Text/Hui Theory
In 2020, Deyun Society ushered in 3 major events:
1. "Deyun Dou Laughing Society" was launched, and Deyun Society appeared on the screen in the form of a group synthesis;
2. Guo Degang and Yu Qian have cooperated for 20 years;
3. In addition to the earlier "Cloud Crane Nine Xiao", the Dragon Character Department officially enrolled students.
As the largest cross-talk group in China today, basically every move of Deyun Society is in people's attention.
A few days ago, the much-concerned Deyun Shelong Character Section enrollment officially came to an end.
From Guo Degang announcing the "Longzike Enrollment", to the millions of students vying to apply for the Deyun Society, and finally to less than 100 people passing the final screening...
It is possible to do such a lively and lively expansion of enrollment that it can have such an influence, and probably only the Deyun Society.
In the enrollment of the Dragon Character Department, in addition to its own attention, the "counterpart" Qu Association of the Deyun Society is also quietly changing its view of the Deyun Society.
On June 3, Mr. Sun Yan, a national first-class book review actor, posted a video on social platforms.
In the video, Sun Yan first expressed his admiration for Guo Degang, saying that he was in tears when watching the enrollment of the Dragon Character Department.
Because Guo Degang not only recruited cross-talk students in the enrollment process, but also recruited book critics and drum music talents.
Sun Yan's mother is a Big Drum Actor in Xihe, but in recent years, for various reasons, the entire music industry has been in a slump, and there are fewer and fewer drum music actors, and traditional drum music is on the verge of extinction.
Speaking of emotional places, Sun Yan "called on" the Qu Association to issue a sign to the Deyun Society: the land of Chinese qu art, the cradle of qu art, and the cultivation of qu art actors.
At the end of the video, Sun Yan repeatedly thanked Guo Degang for his contribution to Quyi.
You must know that Sun Yan is a member of the "Qu Association", how can he not know about the "enmity" between Guo Degang and the Qu Association?
Dare to stand up for Guo Degang at this node, it can be seen that Sun Yan is indeed grateful to Guo Degang.
Of course, there is also a point, that is, Sun Yan's love for quyi.
At the end of April this year, the Cross-talk Art Committee of the Qu Association and other departments jointly issued the "Proposal on Strengthening the Construction of cross-talk industry style and consciously practicing the art of advocating virtue and shangyi", which attracted people's attention.
In this proposal, the main purpose of the "purpose" is to "resist the bad habits of feudal gangs", "resist vicious and crude performances", and "resist distorting facts and malicious speculation".
This proposal seems to be for the entire cross-talk industry, but the discerning person can see at a glance that the proposal is intended.
Especially in the "clean up portal" in the article "Resolutely resist the bad habits of feudal gangs", linked to Guo Degang's clean-up of the portal in 2016, he sent a document to take away the "cloud" of Cao Yunjin and He Yunwei, then this proposal is almost directly written with the three words "Guo Degang".
Of course, in addition to this year's "initiative", in fact, as early as 2007, the Beijing Cross-Talk Club issued an "initiative" to the cross-talk community, opposing "vulgarity, vulgarity and kitsch".
For this experience, Guo Degang "endured" for 13 years, until last year's "Deyun Dou Laughing Society", Guo Degang mentioned "elegant customs" in the program, and fought back with "crosstalk is popular rather than vulgar".
This is also a response to the title of "three customs".
So, is Guo Degang's crosstalk really so unbearable?
To borrow a phrase that Guo Degang often said, "Wen Wu is the first Wu Wu is not the second".
The Deyun Society, which has always been regarded by the outside world as the "three customs", has not "fallen", but has become more and more popular.
And the traditional cross-talk industry, which was once on the verge of extinction, was also pulled back by the Deyun Society and Guo Degang.
Some media once commented: Keep Guo Degang, xiangsheng died fifty years late.
For now, Guo Degang has been "saved" and crosstalk has also regained its vitality, but Guo Degang has done far more than that.
Because as Sun Yan said, other traditional music and art industries are also on the verge of extinction.
At the beginning of this year, Guo Degang posted two dynamics on social platforms in a row to create momentum for his Peking Opera performance in the Qilin Opera Society.
The ticket prices for these two performances of the Qilin Opera Company are not low, but with the joining of Guo Degang, the tickets of the Qilin Opera Company were once difficult to find.
Benchmarking the "low ticket price" and "low attendance" in the daily Peking Opera performance scene, Guo Degang's Peking Opera performance is undoubtedly successful.
At that time, there was always a saying that "Guo Degang revitalized Peking Opera with the Qilin Opera Society", of course, it is undeniable that a large part of the audience for Peking Opera performances came from the fans of Deyun Society.
On this point, the famous Peking Opera artist Wang Peiyu gave his own views in an interview.
In Wang Peiyu's view, Guo Degang did a good job of cross-talk's acting ecology, but it is more extreme to say that cross-talk saved Peking Opera.
Moreover, Wang Peiyu believes that Guo Degang's Peking Opera level is not professional, in the strict sense, just a top ticket holder, the reason why it is difficult to find a ticket is because there are many Famous Peking Opera characters to accompany him...
There is also a follow-up to this matter.
On February 3, Wang Peiyu posted a dynamic on social platforms, quoting a sentence in "Tianjingsha Spring" that "the spring mountain is warm and the wind is gentle, and the curtain of the pavilion is dry", with a picture of her own Peking Opera appearance.
A few minutes later, Guo Degang also posted a dynamic "unintentional struggle for spring" on social platforms, accompanied by photos of "Qilin Drama Society".
As for whether Guo Degang wants to express the "struggle" in "unintentional struggle for spring" or the "jealousy" in "one ren Qunfang", it is not known.
Coincidentally, in addition to Sun Yan's support for Guo Degang, Li Hongtu, a member of the Qu Association and a famous Peking Opera artist, also praised Guo Degang in the face of the interview.
In Li Hongtu's view, Guo Degang belongs to learning to sing, so he should not be asked from a professional point of view in the beginning.
And whether he sang well or not, he actually played a positive role in the spread of Peking Opera, perhaps because Guo Degang had many people who went into the theater to listen to the play.
This sentence is not false.
Peking Opera or other traditional operas have gone downhill at present, without an audience, without a market, and gradually without an inheritor.
This can also be understood why Sun Yan has to thank Guo Degang several times and three times because of traditional drum drama.
Then, knowing that the traditional music art is on the verge of extinction, Guo Degang, Deyun Society, Qilin Opera Society, or Wang Peiyu and the members of the Qu Association all have the same purpose, that is, to revitalize traditional music art.
There is no doubt about this.
In this way, if Guo Degang is retained, traditional music and art can also "die late" for decades.
The once endangered crosstalk is the best testimony.
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