comic with "The Legend of The Laughing Star", and Ma Zhiming's "Dispute" won the third prize of the comic. Liu Liu, who was only 26 years old at the time, also participated in this cross-talk event, and in such a high-ranking competition, he and Feng Yongzhi finally won the Outstanding Performance Award with a piece of cross-talk "Shadow". Some people may think that the excellence award has no gold content, but it should be known that in the first competition, the "Five Tastes Complete" staged by the powerful Ma Xie file only won an excellent performance award.
Among the many cross-talk actors who have changed their careers to acting in sketches, Liu Liu and Fan Wei belong to the typical category of "having a deal", which is a good material for cross-talk. Compared with Fan Wei, Liu Liu's cross-talk works are superior in number. Some people also think that when he performed and created cross-talk, his style was quite similar to that of His fellow Harbin teacher Shengjie. In fact, there is a certain truth in this statement, the two cross-talk artists of the literary generation are from the black land of the northeast, and they are good at shaping differentiated character images in their performances, and the techniques of shaking baggage have distinct characteristics of northeast cross-talk. But the difference is that Mr. Shi's performance is more fresh and timeless, and the typhoon is dashing and atmospheric, highlighting a "handsome" word. Liu Liu, on the other hand, is good at showing the enthusiastic and heroic personality of the Northeast cross-talk actor, thick and thin, so that the new life highlights a "sell" word.
Although Liu Liu has bid farewell to the identity of a cross-talk actor for more than twenty years, good works have always stood up to scrutiny. On the other hand, a very small number of actors in the system have said that most of their lives have been talking to each other, but they have fallen into a "phase and a void and two do not fight", should we reflect on this?
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